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Original Articles

THE READABILITY OF IMAGES (AND) OF HISTORY

laudatio on the occasion of the awarding of the adorno prize (2015) to georges didi-huberman

, &

bibliography

  • Adorno, Theodor. Minima Moralia. Reflections on a Damaged Life. Trans. E.F.N. Jephcott. London: Verso, 2005. Print.
  • Adorno, Theodor. Notes to Literature. Vol. 1. Ed. Rolf Tiedemann. Trans. Shierry Weber Nicholson. New York: Columbia UP, 1991. Print.
  • Adorno, Theodor. Prisms. Trans. Samuel Weber and Shierry Weber Nicholson. Cambridge, MA: MIT P, 1981. Print.
  • Benjamin, Walter. The Arcades Project. Trans. Howard Eiland and Kevin McLaughlin. Cambridge, MA: Harvard UP, 2002. Print.
  • Didi-Huberman, Georges. Écores. Paris: Minuit, 2011. Print; Bark. Trans. Samuel E. Martin. Cambridge, MA: MIT P, 2017. Print.
  • Didi-Huberman, Georges. Fra Angelico. Dissemblance et Figuration. Paris: Flammarion, 1990. Print.
  • Didi-Huberman, Georges. Images malgré tout. Paris: Minuit, 2003. Print; Images in Spite of All: Four Photographs from Auschwitz. Trans. Shane B. Lillis. Chicago: U of Chicago P, 2008. Print.
  • Didi-Huberman, Georges. Invention de l’hystérie. Charcot et l’iconographie photographique de la Salpêtrière. Paris: Macula, 1982. Print.
  • Didi-Huberman, Georges. La Peinture incarnée. Paris: Minuit, 1985. Print.
  • Didi-Huberman, Georges. Remontages du temps subi. L’Œil de l’histoire, 2. Paris: Minuit, 2010. Print.
  • Weigel, Sigrid. “The Flash of Knowledge and the Temporality of Images: Walter Benjamin’s Image-Based Epistemology.” Critical Inquiry 41 (Winter 2015): 344–66. Print.
  • Weigel, Sigrid. Grammatologie der Bilder. Berlin: Suhrkamp, 2015. Print. (English trans. forthcoming).

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