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Angelaki
Journal of the Theoretical Humanities
Volume 22, 2017 - Issue 1: women writing across cultures present, past, future
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Transnational

TRANSNATIONAL THEATRICAL REPRESENTATION OF THE AGING

velina hasu houston’s calligraphy

bibliography

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  • Donloe, Darlene. “Velina Hasu Houston Gets it Write with Calligraphy.” LA Stage Times 10 Nov. 2010. Web. 8 Feb. 2011.
  • Hara, Eriko. “An Untold History: The Challenges of Self-Representation in Asian American Women’s Theatre.” Crucible of Cultures: Anglophone Drama at the Dawn of a New Millennium. Ed. Marc Maufort and France Bellarsi. Brussels: Lang, 2002. 129–40. Print.
  • Houston, Velina Hasu. Abstract for “Matsuyama Daughter: Japanese War Brides in Kansas.” Unpublished 2008 and forthcoming.
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  • Houston, Velina Hasu. Calling Aphrodite. 5 Sept. 2007. MS.
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  • Houston, Velina Hasu. “Hiking the DNA Trail: 7 Playwrights Reckon with Science’s Most Personal Relations.” American Theatre 27.3 (2010): 40–43. Print.
  • Houston, Velina Hasu. The House of Chaos. 7 Jan. 2008. MS.
  • Houston, Velina Hasu. “Investing in the Future: Identity and Transformation.” Japanese Chamber of Commerce of Southern California, 28 June 2007, Montebello, CA. Japanese American Treaty Centennial Scholarship Fund. Address.
  • Houston, Velina Hasu. “Matters of the Heart: To be a Dragon Slayer.” 28 Nov. 2006. MS.
  • Houston, Velina Hasu, ed. The Politics of Life: Four Plays by Asian American Women. Philadelphia: Temple UP, 1993. Print.
  • Houston, Velina Hasu. Tea. Unbroken Thread: An Anthology of Plays by Asian American Women. Ed. Roberta Uno. Amherst: U of Massachusetts P, 1993. 155–200. Print.
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