Hearing Ordinary Voices: Cultural Studies, Vernacular Creativity and Digital Storytelling

References

• Andrejevic , Mark . 2003 . Reality TV: The Work of Being Watched , Lanham : Rowman and Littlefield .
   Google Scholar
• Atton , C. 2001 . The mundane and its reproduction in alternative media . Journal of Mundane Behavior , 3 ( no. 1 ) n.p
   Google Scholar
• Baker , H. A. 1984 . Blues, Ideology, and Afro-American Literature: a Vernacular Theory , Chicago : University of Chicago Press .
   Google Scholar
• Banks , J. 2002 . “ Gamers as co-creators: enlisting the virtual audience—a report from the net face ” . In Mobilising the Audience , Edited by: Balnaves , M. , O'Regan , T. and Sternberg , J. Brisbane : University of Queensland Press .
   Google Scholar
• Bonner , F. 2003 . Ordinary Television: Analyzing Popular TV , London : Sage .
   Google Scholar
• Bowman , S. and Willis , C. 2003 . WeMedia: How Audiences are Shaping the Future of News and Information , Reston, VA : The Media Center at the American Press Institute .
   Google Scholar
• Bruns , A. 2005a . Gatewatching: Collaborative Online News Production , New York : Peter Lang .
   Google Scholar
• Bruns, A. (2005b) ‘“Anyone can edit”: understanding the produser’, the Mojtaba Saminejad Lecture, SUNY Buffalo, 18 Sep.
   Google Scholar
• Chion , M. 1990 . Audio-vision: Sound on Screen , New York : Columbia University Press . trans. C. Gorbman
   Google Scholar
• Couldry , N. 2000 . Inside Culture: Re-imagining the Method of Cultural Studies , London : Sage .
   Google Scholar
• De Certeau , M. 1984 . The Practice of Everyday Life , Berkeley : University of California Press . trans. S.F. Rendal,
   Google Scholar
• De Certeau , M. 1997 . Culture in the Plural , Minneapolis : University of Minnesota Press . trans. T. Conley
   Google Scholar
• Fiske , J. 1989 . Understanding Popular Culture , Boston : Unwin Hyman .
   Google Scholar
• Florida , R. 2002 . The Rise of the Creative Class , New York : Basic Books .
   Google Scholar
• Frank , T. 1997 . The Conquest of Cool: Business Culture, Counterculture, and the Rise of Hip Consumerism , Chicago : University of Chicago Press .
   Google Scholar
• Gregg , M. 2003 . A neglected history: Richard Hoggart's discourse of empathy . Rethinking History , 7 ( 3 ) : 285 – 306 .
   Web of Science ®Google Scholar
• Grossberg , L. 1992 . Is there a fan in the house? The affective sensibility of fandom’, in The Adoring Audience: Fan Culture and Popular Media , Edited by: Lewis , L. A. 50 – 65 . London : Routledge .
   Google Scholar
• Hartley , J. 1999 . Uses of Television , London : Routledge .
   Google Scholar
• Hartley , J. 2004 . The “value chain of meaning” and the new economy . International Journal of Cultural Studies , 7 ( 1 ) : 129 – 141 .
   Google Scholar
• Herz , J. C. 2002 . “ Multi-player worlds online ” . In Game On , Edited by: King , L. London : Laurence King .
   Google Scholar
• Humphreys , S. 2005 . Productive players: online computer games' challenge to conventional media forms . Journal of Communication and Critical/Cultural Studies , 2 ( 1 ) : 36 – 50 .
   Google Scholar
• Jenkins , H. 1992 . Textual Poachers: Television Fans and Participatory Culture , New York and London : Routledge .
   Google Scholar
• Jenkins , H. 1998a . “ The normal female interest in men bonking: selections from Terra Nostra Underground and Strange Bedfellows ” . In Theorizing Fandom: Fans, Subculture and Identity , Edited by: Harris , C. and Alexander , A. Cresskill, NJ : Hampton Press .
   Google Scholar
• Jenkins , H. 1998b . “ Voices from the combat zone: game grrlz talk back ” . In From Barbie to Mortal Kombat: Gender and Computer Games , Edited by: Cassell , J. and Jenkins , H. 328 – 341 . Cambridge, MA : MIT Press .
   Google Scholar
• Jenkins , H. 2003 . “ Quentin Tarantino's Star Wars? Digital cinema, media convergence, and participatory culture ” . In Rethinking Media Change: the Aesthetics of Transition , Edited by: Thorburn , D. and Jenkins , H. 281 – 315 . Boston : MIT Press .
   Google Scholar
• Kellner , D. 1997 . Critical theory and cultural studies: the missed articulation’, in Cultural Methodologies , Edited by: McGuigan , J. 12 – 41 . London : Sage .
   Google Scholar
• Leadbeater , C. and Miller , P. 2004 . The Pro-Am Revolution: How Enthusiasts are Changing Our Economy and Society , London : Demos .
   Google Scholar
• Lessig , L. 2004 . Free Culture: How Big Media Uses Technology and the Law to Lock Down Culture and Control Creativity , New York : Penguin .
   Google Scholar
• Livingstone , S. 2004 . Media literacy and the challenge of new information and communication technologies . Communication Review , 7 : 3 – 14 .
   Google Scholar
• McGuigan , J. 2005 . The cultural public sphere . European Journal of Cultural Studies , 8 ( 4 ) : 427 – 443 .
   Google Scholar
• McLaughlin , T. 1996 . Street Smarts and Critical Theory: Listening to the Vernacular , Madison : University of Wisconsin Press .
   Google Scholar
• Meadows , D. 2004 . Digital storytelling: research-based practice in new media . Visual Communication , 2 ( 2 ) : 189 – 193 .
   Google Scholar
• Miller , T. and McHoul , A. 1998 . Popular Culture and Everyday Life , London : Sage .
   Google Scholar
• Morris , M. 1990 . ‘Banality in cultural studies’, in Logics of Television , Edited by: Mellencamp , P. 23 London : British Film Institute .
   Google Scholar
• Morris , M. and Frow , J. 2000 . “ Cultural studies ” . In Handbook of Qualitative Research , 2nd edn , Edited by: Denzin , N. K. and Lincoln , Y. S. 315 – 346 . Thousand Oaks, CA : Sage .
   Google Scholar
• Murray , S. 2004 . “Celebrating the story the way it is”: cultural studies, corporate media and the contested utility of fandom . Continuum: Journal of Media & Cultural Studies , 18 ( 1 ) : 7 – 25 .
   Google Scholar
• Negus , K. and Pickering , M. 2004 . Creativity, Communication and Cultural Value , London : Sage .
   Google Scholar
• Nielsen , P. 2005 . “ Digital storytelling as life writing ” . Brisbane, Australia : Queensland University of Technology . Paper presented at the Speculation and Innovation (SPIN) conference
   Google Scholar
• Notley , T. and Tacchi , J. 2005 . Online youth networks: researching the experiences of “peripheral” young people in using new media tools for creative participation and representation . 3CMedia: Journal of Community, Citizen's and Third Sector Media , : 73 – 81 .
   Google Scholar
• Peters , J. D. 1999 . Speaking into the Air: a History of the Idea of Communication , Chicago : University of Chicago Press .
   Google Scholar
• Philo , G. and Miller , D. 2001 . “ Cultural compliance: media/cultural studies and social science ” . In Market Killing: What the Free Market Does and What Social Science Can Do About it Edited by: Philo , G. , Miller , D. and Harlow , Pearson . 3 – 78 .
   Google Scholar
• Rheingold , H. 2003 . Smart Mobs: the Next Social Revolution , Cambridge, MA : Perseus .
   Google Scholar
• Shefrin , Elana . 2004 . Lord of the Rings, Star Wars, and Participatory Fandom: Mapping New Congruencies between the Internet and Media Entertainment Culture . Critical Studies in Media Communication , vol. 21 ( no. 3 ) : 261 – 81 .
   Web of Science ®Google Scholar
• Turner , G. 2004 . Understanding Celebrity , London : Sage .
   Google Scholar
• Warschauer , M. 2003 . Technology and Social Inclusion: Rethinking the Digital Divide , Cambridge, MA : MIT Press .
   Google Scholar
• Woolgar , S. 2002 . “ Five rules of virtuality ” . In Virtual Society? Technology, Cyberbole, Reality , Edited by: Woolgar , S. 1 – 22 . Oxford : Oxford University Press .
   Google Scholar