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International Journal of Cultural Policy Volume 19, 2013 - Issue 3: Popular Music and Cultural Policy
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Introduction

Introduction: popular music and policy

Shane Homan Faculty of Arts, Research Unit in Media Studies, Monash University, Sir John Monash Drive, Caulfield, 3145, AustraliaCorrespondence[email protected]
,
Martin Cloonan School of Culture and Creative Arts, University of Glasgow, Research Unit in Media Studies, Glasgow, G12 8QQ, Scotland
&
Jen Cattermole Department of Music, University of Otago, Dunedin, 9054, New Zealand
Pages 275-280 | Published online: 02 May 2013

References

  • Bennett , T. 2007 . Critical trajectories: culture, society, intellectuals , Malden , MA : Blackwell .
  • Cloonan , M. 2007 . Popular music and the state in the UK: culture, trade or industry? , Aldershot : Ashgate .
  • Hesmondhalgh , D. 2013 . The cultural industries , Los Angeles , CA : Sage .
  • Kruse , H. 1993 . Subcultural identity in alternative music culture . Popular music , 12 ( 1 ) : 33 – 41 .
  • Loosely , D. 2011 . Introduction. Special issue, popular culture . International journal of cultural policy , 17 ( 4 ) : 361 – 364 .
  • Media Information Australia, 1994. Policy moment issue. 73, August.
  • Schlesinger , P. 2009 . Creativity and the experts: new labour, think tanks and the policy process . International journal of press politics , 14 ( 3 ) : 16 – 32 .
  • Straw , W. 1991 . Systems of articulation, logics of change: communities and scenes in popular music . Cultural studies , 5 ( 3 ) : 368 – 388 .

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