what is yours, ours and mine

bibliography

• Apter , Emily . 2008 . Biography of a Translation: Madame Bovary between Eleanor Marx and Paul de Man . Translation Studies , 1.1 : 73 – 89 .
   Google Scholar
• Apter, Emily. “DanGrahamInc and the Fetish of Self-Property.” The Lure of the Object. Ed. Stephen Melville. New Haven: Yale UP, 2006. 15–38
   Google Scholar
• Apter , Emily . 2007 . Taskography: Translation as Genre of Literary Labor . Remapping Genre (special issue). PMLA , 122.5 : 1403 – 15 .
   Google Scholar
• Barthes Roland. “The Death of the Author.” Image Music Text. Trans. Stephen Heath. New York: Farrar, 1978. 142–49
   Google Scholar
• Baudelaire, Charles. Selected Letters of Charles Baudelaire. Trans. and ed. Rosemary Lloyd. Chicago: U of Chicago P, 1986
   Google Scholar
• Bayard , Pierre . 1990 . Il était deux fois Romain Gary , Paris : PUF .
   Google Scholar
• Benkler , Yochai . 2006 . The Wealth of Networks: How Social Production Transforms Markets and Freedom , New Haven : Yale UP .
   Google Scholar
• Best , Stephen M . 2004 . The Fugitive's Properties: Law and the Poetics of Possession , Chicago : U of Chicago P .
   Google Scholar
• Blackstone , William . 1846 . Commentaries on the Laws of England , New York : Dean .
   Google Scholar
• Bolaño, Roberto. “Alvaro Rousselot's Journey.” The New Yorker 26 Nov. 2007. Available <www.newyorker.com/fiction/features/2007/11/26/071126fi__fiction__bolano>
   Google Scholar
• Bolaño, Roberto. Nazi Literature in the Americas. Trans. Chris Andrews. New York: New Directions, 2008
   Google Scholar
• Bosteels , Bruno . 2003 . In the Shadow of Mao: Ricardo Piglia's ‘Homenaje a Roberto Arlt.’ . Journal of Latin American Cultural Studies , 12.2 : 229 – 59 .
   Google Scholar
• Braathen, Martin, Stephanie Fabre, Minnie Scott and Mike Sperlinger, eds. The Price of Everything … Perspectives on the Art Market. New Haven: Yale UP, 2008
   Google Scholar
• Butler , Judith . 2004 . Undoing Gender , London : Routledge .
   Google Scholar
• Cross, Doug. “Lawsuit Targets ‘Rip-Off’ of ‘Catcher in the Rye.’” CNN 3 June 2009. Available <http://edition.cnn.com/2009/SHOWBIZ/books/06/03/salinger.catcher.lawsuit/index.html>
   Google Scholar
• Darnton , Robert . 1979 . The Business of Enlightenment: Publishing History of the Encyclopédie, 1755–1800 , Cambridge, MA : Belknap of Harvard UP .
   Google Scholar
• Derrida, Jacques. Specters of Marx: The State of the Debt, the Work of Mourning, and the New International. Trans. Peggy Kamuf. New York and London: Routledge, 1994
   Google Scholar
• Eagleton, Terry. “Faking It: The Art of Literary Forgery.” The Guardian 6 June 2002. Available <http://books.guardian.co.uk/lrb/articles/0,6109,728520,00.html>
   Google Scholar
• Eagleton, Terry. “Unhoused.” The London Review of Books 30.10 (22 May 2008). Available <http://www.lrb.co.uk/v30/n10/eagl01__html>
   Google Scholar
• Foster , Hal , Rosalind , Krauss , Yve-Alain , Bois and Benjamin , HDBuchloh . 2004 . Art since 1900: Modernism, Antimodernism and Postmodernism , London : Thames .
   Google Scholar
• Foucault Michel. “What is an Author?” Trans. José V. Harari. The Foucault Reader. Ed. Paul Rabinow. Harmondsworth: Penguin, 1986. 101–20
   Google Scholar
• Gary , Romain . 1981 . Vie et mort d’ Emile Ajar , Paris : Gallimard .
   Google Scholar
• Gladwell, Malcolm. “Something Borrowed.” The New Yorker 22 Nov. 2004. Available <www.gladwell.com/2004/index.html>
   Google Scholar
• Greene, Jody. The Trouble with Ownership: Literary Property and Authorial Liability in England, 1660–1730. Philadelphia: U of Pennsylvania P, 2005
   Google Scholar
• Groom , Nick . 2003 . The Forger's Shadow: How Forgery Changed the Course of Literature , London : Picador .
   Google Scholar
• Gutbrodt, Fritz. Joint Ventures: Authorship, Translation, Plagiarism. Bern: Lang, 2003
   Google Scholar
• Gutbrodt , Fritz . 1992 . Poedelaire: Translation and the Volatility of the Letter . Diacritics , 22.3–4 : 49 – 68 .
   Google Scholar
• Hegel, Georg Wilhelm Friedrich. Philosophy of Right. 1821. Trans. T.M. Knox. Oxford: Oxford UP, 1967
   Google Scholar
• Heim, Michael Henry. “Pushkin Englished.” The Nation 235 (9 Oct. 1982): 342
   Google Scholar
• Johnson, Kirk. “It's Now Legal to Catch a Raindrop in Colorado.” The New York Times 29 June 2009: 1, 14
   Google Scholar
• Kennedy , JGerald . 1996 . The Violence of Melancholy: Poe against Himself . American Literary History , 8.3 : 533 – 51 .
   Google Scholar
• Ladenson , Elisabeth . 2006 . Dirt for Art's Sake: Books on Trial from Madame Bovary to Lolita , New York : Cornell UP .
   Google Scholar
• Landes , William M and Richard , APosner . 2003 . The Economic Structure of Intellectual Property Law , Cambridge, MA : Harvard UP .
   Google Scholar
• Leighton , Lauren G . 1994 . Translation and Plagiarism: Puskin and D.M. Thomas . The Slavic and East European Journal , 38.1 : 69 – 83 .
   Google Scholar
• Lejeune , Philippe . 1986 . Moi aussi , Paris : Seuil .
   Google Scholar
• Lejeune , Philippe . 1975 . Le Pacte autobiographique , Paris : Seuil .
   Google Scholar
• Lessig , Lawrence . 2004 . Free Culture: The Nature and Future of Creativity , London : Penguin .
   Google Scholar
• Lessig , Lawrence . 2002 . The Future of Ideas: The Fate of the Commons in a Connected World , New York : Vintage .
   Google Scholar
• Lessig , Lawrence . 2004 . How Big Media Uses Technology and the Law to Lock Down Culture and Control Creativity , New York : Penguin .
   Google Scholar
• Lethem, Jonathan. “The Ecstasy of Influence: A Plagiarism.” Harper's Magazine Feb. 2007. Available <http://www.harpers.org/archive/2007/02/0081387>
   Google Scholar
• Liu, Lydia. “A Folksong Immortal and Official Popular Culture in Twentieth Century China.” Writing and Materiality in China. Ed. Judith J. Zeitlin and Lydia Liu. Cambridge, MA: Harvard U Asia Center, 2003. 553–609
   Google Scholar
• Lynch, Jack. “The Perfectly Acceptable Practice of Literary Theft: Plagiarism, Copyright, and the Eighteenth Century.” Available <www.writing-world.com/rights/lynch.shtml>
   Google Scholar
• Macpherson , CB . 1978 . Property: Mainstream and Critical Positions , Toronto : Toronto UP .
   Google Scholar
• McGill , Meredith . 2003 . American Literature and the Culture of Reprinting 1834–1853 , Philadelphia : U of Pennsylvania P .
   Google Scholar
• Midgette, Anne. “You Can’t Hold It, But You Can Own It.” The New York Times 25 Nov. 2007. Available <http://www.nytimes.com/2007/11/25/arts/design/25midg.html?__r=1&oref=slogin>
   Google Scholar
• Muller, John and William J. Richardson, eds. The Purloined Poe: Lacan, Derrida, and the Psychoanalytic Reading. Baltimore: Johns Hopkins UP, 1988
   Google Scholar
• Peters , Julie Stone . 2005 . Law, Literature, and the Vanishing Real: On the Future of an Interdisciplinary Illusion . PMLA , 120.2 : 442 – 53 .
   Google Scholar
• Piglia, Ricardo. Assumed Name. Trans. Sergio Gabriel Waisman. Pittsburgh: Latin American Literary Review P, 1995
   Google Scholar
• Rachman, Stephen. “Es lässt sich nicht schreiben.” The American Face of Edgar Allen Poe. Ed. Shawn Rosenheim and Stephen Rachman. Baltimore: Johns Hopkins UP, 1995. 49–89
   Google Scholar
• Radin , Margaret Jane . 1982 . Property and Personhood . Stanford Law Review , 34.5 : 957 – 1015 .
   Google Scholar
• Richards , Eliza . 2005 . Outsourcing ‘The Raven’: Retroactive Origins . Victorian Poetry , 43.2 : 205 – 21 .
   Google Scholar
• Rose , Mark . 1993 . Authors and Owners: The Invention of Copyright , Cambridge, MA : Harvard UP .
   Google Scholar
• Ruthven , KK . 2001 . Faking Literature , Cambridge : Cambridge UP .
   Google Scholar
• Walker, Rob. “Can a Dead Brand Live Again?” The New York Times Magazine 18 May 2008: 50–53
   Google Scholar
• Weber , Stephen . 2004 . The Success of Open Source , Cambridge, MA : Harvard UP .
   Google Scholar