References
- Fisher, J 2006, ‘Exhibitionary Affect’, n.paradoxa: international feminist art journal, 18, July, pp. 27-33.
- Gule, K 2021, Ngoma: Artistic Expression in the Black Existentialist Frame. (Unpublished.)
- Joja, AM 2022, ‘When Rain Clouds Gather’: Acknowledging the role of Black women in South African art history, accessed 21 Apr 2022, https://mg.co.za/friday/2022-04-20-when-rain-clouds-gather-acknowledging-the-role-of-black-women-in-south-african-art-history/
- Morgan, J 2013, ‘Question 1: What Is a Curator’, in J. Hoffmann (ed.), Ten Fundamental Questions of Curating, Mousse Publishing, Milan, pp. 21-29.
- Ntombela, N 2013, A Fragile Archive: Refiguring, Rethinking, Reimagining, Representing Gladys Mgudlandlu, unpublished MA (Fine Art) thesis, University of the Witwatersrand, Johannesburg.
- Roy, A 2020, Azadi: Freedom, Fascism, Fiction, Penguin Books, London.
- Malatjie, P & Ntombela, N 2022, When Rain Clouds Gather: Black South African Women Artists, 1940–2000 [press statement], accessed 15 Sept 2022, https://www.norvalfoundation.org/when-rain-clouds-gather/