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International Journal of Philosophical Studies Volume 31, 2023 - Issue 5
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Book Review

Normativity, Lifeworld, and Science in Sellars’ Synoptic Vision

by Dionysis Christias, London, Palgrave Macmillan, 2023, vii + 321 pp., €128.39 hbk, €96.29 Ebook, ISBN 978-3-031-27025-3; ISBN 978-3-031-27026-0 (eBook). https://doi.org/10.1007/978-3-031-27026-0

Carl B. SachsMarymount University, Arlington, VA, USACorrespondence[email protected]
Pages 739-744 | Published online: 07 Jan 2024

References

  • deVries, W. 2022. “Wilfrid Sellars and Liberal Naturalism.” In The Routledge Handbook to Liberal Naturalism, edited by Mario De Caro and David Macarthur, 110–121. New York: Routledge.
  • deVries, W., and T. Triplett. 2000. Knowledge, Mind, and the Given. Hackett: Indianapolis.
  • Klemick, G. 2022. “Sellars’s Core Critique of C. I. Lewis: Against the Equation of Aboutness with Givenness.” Archiv für Geschichte der Philosophie. https://doi.org/10.1515/agph-2021-0114.
  • Maher, C. 2012. The Pittsburgh School of Philosophy. New York: Routledge.
  • Negarestani, R. 2018. Intelligence and Spirit. New York: Sequence Press.
  • O’Shea, J. 2021. “What Is the Myth of the Given?” Synthese 199 (3–4): 10543–10567. https://doi.org/10.1007/s11229-021-03258-6.
  • Price, H. 2013. Expressivism, Pragmatism, and Representationalism. Cambridge: New York.
  • Sachs, C. 2019. “A Conceptual Genealogy of the Pittsburgh School.” In The Cambridge History of Philosophy 1945-2015, edited by Kelly Becker and Iain Thomson, 664–676. New York: Cambridge.
  • Salis, P. 2022. “The Given and the Hard Problem of Content.” Phenomenology and the Cognitive Sciences 1–26. https://doi.org/10.1007/s11097-022-09843-5.
  • Sellars, W. 1967. “Philosophy and the Scientific Image of Man” In Science, Perception, and Reality. Ridgeview: Atascadero.
  • Sellars, W. 1981. “Foundations for a Metaphysics of Pure Process.” The Monist 64 (1): 3–90. https://doi.org/10.5840/monist19816412.
  • Srnicek, N., and A. Williams. 2016. Inventing the Future: A Post-Capitalist Manifesto. New York: Verso.

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