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Angelaki
Journal of the Theoretical Humanities
Volume 3, 1998 - Issue 2: The love of music
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Section I: Music in General

The musical imperative

Pages 7-29 | Published online: 04 Jun 2008

Notes

  • James , Jamie . 1993 . The Music of the Spheres: Music, Science, and the Natural Order of the Universe , 72 London : Abacus .
  • Cousins , Ewert , ed. 1978 . The Soul's Journey Into God , London : S.P.C.K. .
  • Augustine . 1947 . De Musica Libri Sex , Edited by: Finaert , Guy and Thonnard , F.‐J. Vol. Vl.i I , Brussels : Desclée de Brouwer .
  • De Musica , Vl ( xvii ) 58
  • Taliaferro , Robert Catesby , ed. 1974 . “(We) can only receive and hold local numbers seemingly in a state of rest if temporal numbers, in motion, precede within and in silence” . 377 – 78 . New York : Fathers of the Church .
  • Boethius . 1989 . Fundamentals of Music, , Edited by: Bower , Calvin M. 1.2 New Haven : Yale UP .
  • Milbank , John . “Sacred Triads: Augustine and the Indo‐European Soul,” . Modern Theology , (forthcoming)
  • Rowell , Lewis . 1988 . “The Idea of Music in India and the Ancient West,” . In Essays on the Philosophy of Music, , Edited by: Rantala , Veikko . 322 – 39 . Helsinki : The Philosophical Society of Finland .
  • Rowell . 1992 . Music and Musical Thought in Early India , Chicago : U of Chicago P .
  • Boethius . Fundamentals of Music , 1.3
  • Rowell . “The Idea of Music” . 332 – 33 .
  • De Musica , Vl ( xi ) 29
  • James . The Music of the Spheres , 79
  • Rowell . “The Idea of Music” . 329 – 39 .
  • Nietzsche , Friedrich . 1956 . The Birth of Tragedy, , Edited by: Golffing , Francis . 1 – 146 . New York : Doubleday .
  • Perrotta , Nino . 1984 . Music and Culture in Italy from the Middle Ages to the Baroque , 15 – 18 . Cambridge MA : Harvard UP .
  • Waite , William G. 1954 . The Rhythm of Twelfth‐Century Polyphony: Its Theory and Practice , 112 – 13 . New Haven : Yale UP .
  • James . The Music of the Spheres , 95 – 100 .
  • Goehr , Lydia . 1992 . The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music , 132 Oxford : Clarendon .
  • Waite . The Rhythm of Twelfth‐Century Polyphony , 36 – 37 .
  • “Ita coelestibus terrena subjecta, orbes tempo‐rum suorum numerosa successione quasi carmini universitatis associant,” . De Musica , Vl ( xi ) 29
  • “Cur in silentiorum intervalis nulla fraude sen‐sus offenditur, nisi quia eidem juri aequalitatis, eti‐amsi non sono, spatio tamen temporis quod debe‐tur, exsolvitur?” . De Musica , Vl ( x ) 27
  • “...et tamen in quantum imitantur, pulchra esse in suo genere et ordine suo, negare non pos‐sumus,” . De Musica , Vl ( x ) 28
  • Brunn , Emilie Zum . 1988 . St Augustine: Being and Nothingness , New York : Paragon . ch. 3.
  • De Musica , Vl ( xvii ) 57
  • “Unde, quaeso, ista, nisi ab illo summo atque aeterno principatu numerorum et similitudinis et aequalitatis et ordinis veniunt? Atqui naec si terrae ademeris, nihil erit. Quocirca omnipotens Deum terram fecit, et de nihilo terra facta est,” . De Musica , Vl ( xvii ) 57
  • De Ubero Arbitrio , ll ( xvii ) 45 – 47 .
  • Derrida's . 1989 . “Desistance,” to Lacoue‐Labarthe's ” . In Typography: Mimesis, Philosophy, Politics, , Edited by: Fynsk , Christopher . 1 – 42 . 35 Cambridge, MA : Harvard UP . introduction,
  • De Muska , Vl ( viii ) 21 – 22 .
  • “Quamobrem quisquis fatetur nullam esse nat‐uram, quae non ut sit quidquid est, appetat uni‐tatem, suique similis in quantum potest essse conetur,” . Vl ( xvii ) 56
  • Thomas , Downing A. 1995 . Music and the Origins of Language: Theories from the French Enlightenment , 82 – 142 . Cambridge : Cambridge UP .
  • Thomas . Music and the Origins of Language , 92
  • De Musica , Vl ( xi ) 29
  • Attali , Jacques . 1985 . Noise: The Political Economy of Musk, , Edited by: Massumi , Brian . Minneapolis : U of Minnesota P . ch. 3.
  • 1953 . Feeling and Form: A Theory of Art Developed from Philosophy in a New Key , 110 – 16 . London : Routledge .
  • Smith , Norman Kemp , ed. 1978 . Critique of Pure Reason , 213 London : Macmillan .
  • Lacoue‐Labarthe . “The Echo of the Subject,” . Typography , 139 – 217 . 149 165 – 74 . 195
  • Pickstock . After Writing: On the Liturgical Consummation of Philosophy, , Oxford : Blackwell . forthcoming) ch. 3, pars. 2–5
  • Augustine . Confessions , XI 12
  • Lacoue‐Labarthe . “The Echo of the Subject” . 195
  • De Musica , Vl ( xii ) 24
  • De Musica , Vl ( iv ) 7 Vl.v.8.
  • O'Connell , Robert I. and S.J. 1978 . Art and the Christian Intelligence in St Augustine , 10 – 27 . Oxford : Blackwell .
  • De Musica , Vl ( iv ) 7 Vl.v.8.
  • De Musica , Vl ( v ) 9
  • De Musica , Vl ( iv ) 7
  • “Hi enim non scintillantibus humanis ratiocina‐tionibus, sed validissimo et flagrantissimo chari‐tatis igne purgantur,” . Vl ( xvii ) 59
  • De Musica , Vl ( v ) 9 – 10 .
  • De Musica , Vl ( iv ) 5
  • De Musica , Vl ( i ) 1 – 5 .
  • De Musica , Vl ( ix ) 23 – 24 .
  • De Musica , Vl ( ii ) 3
  • De Musica , Vl ( xii ) 36
  • Chrétien , Jean‐Louis . 1991 . L'inoubliable et I'inespéré , Paris : Desclée de Brouwer .
  • De Musica , Vl ( xi ) 32
  • De Musica , Vl ( vii ) 17
  • De Musica , Vl ( xiii ) 42
  • “...et ex his curiositas nascitur ipso curae nomine inimica securitati, et vanitatis impos veri‐tatis,” . De Musica , Vl ( xiii ) 39
  • De Musica , Vl ( vii ) 19 Vl.viii.21
  • Finaert and Thonnard , eds. De Musica Libri Sex 417 n.2.
  • De Musica , Vl ( ii ) 3 Vl.vii. 19–20.
  • Goehr . The Imaginary Museum of Musical Works , 229
  • Descartes . 1984 . Meditations on First Philosophy in vol. II of The Philosophical Writings , Edited by: Cottingham , John . Cambridge : Cambridge UP .
  • Lacoue‐Labarthe . “The Echo of the Subject” . 196 – 203 .
  • Derrida . “Desistance” . 2
  • Milbank , John . 1995 . “Stories of Sacrifice: From Wellhausen to Girard,” . Theory, Culture and Society , 12 : 15 – 46 .
  • Lacoue‐Labarthe . “The Echo of the Subject” . 174 – 79 .
  • Dumont , Louis . 1966 . Homo hierarchicus: Essai sur le système des castes Paris
  • Vernant , Jean‐Pierre . 1991 . “The Individual within the City‐State,” . In Mortals and Immortals: Collected Essays , 318 – 34 . Princeton NJ : Princeton UP .
  • Milbank , John . 1970 . “The End of Dialogue,” . In Christian Uniqueness Reconsidered: The Myth of a Pluralistic Theology of Religions , Edited by: D'Costa , Gavin . 174 – 79 . New York : Orbis .
  • Sharma , I.C. 1965 . Ethical Philosophies of India , London : Allen .
  • 1963 . Presuppositions of India's Philosophies , Westport CT : Greenwood .
  • Boethius . Fundamentals of Music , 10
  • Hindemith , Paul . 1952 . A Composer's World: Horizons and Limitations , 5 – 7 . 13 – 17 . Cambridge MA : Harvard UP .
  • De Musica , Vl ( xiii ) 41 – Vl . xiv.46.
  • De Musica , Vl ( xiii ) 42
  • “...cum igitur ipsum sentire movere sit corpus adversus ilium motum qui in eo factus est,” . Vl ( v ) 15
  • De Musica , Vl ( xiii ) 42 Vl.xiii.41.
  • De Musica , Vl ( iv ) 7
  • De Musica , VI ( xi ) 29
  • De Musica , Vl ( ii ) 3
  • De Musica , Vl ( iv ) 7
  • De Musica , Vl ( iv ) 7
  • De Musica , Vl ( iv ) 7 Vl.v.9.
  • Collins , Douglas . 1994 . “Ritual Sacrifice: The Political Economy of Music,” . In Perspectives on Musical Aesthetics , Edited by: Rahn , John . 9 – 20 . New York : Norton . esp. 20.
  • Attali . Noise , 30

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