Meeting places: drivers of change in Australian Aboriginal cultural institutions

References

• Acker, T., Stefanoff, L. and Woodhead, A., 2013. Aboriginal and Torres Strait Islander art economies project: literature review. Alice Springs: Cooperative Research Centre for Remote Economic Participation.
   Google Scholar
• Altman, J., 2003. Developing an Indigenous arts strategy for the Northern territory: issues paper for consultations Caepr Working Paper No. 22. Canberra: Australian National University Centre for Aboriginal Economic Policy Research.
   Google Scholar
• Altman, J., 2005. Brokering aboriginal art: a critical perspective on marketing, institutions, and the state. Melbourne: Centre for Leisure Management Research, Bowater School of Management and Marketing, Deakin University.
   Google Scholar
• Altman, J., 2007. Art business: the Indigenous visual arts infrastructure. In: H. Perkins and M. West, eds. One sun, one moon: Indigenous art in Australia. Sydney: Art Gallery of NSW, 43–49.
   Google Scholar
• Altman, J., McGuigan, C. and Yu, P., 1989. The Aboriginal arts and crafts industry. Canberra: Australian Government.
   Google Scholar
• Australian Bureau of Statistics, 2007. 2006 Census Community Profile Series, Indigenous Profile, Carnarvon (S). Canberra: Australian Bureau of Statistics.
   Google Scholar
• Bennett, T., 1995. The birth of the museum: history, theory, politics. London: Routledge.
   Google Scholar
• Bennett, T., 2003. The political rationality of the museum. In: J. Lewis and T. Miller, eds. Critical cultural policy studies: a reader. Malden, MA: Blackwell, 180–187.
   Google Scholar
• Borsboom, A. and Dagmar, H., 1984. Cultural politics: two case studies of Australian Aboriginal social movements. Bijdragen Tot ed Taal-, Land-en Volkenkunde, 140 (1), 32–55.
   Web of Science ®Google Scholar
• Carty, J., 2011. Creating country: abstraction, economics and the social life of style in Balgo Art. Thesis (PhD). Canberra: Australian National University.
   Google Scholar
• Christen, K., 2007. Following the Nyinkka: relations of respect and obligations to act in the collaborative work of Aboriginal cultural centers. Museum anthropology, 30 (2), 101–124.
   Google Scholar
• Clifford, J., 1997. Museums as contact zones. In: J. Clifford, ed. Routes: travel and translation in the late twentieth century. Cambridge: Harvard University Press, 188–219.
   Google Scholar
• Clifford, J., 2004. Looking several ways: Anthropology and native heritage in Alaska. Current Anthropology, 45 (1), 5–30.
   Web of Science ®Google Scholar
• Craik, J., 2007. Re-visioning arts and cultural policy: current impasses and future directions. Canberra: ANU E Press.
   Google Scholar
• Crowley, F.K., 1970. Australia’s Western third: a history of Western Australia from the first settlement to modern times. Melbourne: Heineman.
   Google Scholar
• Cunningham, S., 2002. From cultural to creative industries: theory, industry and policy implications. Media, International Australia (102), 54–65.
   Google Scholar
• Dagmar, H., 1978. Aborigines and poverty: a study of interethnic relations and culture conflict in a Western Australian town. Nijmegen: Doctorate, Catholic Unversity of Nijmegen.
   Google Scholar
• Davenport, C., 2011. The journey is everything: ‘Ngurra Kuju Walyja – one country one people – the canning stock route Project’. In: M. La Fountaine and J. Carty, eds. Ngurra Kuju Walyja – one country one people: stories from the canning stock route project. Melbourne: Macmillan, 148–163.
   Google Scholar
• Department of Culture and the Arts (WA), 2012. Indigenous arts and culture action plan 2012–2014. Perth: Government of Western Australia.
   Google Scholar
• Dovey, K., 2000. Aboriginal cultural centres. In: S. Kleinert and M. Neale, eds. The Oxford companion to Aboriginal art and culture. Oxford: Oxford University Press, 419–423.
   Google Scholar
• Drda-Kuhn, K. and Wiegand, D., 2010. From culture to cultural economic power: rural regional development in small German communities. Creative industries journal, 3 (1), 89–95.
   Google Scholar
• Duxbury, N. and Campbell, H., 2009. Developing and revitalizing rural communities through arts and creativity: an international literature review and inventory of resources. Vancouver, BC: Creative City Network of Canada.
   Google Scholar
• Erikson, P., 2002. Voices of a thousand people: the Makah Cultural and Research Center. Lincoln, NE: University of Nebraska Press.
   Google Scholar
• Fienup-Riordan, A., 2000. Hunting tradition in a changing world: Yup’ik lives in Alaska today. New Brunswick: Rutgers University Press.
   Google Scholar
• Fisher, L., 2012. Hope, ethics and disenchantment: a critical sociological inquiry into the Aboriginal art phenomenon. Thesis (PhD). Sydney: University of New South Wales.
   Google Scholar
• Florida, R., 2002. The rise of the creative class, and how Its transforming work, leisure, community and everyday. New York, NY: Basic Books.
   Google Scholar
• Gascoyne Development Commission (GDC), 2010. Gascoyne regional development plan 2010–2020. Carnarvon: Gascoyne Development Commission.
   Google Scholar
• Geismar, H. and Tilley, C., 2003. Negotiating materiality: international and local museum practices at the Vanuatu cultural centre and national museum. Oceania, 73 (3), 170–188.
   Web of Science ®Google Scholar
• Gibson, C., 2002. Rural transformation and cultural industries: popular music on the New South Wales far North Coast. Australian geographical studies, 40 (3), 337–356.
   Google Scholar
• Glasson, J., Jennings, S. and Wood, D., 1997. Regional planning in Western Australia: new initiatives, but old problems? Urban policy and research, 15 (1), 31–41.
   Google Scholar
• Graham, B., Ashworth, G.J. and Tunbridge, J.E., 2000. A geography of heritage: power, culture and economy. London: Arnold.
   Google Scholar
• Gray, D. and Saggers, S., 1990. Autonomy in Aboriginal education: a quest at Carnarvon. In: M.C. Howard and R. Tonkinson, eds. Going it alone?: Prospects for Aboriginal autonomy. Canberra: Aboriginal Studies Press, 185–199.
   Google Scholar
• Gunning, F.W., 1952. Lure of the north: seventy years memoirs of George Joseph Gooch and his pioneer friends of Western Australia. Perth: Western Australian Newspapers.
   Google Scholar
• Gwoonwardu Mia Gascoyne Heritage and Cultural Centre, 2009. Gwoonwardu mia strategic plan 2009–10. Carnarvon: Gwoonwardu Mia Gascoyne Heritage and Cultural Centre.
   Google Scholar
• Haebich, A., 1992. For their own good: Aborigines and government in the South West of Western Australia 1900–1940. Perth: University of Western Australia Press.
   Google Scholar
• Hartley, J., 2005. Creative industries. In: J. Hartley, ed. Creative industries. Malden, MA: Blackwell, 1–40.
   Google Scholar
• Jones, T., et al., 2009. Ningaloo coast region visitor statistics: collected for the Ningaloo destination modelling project. Gold Coast: Sustainable Tourism Cooperative Research Centre.
   Google Scholar
• Jones, T., et al., 2011. Ningaloo collaboration cluster: exploring the socio-economics of tourism through the Ningaloo destination model. Canberra: CSIRO.
   Google Scholar
• Landry, C., 2006. The art of city making. London: Earthscan.
   Google Scholar
• Landry, C. and Biancini, F., 1995. The creative city. London: Demos & Comedia.
   Google Scholar
• May, S., 2006. Karrikadjurren-creating community with an art centre in Indigenous Australia. Thesis (PhD). Canberra: Australian National University.
   Google Scholar
• Mayring, P., 2000. Qualitative content analysis. Forum qualitative social research, 1 (2), 1–10.
   Google Scholar
• How Aborigines invented the idea of contemporary art McLean I.W. Institute of Modern Art and Power Brisbane 2011
   Google Scholar
• Morphy, H., 1998. Aboriginal art. London: Phaidon.
   Google Scholar
• Morphy, H., 2006. Sites of Persuasion: Yingapungapu at the national museum of Australia. In: I. Karp, C. Kratz, L. Szwaja and T. Ybarra-Frausto, eds. Museum frictions: public cultures/global transformations. Durham: Duke University Press, 469–499.
   Google Scholar
• Myers, F.R., 2002. Painting culture: the making of an Aboriginal high art. Durham: Duke University Press.
   Google Scholar
• Northern Territory National Emergency Response Act, 2007.
   Google Scholar
• Northern Territory Government, 2003. Northern territory Indigenous arts strategy: building strong arts business. Darwin: Northern Territory Government.
   Google Scholar
• Office for the Registrar of Indigenous Corporations, 2012. At the heart of art: a snapshot of Aboriginal and Torres Strait Islander corporations in the visual arts sector. Canberra: Commonwealth of Australia.
   Google Scholar
• Povinelli, E., 1993. Labor’s lot: the power, history and culture of Aboriginal action. Chicago, IL: University of Chicago Press.
   Google Scholar
• Spark, C., 2002. Brambuk living cultural centre: Indigenous culture and the production of place. Tourist studies, 2 (1), 23–42.
   Google Scholar
• Standing Committee on Environment Communications Information Technology and the Arts, 2007. Indigenous art-securing the future: Australia’s Indigenous visual arts and craft sector. Canberra: Commonwealth of Australia.
   Google Scholar
• Trigger, D., 1997. Land rights and the reproduction of Aboriginal culture in Australia’s gulf country. Social analysis, 41 (3), 84–106.
   Google Scholar
• Venturelli, S., 2001. From the information economy to the creative economy: moving culture to the center of international public policy. Washington: Center for Arts and Culture.
   Google Scholar
• Whitcomb, A., 2003. Re-imagining the museum: beyond the mausoleum. London, NY: Routledge.
   Google Scholar
• The art and craft centre story volume three: good stories from out bush Wright F. ATSIC Canberra 2000
   Google Scholar
• The art and craft centre story volume two: summary and recommendations Wright F. Morphy F. ATSIC Canberra 2000
   Google Scholar