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Empowering women for gender equity
Volume 36, 2022 - Issue 1: Gendered implications of new technologies and posthuman subjectivities: perspectives from the global South
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conversation

“Who are the mythological and hybrid mermaids in our digital and analogue world of contemporary performance narratives?” − a conversation across oceans between two dance makers

Lliane LootsORCID Iconhttps://orcid.org/0000-0002-3813-7681View further author information
ORCID Icon &
interviews Hannah Ma
Pages 65-73 | Published online: 31 Jan 2022

References

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  • Benjamin, W 1935, ‘The work of Art in the Age of Mechanical Reproduction’, Trans. Harry Zohn, in H Arendt (ed.) Illuminations, Schocken Books, New York.
  • Braidotti, R 2019, Posthuman knowledge, Polity Press, Cambridge.
  • Foucault, M 2006, ‘The utopian body’, in C A Jones (ed) Sensorium: Embodied experience, technology, and contemporary art, MIT Press, Cambridge, MA.
  • Foucault, M 2009/1966 Le Corps Utopique – Les Hétérotopies, Éditions Lignes, Clamecy.
  • Johnson, P 2016, ‘Reflections on spaces and places in Foucault’s Le corps utopique!’, Resources Body utopias 2016, a synopsis of the radio broadcast: !Le corps utopique!, https://www.heterotopiastudies.com/tag/utopias/, accessed 24 August 2021.
  • Seyda, K 2021, Radical intimacy - Why love is political, Harper Collins, Germany.
  • Stuby, A M 1992, Liebe, Tod und Wasserfrau: Mythen des Weiblichen in der Literatur, VS Verlag für Sozialwissenschaften, Hannover (Germany).

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