The culture of art in 1880s Ireland and the genealogy of Irish modernism

Bibliography

• Armstrong, Isobel. The Radical Aesthetic. Oxford: Blackwell, 2000.
   Google Scholar
• Bagenal, Philip H. “Edward Smith, an Irish Sculptor.” Dublin University Review Apr. (1886): 297–300.
   Google Scholar
• Bourdieu, Pierre. Distinction: A Social Critique of the Judgement of Taste. Translated by Richard Nice. London: Routledge and Keegan Paul, 1984.
   Google Scholar
• Bourdieu, Pierre. The Field of Cultural Production: Essays on Art and Literature, Edited by Randal Johnson. Cambridge: Polity Press, 1993.
   Google Scholar
• Bourke, Marie. The Story of Irish Museums, 1790–2000: Culture, Identity and Education. Cork: Cork University Press, 2011.
   Google Scholar
• Carpenter, Andrew, General Ed. Art and Architecture of Ireland. 5 vols. New Haven, CT: Yale University Press, 2014.
   Google Scholar
• Carville, Conor. The Ends of Ireland: Criticism, History, Subjectivity. Manchester, NH: Manchester University Press, 2011.
   Google Scholar
• “Ceramic Exhibition at Cork.” Hibernia 1, no. 1 (1882): 16.
   Google Scholar
• Chaloner Smith, John. “James Macardell.” Dublin University Review Apr. (1886): 331–341.
   Google Scholar
• Chaudhry, Yug Mohit. Yeats, the Irish Literary Revival and the Politics of Print. Cork: Cork University Press, 2001.
   Google Scholar
• Crooke, Elizabeth. Politics, Archaeology and the Creation of a National Museum in Ireland: An Expression of National Life. Dublin: Irish Academic Press, 2000.
   Google Scholar
• Cullen, Fintan. Ireland on Show: Art, Union, and Nationhood. Farnham: Ashgate, 2012.
   Google Scholar
• Davis, Thomas. Literary and Historical Essays.1846. Reprinted with introduction by John Kelly. Poole: Woodstock Books, 1998.
   Google Scholar
• Davis, Thomas. “The Spirit of the Nation.” 1844. In Sources in Irish Art: A Reader, edited by Fintan Cullen, 246–248. Cork: Cork University Press, 2000.
   Google Scholar
• Deane, Seamus. Strange Country; Modernity and Nationhood in Irish Writing since 1790. Oxford: Oxford University Press, 1997.
   Google Scholar
• Dublin International Exhibition of Arts and Manufactures, 1865: Official Catalogue. Dublin: Executive Authority of the Committee, 1865.
   Google Scholar
• Dublin University Review: Illustrated Art Supplement Mar. 1885.
   Google Scholar
• Dublin University Review: Illustrated Art Supplement Mar. 1886.
   Google Scholar
• Eagleton, Terry. Heathcliff and the Great Hunger: Studies in Irish Culture. London: Verso, 1995.
   Google Scholar
• Eagleton, Terry. The Ideology of the Aesthetic. Oxford: Basil Blackwell, 1990.
   Google Scholar
• “Figure Subjects.” Dublin University Review: Illustrated Art Supplement Mar. (1885): 6–9.
   Google Scholar
• Frazier, Adrian. “Irish Modernisms, 1880–1930.” In The Cambridge Companion to the Irish Novel, edited by John Wilson Foster, 113–132. Cambridge: Cambridge University Press, 2006.
   Google Scholar
• Gwynn, Stephen. Experiences of a Literary Man. London: Thornton Butterworth, 1926.
   Google Scholar
• “Half-Hours in the Dublin National Gallery.” Hibernia 1, no. 1 (1882): 9–10.
   Google Scholar
• Hayley, Barbara. “A Reading and Thinking Nation: Periodicals as the Voice of Nineteenth-Century Ireland.” In Three Hundred Years of Irish Periodicals, edited by Barbara Hayley and Enda McKay, 29–48. Mullingar: Lilliput Press, 1987.
   Google Scholar
• “Introductory.” Hibernia 1, no. 1 (1882): 1.
   Google Scholar
• “The Irish Industrial Movement: 1. The Exhibition of 1882.” Hibernia 1, no. 1 (1882): 1–2.
   Google Scholar
• Irish, Tomás. “A Man Called Mahaffy: An Irish Cosmopolitan Confronts Crisis, 1899–1919.” Historical Research 89, No. 246 (Nov. 2016): 846–865.
   Web of Science ®Google Scholar
• Jameson, Fredric. “Reflections in Conclusion.” In Aesthetics and Politics, edited by Theodor Adorno, Walter Benjamin, Ernst Bloch, Bertold Brecht and George Lukács, 196–213. London: New Left Books, 1977.
   Google Scholar
• Johnston, Francis. “Introductory: The Royal Hibernian Academy of Arts, 1823–1885.” Dublin University Review: Illustrated Art Supplement Mar. (1885): 1–4.
   Google Scholar
• Jones, Thomas A. “William Mulready, R.A.” Dublin University Review Feb. (1886): 135–151.
   Google Scholar
• Kearney, Richard. Navigations: Collected Irish Essays, 1976–2006. Dublin: Lilliput Press, 2006.
   Google Scholar
• Kelly, John S. “The Fall of Parnell and the Rise of Irish Literature.” Anglo-Irish Studies 2 (1976): 1–24.
   Google Scholar
• Kennedy, Róisín. “‘Flamboyant, Gothic, Romanesque’: Art and Revolution in the Mind of Ernie O’Malley.” In Modern Ireland and Revolution: Ernie O’Malley in Context, edited by Cormac K. H. O’Malley, 17–27. Dublin: Irish Academic Press, 2016.
   Google Scholar
• Kiberd, Declan and P. J. Mathews, eds. Handbook of the Irish Revival: An Anthology of Irish Cultural and Political Writings, 1891–1922. Dublin: Abbey Theatre Press, 2015.
   Google Scholar
• Lane, Fintan. The Origins of Modern Irish Socialism, 1881–1896. Cork: Cork University Press, 1997.
   Google Scholar
• Levitas, Ben. The Theatre of Nation: Irish Drama and Cultural Nationalism, 1890–1916. Oxford: Clarendon Press, 2002.
   Google Scholar
• Lloyd, David. “Arnold, Ferguson, Schiller: Aesthetic Culture and the Politics of Aesthetics.” Cultural Critique 2 (Winter 1985/6): 139–152.
   Google Scholar
• Lloyd, David. Ireland after History. Cork: Cork University Press, 1999.
   Google Scholar
• Lloyd, David. “On Republican Reading: Ernie O’Malley, Irish Intellectual.” In Modern Ireland and Revolution: Ernie O’Malley in Context, edited by Cormac K. H. O’Malley, 79–106. Dublin: Irish Academic Press, 2016.
   Google Scholar
• Longley, Edna. Yeats and Modern Poetry. Cambridge: Cambridge University Press, 2013.
   Google Scholar
• McDonald, Rónán. “The Irish Revival and Modernism.” In The Cambridge Companion to Irish Culture, edited by Joe Cleary, 51–62. Cambridge: Cambridge University Press, 2014.
   Google Scholar
• Morris, William. The Earthly Paradise: A Poem. 4 vols. 5th ed. London: FS Ellis, 1870.
   Google Scholar
• Morris, William. Hope and Fears for Art & Signs of Change. 1882/1888. With a new introduction by Peter Faulkner. Bristol: Thoemmes Press, 1994.
   Google Scholar
• Morris, William. “Socialism in Dublin and Bradford.” Commonweal 2, no. 17 (1886): 43.
   Google Scholar
• Murphy, Paula. Nineteenth-Century Irish Sculpture: Native Genius Reaffirmed. New Haven, CT: Yale University Press, 2010.
   Google Scholar
• “Must Irishman Be Irish.” 1887. North and South: An Irish Newspaper and Review, Jan. 29.
   Google Scholar
• Nic Ghabhann, Niamh. Medieval Ecclesiastical Buildings in Ireland, 1789–1915: Building on the Past. Dublin: Four Courts Press, 2015.
   Google Scholar
• O’Malley, Cormac K. H. and Anne Dolan. “No Surrender Here!” the Civil War Papers of Ernie O’Malley 1922–1924. Dublin: Lilliput Press, 2007.
   Google Scholar
• Pentland, J. Howard [John Pentland Mahaffy]. “Aesthetics and ‘Aesthetes’: no. 1.” Hibernia 1, no. 1 (1882): 8–9.
   Google Scholar
• Poynter, Edward J. Ten Lectures on Art. London: Chapman and Hall, 1879.
   Google Scholar
• “Recent Publications on Art.” Hibernia 1, no. 1 (1882): 15.
   Google Scholar
• “The Royal Hibernian Academy.” 1887. North and South: An Irish Newspaper and Review, Mar. 12.
   Google Scholar
• Shanahan, Jim. “‘Vivid Irish History’: Frank Mathew’s the Wood of the Brambles and the Prehistory of Irish Modernist Fiction.” In Irish Modernism: Origins, Contexts, Publics, edited by Edwina Keown and Carol Taaffe, 31–46. Oxford: Peter Lang, 2010.
   Google Scholar
• Siegel, Jonah. Desire and Excess: The Nineteenth-Century Culture of Art. Princeton, NJ: Princeton University Press, 2000.
   Google Scholar
• Somerville-Large, Peter. 1854–2004: The Story of the National Gallery of Ireland. Dublin: National Gallery of Ireland, 2004.
   Google Scholar
• Todhunter, John. “Art and the Stage in London.” Hibernia 1, no. 1 (1882): 10–11.
   Google Scholar
• Turpin, John. A School of Art in Dublin since the Eighteenth Century: A History of the National College of Art. Dublin: Gill and Macmillan, 1995.
   Google Scholar
• Wilson Foster, John. Colonial Consequences: Essays in Irish Literature and Culture. Dublin: Lilliput Press, 1991.
   Google Scholar
• Yeats, W. B. Autobiographies. Edited by William H. O’Donnell and Douglas Archibald. Basingstoke: Palgrave Macmillan, 1999.
   Google Scholar