Advanced search
Publication Cover
Angelaki
Journal of the Theoretical Humanities
Volume 23, 2018 - Issue 4: critical image configurations: the work of georges didi-huberman. issue editors: stijn de cauwer and laura katherine smith
Journal homepage
511
Views
0
CrossRef citations to date
0
Altmetric
Original Articles

PHASMID THINKING

on georges didi-huberman’s method

Emmanuel AlloaPhilosophy/SHSS, University of St. Gallen, Unterer Graben 21, 9000St. Gallen, SwitzerlandCorrespondence[email protected]
ORCID Iconhttp://orcid.org/0000-0003-1919-5074
ORCID Icon &
translated by Christopher Woodall
Pages 103-112 | Published online: 02 Aug 2018

bibliography

  • Adorno, Theodor W., and Max Horkheimer. Dialektik der Aufklärung. Philosophische Fragmente. Amsterdam: Querido, 1947. Print.
  • Alloa, Emmanuel. “The Most Sublime of All Laws: The Strange Resurgence of a Kantian Motif in Contemporary Image Politics.” Critical Inquiry 41.2 (2015): 367–89. Print. doi: 10.1086/679080
  • Benjamin, Walter. “Lehre vom Ähnlichen (1933).” Gesammelte Schriften. Frankfurt am Main: Suhrkamp, 1977. II: 204–10. Print.
  • Caillois, Roger. “Mimétisme et psychasthénie légendaire.” Minotaure 7 (1935): 4–10. Print; “Mimicry and Legendary Psychasthenia.” October 31 (Winter 1984): 17–32. Print.
  • Damisch, Hubert. “Montage du désastre.” Cahiers du cinéma 599 (2005): 72–78. Print.
  • Didi-Huberman, Georges. Ce que nous voyons, ce qui nous regarde. Paris: Minuit, 1992. Print.
  • Didi-Huberman, Georges. Confronting Images: Questioning the Ends of a Certain History of Art. Trans. John Goodman. University Park: Pennsylvania State UP, 2005. Print.
  • Didi-Huberman, Georges. Écorces. Paris: Minuit, 2011. Print.
  • Didi-Huberman, Georges. “La Férocité mimétique.” Traverses 32 (1984): 30–39. Print.
  • Didi-Huberman, Georges. L’Homme qui marchait dans la couleur. Paris: Minuit, 2001. Print.
  • Didi-Huberman, Georges. Image (de la) critique. Special volume of the Bulletin de la Société française de philosophie 2016/2. Print; “Critical Image/Image Critique.” Trans. Chris Miller. Oxford Art Journal 40.2 (2017 ): 249–61. Print.
  • Didi-Huberman, Georges. Images malgré tout. Paris: Minuit, 2003. Print.
  • Didi-Huberman, Georges. Ninfa moderna. Essai sur le drapé tombé. Paris: Gallimard, 2002. Print.
  • Didi-Huberman, Georges. La Peinture incarnée. Paris: Minuit, 1985. Print.
  • Didi-Huberman, Georges. Phasmes. Essais sur l’apparition. Paris: Minuit, 1998. Print.
  • Didi-Huberman, Georges. Remontages du temps subi. L’Œil de l’histoire, 2. Paris: Minuit, 2010. Print.
  • Didi-Huberman, Georges. La Ressemblance par contact. Archéologie, anachronisme et modernité de l’empreinte. Paris: Minuit, 2008. Print.
  • Didi-Huberman, Georges. La Ressemblance informe, ou, Le Gai Savoir visuel selon Georges Bataille. Paris: Macula, 1995. Print.
  • Didi-Huberman, Georges. Sortir du noir. Paris: Minuit, 2015. Print.
  • Didi-Huberman, Georges. The Surviving Image: Phantoms of Time and Time of Phantoms: Aby Warburg’s History of Art. Trans. Harvey Mendelsohn. University Park: Pennsylvania State UP, 2016. Print.
  • Habermas, Jürgen. “Bewusstmachende oder rettende Kritik. Die Aktualität Walter Benjamins.” Zur Aktualität Walter Benjamins. Ed. Siegfried Unseld. Frankfurt am Main: Suhrkamp, 1972. 175–223. Print.
  • Habermas, Jürgen. Technik und Wissenschaft als Ideologie. Frankfurt am Main: Suhrkamp, 1969. Print.
  • Habermas, Jürgen. Theorie des kommunikativen Handelns. Frankfurt am Main: Suhrkamp, 1981. I: 518. Print; Theory of Communicative Action. Trans. Thomas McCarthy. Cambridge: Polity, 1987. Print.
  • Maldiney, Henry. Penser l’homme et la folie. Grenoble: Millon, 1991. Print.
  • Marx, Karl. Ökonomisch-philosophische Manuskripte (Pariser Manuskripte). Werke. By Karl Marx and Friedrich Engels. Berlin: Dietz, 1968. I: 536. Print; Marx, Karl. Economic and Philosophic Manuscripts of 1844. Web.
  • Pagnoux, Elisabeth. “Reporter photographe à Auschwitz.” Les Temps modernes 613 (2001): 84–108. Print.
  • Wajcman, Gérard. “De la croyance photographique.” Les Temps modernes 613 (2001): 46–83. Print.
  • Wajcman, Gérard. “L’Image et la vérité.” Savoirs et clinique 3 (2003): 57–71. Print.
  • Wajcman, Gérard. “‘Saint Paul’ Godard contre ‘Moïse’ Lanzmann.” Le Monde 3 Dec. 1998 . Print.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Order Reprints Request Corporate Permissions

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

Request Academic Permissions

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.

Supercharge Your Next Research Paper: Research and write your next paper with Jenni AI.

Related research

People also read lists articles that other readers of this article have read.

Recommended articles lists articles that we recommend and is powered by our AI driven recommendation engine.

Cited by lists all citing articles based on Crossref citations.
Articles with the Crossref icon will open in a new tab.