Notes
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- Genette , G. 1994 . L'oeuvre de l'art , Paris : Seuil .
- Reich , Steve . 1981 . Ecrits et entretiens sur la musique , 138 Paris : Bourgois .
- Lerdahl , F. and Jackendoff , R. 1983 . A Generative Theory of Tonal Music , Cambridge : MIT .
- Charles , D. 1978 . G/oses sur John Cage , 22 Paris : UGE . 10/18
- Eco , U. 1989 . The Open Work , Edited by: Cancogni , Anna . Cambridge : Harvard UP .
- D. and Bosseur , J.‐Y. 1986 . Revolutions musicales: La musique contemporaine depuis 1945 , 49 Paris : Minerve .
- 1967 . A Year from Monday: New Lectures and Writings , 32 Middletown : Wesleyan UP .
- Cage . 1961 . Silence , 10 Middletown : Wesleyan UP .
- Adorno , T.W. 1973 . Philosophy of Modern Music , 86 New York : Continuum .
- Carroll , N. 1994 . “Cage and Philosophy,” . The Journal of Aesthetics and Art Criticism , 52.1 : 94 observes (in
- Cage . Silence , 76
- 1972 . Chroniques de l’art want , 30 : 26
- 1995 . “Sur la notion d'échan‐tillon” . In Cahiers de la Classe des Beaux‐Arts 106 Geneve
- This article originally appeared in French in Cahiers internationaux de symbolisme (1996): 83–85. I would like to thank Francis Baudevin for his illuminating comments on an earlier version of this article.