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South East Asia Research Volume 29, 2021 - Issue 4
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Book Reviews

Southeast Asia on screen: from independence to financial crisis (1945–1998)

edited by Gaik Cheng Khoo, Thomas Barker, and Mary J. Ainslie, Amsterdam, Amsterdam University Press, 2021, 303 pp., US$120.00, ISBN 9789462989344

Elmo GonzagaThe Chinese University of Hong Kong, Hong KongCorrespondence[email protected]
Pages 532-535 | Published online: 03 Sep 2021

References

  • Barker, Thomas. 2019. Indonesian Cinema After the New Order. Hong Kong: Hong Kong University Press.
  • Baumgärtel, Tilman. 2012. Southeast Asian Independent Cinema. Hong Kong: Hong Kong University Press.
  • Campos, Patrick. 2016. The End of National Cinema. Quezon: University of the Philippines Press.
  • Capino, José B. 2020. Martial Law Melodrama. Oakland: University of California Press.
  • Fuhrmann, Arnika. 2016. Ghostly Desires. Durham, NC: Duke University Press.
  • Hanan, David. 2017. Cultural Specificity in Indonesian Film. Cham: Palgrave Macmillan.
  • Hunt, Matthew. 2021. Thai Cinema Uncensored. Seattle: University of Washington Press.
  • Ingawanij, May Adadol, and Benjamin McKay. 2012. Glimpses of Freedom. Ithaca, NY: Cornell Southeast Asia Program Publications.
  • Johan, Adil. 2018. Cosmopolitan Intimacies. Singapore: NUS Press.
  • Lee, Sangjoon. 2020. Cinema and the Cultural Cold War. Ithaca, NY: Cornell University Press.
  • Lim, Edna. 2018. Celluloid Singapore. Edinburgh: Edinburgh University Press.
  • Macapagal, Katrina. 2021. Slum Imaginaries and Spatial Justice in Philippine Cinema. Edinburgh: Edinburgh University Press.
  • Trice, Jasmine Nadua. 2021. City of Screens. Durham, NC: Duke University Press.

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