264
Views
0
CrossRef citations to date
0
Altmetric
Research Article

Cultural values as policy directives: techniques, technologies and symbolic work

ORCID Icon
Pages 858-874 | Received 12 May 2022, Accepted 27 Jul 2022, Published online: 16 Nov 2022

References

  • Adamson, G. 2019. Thinking Through Craft. London: Bloomsbury Publishing.
  • Ahearne, J. 2009. “Cultural Policy Explicit and Implicit: A Distinction and Some Uses.” International Journal of Cultural Policy 15 (2): 141–153. doi:10.1080/10286630902746245.
  • Airoldi, M. 2021. Machine Habitus: Toward a Sociology of Algorithms. London: John Wiley & Sons.
  • Bank, M. 2017. Creative Justice: Cultural Industries, Work and Inequality. Washington, DC: Rowman & Littlefield.
  • Banks, M. 2014. ”Craft Labour and Creative Industries.“ In Creativity and Cultural Policy, edited by C. Bilton, 81–98. London: Routledge.
  • Belfiore, E. 2020. “Whose Cultural Value? Representation, Power and Creative Industries.” International Journal of Cultural Policy 26 (3): 383–397. doi:10.1080/10286632.2018.1495713.
  • Bell, E., G. Mangia, S. Taylor, and M. L. Toraldo, edited by. 2018. The Organization of Craft Work: Identities, Meanings, and Materiality. London: Routledge.
  • Bone, J., H. W. Mak, J. K. Sonke, M. Fluharty, J. Lee, A. J. Kolenic, H. Radunovich, R. Cohen, and D. Fancourt. 2021. ”Who Engaged in Home-Based Arts Activities During the COVID-19 Pandemic?” Advance online publication. doi:10.31235/osf.io/8mzsd.
  • Bourcheix-Laporte, M. 2021. “Digital Cultural Industrialism and the Arts.” In Canadian Cultural Policy in Transition, edited by D. Beauregard and J. Paquette. London: Routledge.
  • Bourdieu, P. 1985. “The Market of Symbolic Goods.” Poetics 14 (1–2): 13–44. doi:10.1016/0304-422X(85)90003-8.
  • Carney, M. 2020. From Moral to Market Sentiments, Reith Lecture. London: BBC Radio 4.
  • Crossick, G., and P. Kasznska. 2016. Understanding the Value of Arts and Culture: The AHRC Cultural Value Project. Swindon: AHRC.
  • Dormer, P., edited by. 1997. The Culture of Craft. Manchester: Manchester University Press.
  • Dujak, D., and D. Sajter. 2019. “Blockchain Applications in Supply Chain.” In SMART Supply Network. Eco Production (Environmental Issues in Logistics and Manufacturing), edited by A. Kawa and A. Maryniak. Cham: Springer. doi:10.1007/978-3-319-91668-2_2.
  • England, L. 2022. “Crafting Professionals: Entrepreneurial Strategies for Making a Living Through Passionate Work.” Innovation 1–19. doi:10.1080/14479338.2021.2019043.
  • Esquivel, J. C. 2019. Feminist Subjectivities in Fiber Art and Craft: Shadows of Affect. London: Routledge.
  • Foroughi, J., F. Safaei, R. Raad, and T. Mitew. 2020. “Advances in Wearable Sensors: Signalling the Provenance of Garments Using Radio Frequency Watermarks.” Sensors 20 (22): 6661. doi:10.3390/s20226661.
  • Geoghegan, B. D. 2013. “After Kittler: On the Cultural Techniques of Recent German Media theory.” Theory Culture & Society 30 (6): 66–82. doi:10.1177/0263276413488962.
  • Golumbia, D. 2009. Cultural Logic of Computation. Harvard: Harvard University Press.
  • Golumbia, D., 2020. Blockchain: The White Man’s Burden. Accessed 14 April 2022. https://davidgolumbia.medium.com/blockchain-the-white-mans-burden-e3ef75c97830
  • Gruwell, L. 2022. Making Matters: Craft, Ethics, and New Materialist Rhetoric. Louisville: University Press of Colorado.
  • Halpern, O. 2014. Beautiful Data: A History of Vision and Reason Since 1945. Durham, NC/London: Duke University Press.
  • Harlizius-Klück, E., and A. McLean. 2021. “The PENELOPE Project: A Case Study in Computational Thinking.” Algorithmic and Aesthetic Literacy Emerging Transdisciplinary Explorations for the Digital Age, 59–80.
  • Harrington, J. L. 2016. Relational Database Design and Implementation. Amsterdam: Morgan Kaufmann.
  • Heilmann, T. 2015. “Reciprocal Materiality and the Body of Code: A Close Reading of the American Standard Code for Information Interchange (ASCII).” Digital Culture & Society 1 (Issue 1): 39–52. doi:10.14361/dcs-2015-0104.
  • Hylland, O. M. 2022. “Digital Cultural Policy. The Story of a Slow and Reluctant Revolution.” International Journal of Cultural Policy 28 (7). doi:10.1080/10286632.2022.2137148.
  • Hylland, O. M. 2022. “Tales of Temporary Disruption: Digital Adaptations in the First 100 Days of the Cultural Covid Lockdown.” Poetics 90: 101602. doi:10.1016/j.poetic.2021.101602.
  • Islam, I., K. M. Munim, S. J. Oishwee, A. K. M. N. Islam, and M. N. Islam, 2020. A Critical Review of Concepts, Benefits, and Pitfalls of Blockchain Technology Using Concept Map.” IEEE Access 8: 68333–68341. doi: 10.48550/arXiv.2004.08671
  • Jeannotte, M. S. 2021. “When the Gigs are Gone: Valuing Arts, Culture and Media in the COVID-19 Pandemic.” Social Sciences & Humanities Open 3 (1): 100097. doi:10.1016/j.ssaho.2020.100097.
  • Jeon, H. J., J. W. Leem, Y. Ji, S. M. Park, J. Park, K. Y. Kim, S. W. Kim, and Y. L. Kim. 2022. “Cyber‐physical Watermarking with Inkjet Edible Bioprinting.” Advanced Functional Materials 32 (18): 2112479. doi:10.1002/adfm.202112479.
  • Kittler, F. 2010. Optical Media. Cambridge: Polity.
  • Klamer, A. 2016. Doing the Right Thing: A Value-Based Economy. London: Ubiquity Press. doi:10.5334/bbb.
  • Krämer, S., and H. Bredekamp. 2013. “Culture, Technology, Cultural Techniques – Moving Beyond Text 1.” Theory, Culture & Society 30 (6): 20–29. doi:10.1177/0263276413496287.
  • Lachapelle, P. 2008. “A Sense of Ownership in Community Development: Understanding the Potential for Participation in Community Planning Efforts.” Community Development 39 (2): 52–59. doi:10.1080/15575330809489730.
  • Lee, H. K. 2017. “The Political Economy of the Creative Industries.” Media, Culture & Society 39 (7): 1078–1088. doi:10.1177/0163443717692739.
  • Luckman, S., and J. Andrew. 2018. “Online Selling and the Growth of Home-Based Craft Micro-Enterprise: The ‘New Normal’ of Women’s Self-(Under) Employment.” In The New Normal of Working Lives, 19–39. Cham: Palgrave Macmillan. doi:10.1007/978-3-319-66038-7_2.
  • Luckman, S., and J. Andrew. 2020. ”Meaningful Making in the Contemporary Creative Economy.” In Craftspeople and Designer Makers in the Contemporary Creative Economy. Creative Working Lives., Cham: Palgrave Macmillan. doi:10.1007/978-3-030-44979-7-2.
  • Luckman, S., and N. Thomas, edited by. 2018. Craft Economies. London: Bloomsbury Publishing.
  • Macho, T. 2013. “Second Order Animals: Cultural Techniques of Identity and Identification.” Theory, Culture & Society 30 (6): 30–47. doi:10.1177/0263276413499189.
  • Mak, H. W., M. Fluharty, and D. Fancourt. 2021. “Predictors and Impact of Arts Engagement During the COVID-19 Pandemic: Analyses of Data from 19,384 Adults in the COVID-19 Social Study.” Frontiers in Psychology 12: 626263. doi:10.3389/fpsyg.2021.626263.
  • McGuigan, J. 2012. Culture and the Public Sphere. London: Routledge.
  • McRobbie, A. 2018. Be Creative: Making a Living in the New Culture Industries. New York: John Wiley & Sons.
  • Mignosa, A. 2019. “Policies for Crafts: Rationale and Tools.” In A Cultural Economic Analysis of Craft, edited by A. Mignosa and P. Kotipalli. Cham: Palgrave Macmillan. doi:10.1007/978-3-030-02164-1-5.
  • Naudin, A., and K. Patel, eds. 2020. Craft Entrepreneurship. Lanham: Rowman & Littlefield Publishers.
  • Patel, K. 2020a. “Diversity Initiatives and Addressing Inequalities in Craft.” In Pathways into Creative Working Lives, edited by S. Taylor and S. Luckmann, 175–191. Cham: Palgrave Macmillan. doi:10.1007/978-3-030-38246-9.
  • Patel, K. 2020b. “Race and Craft in the Covid Spotlight.” Soundings: A Journal of Politics and Culture 75: 24–27.
  • Ratten, V, ed. 2022. ”Entrepreneurship as Practice: An Overview.” In Entrepreneurship as Practice. Singapore: Springer. doi:10.1007/978-981-19-4819-0_1.
  • Rodner, V., and C. Preece. 2021. ”The Who, Where and What of Value in the Art Market: Understanding the Authentic.” In Exploring Cultural Value: Contemporary Issues for Theory and Practice, edited by K. Lehman, I. Fillis, and M. Wickham. Emerald Publishing Group. doi:10.1108/9781789735154.
  • Siegert, B. 2013. “Cultural Techniques: Or the End of the Intellectual Postwar Era in German Media Theory.” Theory, Culture & Society 30 (6): 48–65. doi:10.1177/0263276413488963.
  • Siegert, B. 2015. Cultural Techniques: Grids, Filters, Doors, and Other Articulations of the The Real. New York: Fordham University Press. doi:10.5422/fordham/9780823263752.001.0001.
  • Siegert, B. 2018. “Coding as Cultural Technique: On the Emergence of the Digital from Writing AC.” Grey Room 70: 6–23. doi:10.1162/GREY_a_00236.
  • Starr, S. L., and G. Bowker. 1999. Sorting Things Out: Classification and Its Consequences. Cambridge: MIT Press.
  • Throsby, D., and A. Zednik. 2014. ”The Economic and Cultural Value of Paintings: Some Empirical Evidence.” In Handbook of the Economics of Art and Culture, edited by V. A. Ginsburgh and D. Throsby. Vol. 2, 81–99. Amsterdam: Elsevier. doi:10.1016/B978-0-444-53776-8.00004-0.
  • Umpleby, S. A. 2005. “A History of the Cybernetics Movement in the United States.” Journal of the Washington Academy of Sciences 91 (2): 54–66. http://www.jstor.org/stable/24531187.
  • Väänänen, N., and S. Pӧllänen. 2020. “Conceptualizing Sustainable Craft: Concept Analysis of Literature.” The Design Journal 23 (2): 263–285. doi:10.1080/14606925.2020.1718276.
  • Valtysson, B. 2020. Digital Cultural Politics: From Policy to Practice. Berlin: Springer Nature. doi:10.1007/978-3-030-35234-9.
  • Van Dijck, J., T. Poell, and M. De Waal. 2018. The Platform Society: Public Values in a Connective World. Oxford: Oxford University Press.
  • Vismann, C. 2013. “Cultural Techniques and Sovereignty.” Theory, Culture & Society 30 (6): 83–93. doi:10.1177/0263276413496851.
  • Walmsley, B. 2018. “Deep Hanging Out in the Arts: An Anthropological Approach to Capturing Cultural Value.” International Journal of Cultural Policy 24 (2): 272–291. doi:10.1080/10286632.2016.1153081.
  • Whitaker, A. 2019. “Art and Blockchain: A Primer, History, and Taxonomy of Blockchain Use Cases in the Arts.” Artivate 8 (2): 21–46. doi:10.1353/artv.2019.0008.
  • White, R., Y. Marinakis, N. Islam, and S. Walsh. 2020. “Is Bitcoin a Currency, a Technology-Based Product, or Something Else?” Technological Forecasting and Social Change 151: 119877. doi:10.1016/j.techfore.2019.119877.
  • Williams, R. 1961. The Analysis of Culture. The Long Revolution, 41–71. New York Chichester, West Sussex:Columbia University Press. 10.7312/will93760-004.
  • Winthrop-Young, G. 2013. “Cultural Techniques: Preliminary Remarks.” Theory, Culture & Society 30 (6): 3–19. doi:10.1177/0263276413500828.
  • Wright, D. 2019. “Towards a Computational Cultural Policy Studies: Examining Infrastructures of Taste and Participation.” International Journal of Cultural Policy 25 (6): 806–820. doi:10.1080/10286632.2017.1420789.
  • Wright, D. 2022. “How Culture Became Digital: Editor's Introduction.” International Journal of Cultural Policy 28 (7). doi:10.1080/10286632.2022.2137160.
  • Wüst, K., and A. Gervais 2018. “Do You Need a Blockchain?” Crypto Valley Conference on Blockchain Technology (CVCBT), 45–54, doi: 10.1109/CVCBT.2018.00011.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.