Publication Cover
Angelaki
Journal of the Theoretical Humanities
Volume 18, 2013 - Issue 1: We have never been human: from techne to animality
889
Views
0
CrossRef citations to date
0
Altmetric
Original Articles

A GLOBAL CINEMATIC ZONE OF ANIMAL AND TECHNOLOGY

Pages 139-157 | Published online: 17 May 2013

bibliography

  • Agamben, Giorgio. Homo Sacer: Sovereign Power and Bare Life. Trans. Daniel Heller-Roazen. Stanford: Stanford UP, 1998. Print.
  • Bellour, Raymond. “System of a Fragment (on The Birds).” The Analysis of Film. Bloomington: Indiana UP, 2000. 28–68. Print.
  • Benjamin, Walter. “On the Mimetic Faculty.” Reflections: Essays, Aphorisms, Autobiographical Writing. Ed. Peter Demetz. Trans. Edmund Jephcott. New York: Schocken, 1978. 333–36. Print.
  • Bergstrom, Janet. “Enunciation and Sexual Difference.” Feminism and Film Theory. Ed. Constance Penley. New York; London: Routledge; BFI, 1988. 159–85. Print.
  • Broglio, Ron, and Frederick Young. “The Coming Non-human Community: A Conversation.” Art and Research 4.1 (2011): n. pag. Web. 5 Nov. 2011.
  • Butler, Judith. Precarious Life: The Powers of Mourning and Violence. London and New York: Verso, 2004. Print.
  • Chaudhuri, Una, and Shonni Enelow. “Animalizing Performance, Becoming-Theatre: Inside Zooesis with the Animal Project at NYU.” Theatre Topics 16.1 (2006): 1–17. Web. 30 Dec. 2011.
  • Chaudhuri, Una, and Marina Zurkow. “Zoöpolis.” Web. 20 Aug. 2010.
  • Deleuze, Gilles, and Félix Guattari. A Thousand Plateaus: Capitalism and Schizophrenia. Trans. Brian Massumi. Minneapolis: U of Minnesota P, 1987. Print.
  • Derrida, Jacques. The Animal That Therefore I Am. Ed. Marie-Louise Mallet. Trans. David Wills. New York: Fordham UP, 2008. Print.
  • Derrida, Jacques. Given Time: I. Counterfeit Money. Chicago: U of Chicago P, 1992. Print.
  • Derrida, Jacques. Marges de la philosophie. Paris: Minuit, 1972. Print.
  • Derrida, Jacques, and Anne Dufourmantelle. Of Hospitality. Trans. Rachel Bowlsby. Stanford: Stanford UP, 2000. Print.
  • Derrida, Jacques, and Bernard Stiegler. Echographies of Television: Filmed Interviews. Trans. Jennifer Bajorek. Cambridge: Polity, 2002. Print.
  • Didi-Huberman, Georges. Phasmes: Essais sur l'apparition. Paris: Minuit, 1998. Print.
  • Feil, Ken. Dying for a Laugh: Disaster Movies and the Camp Imagination. Middletown, CT: Wesleyan UP, 2005. Print.
  • Galloway, Alexander R., and Eugene Thacker. The Exploit: A Theory of Networks. Minneapolis: U of Minnesota P, 2007. Print.
  • Habermas, Jürgen, and Jacques Derrida. Philosophy in a Time of Terror: Dialogues with Jürgen Habermas and Jacques Derrida. Chicago: U of Chicago P, 2003. Print.
  • Hansen, Mark B.N. Embodying Technesis: Technology beyond Writing. Ann Arbor: U of Michigan P, 2000. Print.
  • Haraway, Donna J. “A Cyborg Manifesto.” The Cybercultures Reader. Ed. David Bell and Barbara M. Kennedy. London: Routledge, 2000. 291–324. Print.
  • Haraway, Donna J. When Species Meet. Minneapolis: U of Minnesota P, 2008. Print.
  • Hillis, Ken. “From Capital to Karma: James Cameron's Avatar.” Postmodern Culture 19.3 (2009): n. pag. Web. 5 Jan. 2011.
  • Jameson, Fredric. Postmodernism, or, The Cultural Logic of Late Capitalism. Durham, NC: Duke UP, 1991. Print.
  • Jeong, Seung-hoon. “Systems on the Verge of Becoming Birds: Peter Greenaway's Early Experimental Films.” New Review of Film and Television Studies 9.2 (2011): 170–87. Print.
  • Jeong, Seung-hoon, and Dudley Andrew. “Grizzly Ghost: Herzog, Bazin and the Cinematic Animal.” Screen 49.1 (2008): 1–12. Print.
  • Johnston, Adrian. “Ghost of Substance Past: Schelling, Lacan, and the Denaturalization of Nature.” Lacan: The Silent Partners. Ed. Slavoj Žižek. London and New York: Verso, 2006. 34–55. Print.
  • Levi, Antonia. “The Werewolf in the Crested Kimono: The Wolf–Human Dynamic in Anime and Manga.” Mechademia 1 (2006): 145–60. Print.
  • Lippit, Akira Mizuta. Atomic Light (Shadow Optics). Minneapolis: U of Minnesota P, 2005. Print.
  • Noys, Benjamin. “Antiphusis: Werner Herzog's Grizzly Man.” Film-Philosophy 11.3 (2007): 38–51. Print.
  • Rancière, Jacques. “The Ethical Turn of Aesthetics and Politics.” Aesthetics and its Discontents. Cambridge: Polity, 2004. 109–32. Print.
  • Rose, Jacqueline. “Paranoia and the Film System.” Feminism and Film Theory. Ed. Constance Penley. New York; London: Routledge; BFI, 1988. 141–58. Print.
  • Rosenfeld, Kimberly N. “‘Terminator’ to ‘Avatar’: A Postmodern Shift.” Jump Cut: A Review of Contemporary Media 52 (2010): n. pag. Web. 5 Jan. 2011.
  • Shaviro, Steven. The Cinematic Body. Minneapolis: U of Minnesota P, 1993. Print.
  • Sheehan, Paul. “Against the Image: Herzog and the Troubling Politics of the Screen Animal.” SubStance 37.3 (2008): 117–36. Print.
  • Sobchack, Vivian. “The Passion of the Material: Toward a Phenomenology of Interobjectivity.” Carnal Thoughts: Embodiment and Moving Image Culture. Berkeley: U of California P, 2004. 286–318. Print.
  • Wolfe, Cary. What is Posthumanism? Minneapolis: U of Minnesota P, 2010. Print.
  • Žižek, Slavoj. Looking Awry: An Introduction to Jacques Lacan through Popular Culture. Cambridge, MA: MIT P, 1991. Print.
  • Žižek, Slavoj. “Multiculturalism, or, The Cultural Logic of Multinational Capitalism.” New Left Review 1.225 (1997): 28–51. Print.
  • Žižek, Slavoj. “Nature and its Discontents.” SubStance 37.3 (2008): 37–72. Print.
  • Žižek, Slavoj. “Return of the Natives.” New Statesman 4 Mar. 2010. Web. 28 Jan. 2011.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.