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Original Articles

At Home with Horror: Neil Jordan's Gothic Variations

Pages 189-198 | Published online: 21 Jul 2010

References

  • Jordan , Neil . 13 July 1997 . “ 'Neil Jordan in Conversation with Michael O'Dwyer' ” . 13 July , available
  • Backus , Margot Gayle . 1999 . The Gothic Family Romance: Heterosexuality, Child Sacrifice and Anglo-Irish Colonial Order , 15 Duke University Press .
  • Bunnell's , Charlene . 1984 . “ 'The Gothic: A Literary Genre's Transition to Film' ” . In Planks of Reason: Essays on the Horror Film , Edited by: Grant , B. K. 79 – 100 . Scarecrow . For a clear and incisive treatment of this issue, see
  • Gledhill , Christine . 1999 . “ 'Horror' ” . In The Cinema Book , 2nd edn , Edited by: Cook , P. and Bemink , M. 195 BFI .
  • Wood , Robin . 1985 . “ 'An Introduction to the American Horror Film' ” . In Movies and Methods , Edited by: Nichols , Bill . vol. 2 , 195 – 219 . University of California Press .
  • Altman , Rick . 1999 . Film/Genre , 207 – 215 . BFI . For a general overview of developments in this area see
  • Neal , Stephen . 2000 . Genre and Hollywood , 17 – 28 . Routledge .
  • Gledhill . 2000 . “ 'Rethinking Genre' ” . In Reinventing Farn Studies , Edited by: Gledhill , Christine and Williams , Linda . 241 Arnold .
  • Stam , Roben . 2000 . Film Theory: An Introduction , 129 – 130 . Blackwell . Recent treatments of Jordan's work that have accentuated his ability to secure a 'third space' between 'the ethical demands of the local and the commercial demands of the global' have gone some way towards creating an auteur-entrepreneur classification that can consider more fully the extent of Jordan's creative and industrial 'negotiations'. Such an approach cannot avoid addressing the genre question, and the pivotal role that Jordan's generic affiliations have played in these negotiations. See
  • Hooper's , Keith . 1997 . "Cat-calls from the Cheap Seats": The Third Meaning of Neil Jordan's Michael CoBins' . Irish Review , 21 : 1 – 28 .
  • 2001 . "'A Gallons Story and a Dirty Deed": Word and Image in Neil Jordan and Joe Comerford's Traveller (1981)' . Irish Studies Review , 9 ( 2 ) : 179 – 191 .
  • Deane , Seamus . 1997 . Strange Country: Modernity and Nationhood in Irish Writing since 1790 , 129 Oxford University Press .
  • Collick , John . 1991 . 'Wolves Through the Window: Writing Dreams/Dreaming Films/Filming Dreams' . Critical Survey , 3 ( 3 ) : 284 – 285 .
  • Welles , Paul . 2000 . The Horror Genre: From Beelzebub to Blear Witch , 39 Wallflower .
  • Collick . “ 'Wolves Through the Window' ” . 286
  • Neal , Cassady . 1996 . “ 'Pleasure and Interpretation: Film Adaptations of Angela Carter's Fiction' ” . In Pulping Fictions: Consuming Culture across the Literature/Media Divide , Edited by: Cartmell , D. , Hunter , I. Q. , Kaye , H. and Whelehan , I. 104 – 107 . Pluto .
  • Gelder , Ken . “ 'The Vampire Writes Back: Anne Rice and the (Re)tum of the Author in the Field of Cultural Production' ” . In Pulping Fictions 29 – 55 . Eventually produced by Geffen Productions and Stephen Woolley, and distributed by Warner Bros, Interview cost $50 million to make, although, to the relief of its backers, it grossed $100 million in the first eight weeks of its US release.
  • Reep , Diana C. , Ceccio , Joseph F. and Francis , William A. 1996 . “ 'Anne Rice's Interview with the Vampire: Novel Versus Film' ” . In The Gothic World of Arme Rice , Edited by: Hoppenstand , Gary and Browne , Ray. B. 123 – 147 . Bowling Green State University Press .
  • Jordan , NeU . 1989 . High Spirits: Screenplay , xii – xiii . Faber .

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