Somewhere to Come Back to: The Filmic Journeys of John T. Davis

References

• Sheehy , Ted . 1996 . 'The Windhover' . Film Ireland , October/November : 17 Davis, quoted in
   Google Scholar
• Davis , John T. 1993 . Works , Edited by: O'Regan , John . 13 Gandon Editions . Davis, quoted in
   Google Scholar
• Maillot , Agnes . 2000 . 'Punk on Celluloid: John Davis's Shell Shock Rock (1979)' . Historical Journal of Film, Radio, and Television , 20 ( 3 ) August : 382
   Web of Science ®Google Scholar
• 1966 . Don't Look Back USA Davis's first contact with D. A. Pennebaker was when he saw him filming Bob Dylan on the streets of Belfast in 1966 during the making of
   Google Scholar
• O'Regan , ed. Works 8
   Google Scholar
• O'Regan , ed. Works 8
   Google Scholar
• Lavery , Dermot . 1992 . 'Power in the Lens' . Film Ireland , November/December : 19 Davis, quoted in
   Google Scholar
• Barnouw , Erik . 1993 . Documentary: A History of the Non-fiction Film , Oxford University Press . Excellent introductions to documentary film are provided by
   Google Scholar
• Barsam , Richard . 1992 . Non-fiction Film , Indiana University Press .
   Google Scholar
• Corner , John . 1996 . The Art of Record: A Critical Introduction to Documentary , Manchester University Press .
   Google Scholar
• Nichols , Bill . 1991 . Representing Reality: Issues and Concepts in Documentary , Indiana University Press . More detailed theoretical studies of questions of form and content include:
   Google Scholar
• Winston , Brian . 1995 . Claiming the Real: The Documentary Film Revisited: Griersonian Documentary and its Legitimations , BFI .
   Google Scholar
• 1997 . How Far Home , Brendan J. Byrne . He has contributed to documentaries including
   Google Scholar
• 1997 . Hidden Treasures , Loopline Films . and series including, and shot footage for television news
   Google Scholar
• Barnouw . Documentary 348
   Google Scholar
• Lavery . “ 'Power in the Lens' ” . 20 Davis, quoted in
   Google Scholar
• Lavery . “ 'Power in the Lens' ” . 21
   Google Scholar
• Sheehy . “ 'The Windhover" ” . 17
   Google Scholar
• Sheehy . “ 'The Windhover" ” . 17
   Google Scholar
• McIlroy , Brian . 1998 . Shooting to Kill: Filmmaking and the 'Troubles' in Northern Ireland , 149 Flicks Books .
   Google Scholar
• O'Regan , ed. Works 17 Davis, quoted in
   Google Scholar
• McIlroy . Shooting to Kill 151
   Google Scholar
• O'Regan , ed. Works 20
   Google Scholar
• O'Regan , ed. Works 21 Davis, quoted in
   Google Scholar
• O'Regan , ed. Works 21 Davis, quoted in
   Google Scholar
• Davis directed one other film between Hobo and The Uncle Jack, namely Atlantic (1993), a portrait of the Atlantic record company, but his attention was at least partly deflected by the development of The Uncle Jack, which took place between 1992 and 1996
   Google Scholar
• Nichols . Representing Reality 60
   Google Scholar
• Lane , Jim . 1993 . 'Notes on Theory and the Autobiographical Documentary Film in America' . Wide Angle , 15 ( 3 ) July : 22 – 23 .
   Google Scholar
• Rockett , Kevin , Gibbons , Luke and Hill , John . 1988 . Cinema and Ireland , Routledge . Quinn is a very different film maker and Atlantean is itself a unique work of Irish non-fiction film which I do not have space to discuss here. For further detail on the films of Bob Quinn see
   Google Scholar
• Sheehy . “ 'The Windhover' ” . 17 Davis, quoted in
   Google Scholar
• McCracken , Kathleen . 1999 . “ 'Poetic Documentary: The Films of John T. Davis' ” . In Contemporary Irish Cinema from The Quiet Man to Dancing at Lughnasa , Edited by: MacKillop , James . 14 Syracuse University Press .
   Google Scholar
• Pettitt , Lance . 2000 . Screening Ireland: Film and Television Representation , 218 Manchester University Press .
   Google Scholar
• Lavery . “ 'Power in the Lens' ” . 21 Davis, quoted in
   Google Scholar
• Pettitt . Screening Ireland 216
   Google Scholar
• Lane . “ 'Notes on Theory and the Autobiographical Documentary' ” . 32
   Google Scholar
• Kiberd , Declan . 1995 . Inventing Inland: The Literature of the Modem Nation , 561 Jonathan Cape .
   Google Scholar