1,028
Views
13
CrossRef citations to date
0
Altmetric
Articles

The labor of reputation building: Creating, developing and managing individual reputation

ORCID Icon
Pages 515-531 | Received 28 Sep 2016, Accepted 26 Aug 2017, Published online: 08 Oct 2017

References

  • Abidin, C., and M. Ots. 2015. “The Influencer’s Dilemma: The Shaping of new Brand Professions Between Credibility and Commerce.” Proceeding of the Association for Education in Journalism and Mass Communication 1–12.
  • Andrews, D., and S. Jackson. 2001. “Introduction. Sport Celebrities, Public Culture, and the Private Experience.” In Sport Stars. The Cultural Politics of Sporting Celebrity, edited by D. Andrews and S. Jackson, 1–19. London: Routledge.
  • Aubel, O. 2005. L’escalade libre en France. Sociologie d’une prophétie sportive. Paris: L’Harmattan.
  • Baym, N. 2012. “Fans or Friends?: Seeing Social media Audiences as Musicians do. Participations.” Journal of Audience & Reception Studies 9 (2): 286–316.
  • Baym, N. 2015. “Connect With Your Audience! The Relational Labor of Connection.” The Communication Review 18 (1): 14–22.
  • Becker, H. 1982. Art Worlds. Los Angeles: University of California Press.
  • Benedetto-Meyer, M., and N. Klein. 2015. “Entre pratique commerciale et travail réputationnel?: l’invention d’une nouvelle forme de relation client?” Terrains & Travaux 26 (1): 147–166.
  • Beuscart, J.-S., and K. Mellet. 2015. “La conversion de la notoriété en ligne Une étude des trajectoires de vidéastes pro-am.” Terrains & Travaux 1 (26): 83–104.
  • Carah, N. 2014. “Brand Value: How Affective Labour Helps Create Brands.” Consumption, Markets & Culture 17 (4): 346–366.
  • Cardon, D. 2013. “Du lien au like sur Internet.” Communications 93 (2): 173–186.
  • Chauvin, P.-M. 2013. “La sociologie des réputations: Une définition et cinq questions.” Communications 93 (2): 131–145.
  • Coulson, S. 2012. “Collaborating in a Competitive World: Musician’s Working Lives and Understanding of Entrepreneurship.” Work, Employment, Society 26: 246–261.
  • Dart, J. 2014. “New Media, Professional Sport and Political Economy.” Journal of Sport and Social Issues 38 (6): 528–547.
  • De Léséleuc, E. 2004. Les voleurs de falaise: un territoir d’escalade entre espace public et espace privé. Pressac: Maison des sciences de l’homme d’Aquitaine.
  • Dion, D., and E. Arnould. 2016. “Persona-fied Brands: Managing Branded Persons Through Persona.” Journal of Marketing Management 32 (1–2): 121–148.
  • Dubois, S. 2010. “La réputation: un outil pour gerer des carrières.” Annales Des Mines – Gérer et Comprendre 1 (99): 64–73.
  • Dubois, S., and P. François. 2013. “Career paths and Hierarchies in the Pure Pole of the Literary Field: The Case of Contemporary Poetry.” Poetics 41 (5): 501–523.
  • Duffy, B., and E. Hund. 2015. “‘Having it All’ on Social Media: Entrepreneurial Femininity and Self-Branding Among Fashion Bloggers.” Social Media + Society 1 (2): 1–11.
  • Dumont, G. 2014. “Entre mobilité, virtualité et professionnalisation: éléments méthodologiques et conditions de réalisation d’une ethnographie des grimpeurs professionnels.” Recherches Qualitatives 33 (1): 188–210.
  • Dumont, G. 2016a. “Multi-layered Labor: Entrepreneurship and Professional Versatility in Rock Climbing.” Ethnography 17 (4): 440–459.
  • Dumont, G. 2016b. “Le travail réputationnel: Une approche ethnographique du travail de production de la réputation. Réseaux.” Information, Technologie, Communication 199 (1): 165–190.
  • Dumont, G. 2017a. “Relational Labor, Collaboration and Professional Rock Climbing.” In The Routledge Companion to Digital Ethnogaphy, edited by L. Hjorth, H. Horst, A. Galloway, and G. Bell, 121–131. London: Routledge.
  • Dumont, G. 2017b. “The Beautiful and the Damned: The Work of New Media Production in Professional Rock Climbing.” Journal of Sport and Social Issues 41 (2): 99–117.
  • Gandini, A. 2016. The Reputation Economy : Understanding Knowledge Work in Digital Society. London: Palgrave Macmillan.
  • Gill, R. 2014. “Academics, Cultural Workers and Critical Labour Studies.” Journal of Cultural Economy 7 (1): 12–30.
  • Hearn, A. 2010. “Structuring Feeling: Web 2.0, Online Ranking and Rating, and the Digital ‘Reputation’ Economy.” Ephemera. Theory & Politics in Organization 10 (3/4): 421–438.
  • Hine, C. 2000. Virtual Ethnography. London: Sage.
  • Hochschild, A. 1986. The Managed Heart. Commercialization of Human Feeling. Los Angeles: University of California Press.
  • Jammet, T. 2015. “Au service du client, au nom de la communauté.” Réseaux 1: 190–191.
  • Jenkins, H. 2006. Convergence Culture: Where Old and New Media Collide. New York: New York University Press.
  • Marwick, A. 2013. Status Update. Celebrity, Publicity and Branding in the Social Media Age. Yale: Yale University Press.
  • Marwick, A., and D. Boyd. 2011. “To See and Be Seen: Celebrity Practice on Twitter.” Convergence: The International Journal of Research into New Media Technologies 17 (2): 139–158.
  • Mears, A. 2011. Pricing Beauty: The Making of a Fashion Model. Los Angeles: University of California Press.
  • Mears, A. 2015. “Working for Free in the VIP Relational Work and the Production of Consent.” American Sociological Review 80 (6): 1099–1122.
  • Menger, P.-M. 2009. Le travail créateur. S’accomplir dans l’incertain. Paris: Editions Seuil Gallimard.
  • Menger, P.-M. 2013. “Valeurs incertaines, marchés aux puces, ventes en ligne: comment s’assurer de la qualité?” Communications 93 (2): 147–172.
  • Moeran, B. 2013. The Business of Creativity. Toward an Anthropology of Worth. Walnut Creek, CA: Left Coast Press.
  • Neff, G., E. Wissinger, and S. Zukin. 2005. “Entrepreneurial Labor among Cultural Producers: ‘Cool’ Jobs in ‘Hot’ Industires.” Social Semiotics 15 (3): 307–334.
  • Parmentier, M.-A., E. Fischer, and R. Reuter. 2013. “Positioning Person Brands in Established Organizational Fields.” Journal of the Academy of Marketing Science 41: 372–387.
  • Pettinger, L. 2004. “Brand Culture and Branded Workers: Service Work and Aesthetic Labour in Fashion Retail.” Consumption, Markets & Culture 7 (2): 165–184.
  • Senft, T. 2008. Camgirls: Celebrity & Community in the Age of Social Networks. New York: Peter Lang.
  • Wissinger, E. 2009. “Modeling Consumption. Fashion Modeling Work in Contemporary Society.” Journal of Consumer Culture 9 (2): 273–296.
  • Zafirau, S. 2007. “Reputation Work in Selling Film and Television: Life in the Hollywood Talent Industry.” Qualitative Sociology 31 (2): 99–127.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.