Cracking-open vernacular stand-up comedy: Reflections on Celeste Ntuli’s work on sexuality

Reference

• Adejunmobi M (2014) ‘Stand-up comedy and the ethics of popular performance’ in S Newell & O Okome (Eds.) Nigeria In Popular Culture In Africa: The Episteme Of The Everyday, New York: Routlege.
   Google Scholar
• Ahlberg B M (1994) ‘Is there a distinct African sexuality: A critical response to Caldwell’, in Africa, 64, 2, 220–242. doi: 10.2307/1160981
   PubMed Web of Science ®Google Scholar
• Ampofo A A, Beoku-Betts J, Njambi, W N & Osirim M (2004) ‘Women’s and Gender Studies in English-speaking sub-Saharan Africa: A review of research in the Social Sciences’, in Gender & Society, 18, 6, 685–714. doi: 10.1177/0891243204269188
   Web of Science ®Google Scholar
• Aniekwu N I (2006) ‘Converging constructions: A historical perspective on sexuality and feminism in post-colonial Africa’, in African Sociological Review, 10, 1,143–160.
   Google Scholar
• Arnfred S (2009) ‘African feminists on sexualities’, in Canadian Journal of African Studies / Revue Canadienne Des Études Africaines, 43,1,151–159. doi: 10.1080/00083968.2010.9707587
   Google Scholar
• Arol Z N (2017) ‘Women and stand-up comedy. The ethics and aesthetics of stand-up comedy’, Bucknell University, Lewisburg, PA, April 5-8, American Society for Aesthetics Graduate E-Journal.
   Google Scholar
• Bakare-Yusuf B (2003) ‘Determinism: The phenomenology of African female existence’, in Feminist Africa: Changing Cultures, 2, 8–24.
   Google Scholar
• Boyce P, Morris C & Cornwall A (2018) ‘Editorial introduction’ in C Morris, P Boyce, A Cornwall, H Frith, L Harvey & Y Huang (Eds.) Researching Sex and Sexualities, London, UK: Zed Books Ltd.
   Google Scholar
• Channel Africa (n.d.) ‘Celeste show’, Podcast, IONA.FM., viewed at: https://Iono.Fm/E/588654, accessed 4 December 2019.
   Google Scholar
• Chengeta G (forthcoming) ‘Uncovering what lies in the gap between desire and consent, for Black women’.
   Google Scholar
• Clark A (1997) Stand and Deliver, Canada: Doubleday Canada.
   Google Scholar
• Davis R (2016) ‘A man’s world: Women in South African comedy’, in Laugh Out Loud: The Politics of Satire In Africa, Heinrich Boll Stiftung Publication, Perspectives: Political Analyses and Commentary - Africa, 2, 16-20, available at: https://www.Boell.De/Sites/Default/Files/Perspectives_2_2016.pdf, accessed 21 November 2019.
   Google Scholar
• Dowling T (1996) ‘The forms, functions and techniques of Xhosa humour’, Unpublished thesis, DPhil (African Languages and Literatures), University of Cape Town.
   Google Scholar
• Drum Digital (2011) ‘Vusi Ximba laid to rest’, Drum Magazine, South Africa, available at: https://www.news24.com/Drum/Archive/vusi-ximba-laid-to-rest-20170728, accessed 16 April 2020.
   Google Scholar
• Fulton D S (2004) ‘Comic views and metaphysical dilemmas: Shattering cultural images through self-definition and representation by black comediennes’, in Journal of American Folklore, 117, 463, 81–96. doi: 10.1353/jaf.2004.0010
   Web of Science ®Google Scholar
• Garda A (2015) #Inthespotlight Celeste Ntuli – Stand-Up comedian and actress, SA FM Afternoon Talk Show, available at: https://Iono.Fm/E/202963, accessed 14 November 2019.
   Google Scholar
• Gilbert J R (2004) Performing Marginality: Humor, Gender, and Cultural Critique, Detroit: Wayne State University Press.
   Google Scholar
• Gqola P D (2015) Rape: A South African Nightmare, Auckland Park, Johannesburg: Jacana Media.
   Google Scholar
• Greenbaum A (1999) ‘Stand-up comedy as rhetorical argument: An investigation of comic culture’, in Humor, 12, 1, 33–46. doi: 10.1515/humr.1999.12.1.33
   Web of Science ®Google Scholar
• Haggins B (2007) Laughing Mad: The Black Comic Persona in Post Soul America, New Brunswick: Rutgers University Press.
   Google Scholar
• Holmes C H (2017) ‘Laughing against white supremacy: Marginalized performance of resistance comedy’, Senior Independent Study Theses, Paper 7770, available at: https://Openworks.Wooster.Edu/Independentstudy/7770, accessed 4 October 2019.
   Google Scholar
• hooks b (1995) ‘Performance practice as a site of opposition’ in C Ugwu (Ed.) Let’s Get It On: The Politics of Black Performance, Seattle, WA: Bay Press.
   Google Scholar
• Kaya FM Uncaptured (2019) ‘Profile Interview (Savannah Comics Choice Awards) with Celeste Ntuli, available at: https://Iono.Fm/E/735600, accessed 28 September 2019.
   Google Scholar
• Kinuu K C (2013) ‘A Pragmatic approach to Kenyan stand-up comedy: A study of Erick Omondi's performances’, Unpublished MA Dissertation.
   Google Scholar
• Limon J (2000) Stand-Up Comedy in Theory, or, Abjection in America, Durham, NC, London: Rutgers University Press.
   Google Scholar
• Magubane Z (2014) ‘Reflections on African women’s thought leadership in the 21st century: The Importance of engaging with sexuality’, Speech delivered to the Thabo Mbeki African Leadership Institute, University of South Africa, Pretoria,
   Google Scholar
• Mama A (1996) ‘Women’s Studies and studies of women in Africa during the 1990s’, Working Paper Series 5/96, Dakar, Senegal: CODESRIA.
   Google Scholar
• Mdoda A (2017) ‘Real Talk with Anele Season 3 Episode 68 - Celeste Ntuli & Tracey-Lee Oliver’, viewed at: https://Www.Youtube.Com/Watch?V=Oursxtayq84, accessed on 11 October 2019.
   Google Scholar
• Mojapelo M (2008) Beyond Memory: Recording the History, Moments and Memories of South African Music, South Africa: African Minds Publishers.
   Google Scholar
• Muller C A (2008) Focus: Music of South Africa (2nd edition), New York and London: Routledge, Taylor and Francis.
   Google Scholar
• Ncube K (2018) ‘Comedian Celeste Ntuli talks her latest tour “Black Tax Tour’’’, Transafrica Radio, Utopia, viewed at: https://www.Youtube.Com/Watch?V=Ww0_1dyuvzi, accessed 11 October 2019.
   Google Scholar
• Ndlovu S (2019) ‘The Sncamtho contribution to the Ndebele idiomatic language change’ in G G Atindogbe & A E Ebongue (Eds.) Linguistics and Sociolinguistics of Youth Language Practices in Africa: Codes and Identity Writings, Cameroon: Langaa Research and Publishing Common Initiative Group.
   Google Scholar
• Neocosmos M (2016) Thinking Freedom in Africa: Toward A Theory of Emancipatory Politics, Johannesburg: Wits University Press.
   Google Scholar
• Ntuli C (2013) ‘99% Zulu Comedy Show’, Durban Playhouse, Durban, full set, available at: https://www.youtube.com/watch?v=BNqUl_jihN8, accessed 21 October 2019.
   Google Scholar
• Ntuli C (2017) ‘Johannesburg International Comedy Festival, Alexander Theatre, Johannesburg, partial set, available at: https://www.youtube.com/watch?v=vSrcjsKhQZ4, accessed 11 October 2019
   Google Scholar
• On Letter 27 Productions (2018) ‘In stitches: Exploring vernacular comedy in South Africa’, viewed at: https://www.Screenafrica.Com/2018/11/19/Film/Business/In-Stitches-Exploring-Vernacular-Comedy-Isouth-Africa/, accessed 21 October 2019.
   Google Scholar
• Onyancha M (2015) ‘A pragmatic approach to comedy: A case study of the character of Kansiime’s use of irony in creating humour’, Unpublished Master’s thesis, Linguistics, University of Nairobi.
   Google Scholar
• Parker Z (2002) ‘Standing up for the nation: An investigation of stand-up comedy in South Africa post-1994’, in South African Theatre Journal, 16, 1, 8–29. doi: 10.1080/10137548.2002.9687739
   Google Scholar
• Sachs A (1991) ‘Preparing ourselves for freedom: Culture and the ANC Constitutional Guidelines’, TDR, 35, 1, 187–193. doi: 10.2307/1146119
   Web of Science ®Google Scholar
• Salo E & Gqola P D (2006) ‘Editorial: Subaltern sexualities’, in Feminist Africa, 6, 1–6.
   Google Scholar
• Seirlis J K (2011) Laughing all the way to freedom?: Contemporary stand-up comedy and democracy in South Africa’, in Humor International, 24, 4, 513–530.
   Web of Science ®Google Scholar
• Shai P N (2018) ‘Constructions of femininity in the context of sexual relationships among women living in the rural Eastern Cape Province, South Africa’, Unpublished thesis, Doctor of Philosophy in the Department of Public Health, Faculty of Health Sciences at the University of the Witwatersrand.
   Google Scholar
• Spronk R (2009) ‘Sex, sexuality and negotiating Africanness in Nairobi’, in Africa, 79, 500–519. doi: 10.3366/E0001972009001041
   Web of Science ®Google Scholar
• Turner N S (1990) ‘Elements of satire in Zulu’, Master’s thesis, University of Natal, Durban.
   Google Scholar
• Undie C C & Benaya K (2006) ‘The state of knowledge on sexuality in sub-Saharan Africa: A synthesis of literature’, in JENDA: A Journal of Culture and African Women Studies, 8, 1–33.
   Google Scholar
• Wafaa A (2017) ‘Bilingual creativity in Saudi stand-up comedy’, in World Englishes, 36, 4, 666–683. doi: 10.1111/weng.12239
   Web of Science ®Google Scholar
• Willett C, Willett J & Sherman Y D (2012) ‘The seriously erotic politics of feminist laughter’, in Social Research: An International Quarterly, 79, 1, 217–246.
   Google Scholar