Queer simulation: The practice, performance and pleasure of cosplay

References

• Abel , S. 1995 . The rabbit in drag: Camp and gender construction in the American animated cartoon . Journal of Popular Culture , 29 ( 3 ) : 183 – 202 .
   Google Scholar
• Aichi Television Broadcasting. 2008. What's WCS?. World Cosplay Summit 2008, http://www.tv-aichi.co.jp/wcs/e/what/index.html
   Google Scholar
• Barthes , R. 1973 . Mythologies , trans. Annette Lavers St Albans : Paladin .
   Google Scholar
• Baudrillard , J. 1994 . Simulacra and Simulation , trans. Sheila Faria Glaser Ann Arbor : University of Michigan Press .
   Google Scholar
• Benjamin , W. 2008 . The work of art in the age of mechanical production , trans. J.A. Underwood London : Penguin .
   Google Scholar
• Black , D. 2008 . The virtual ideal: Virtual idols, cute technology and unclean biology . Continuum: Journal of Media and Cultural Studies , 22 ( 1 ) : 37 – 50 .
   Web of Science ®Google Scholar
• Bolton , C.A. 2002 . From wooden cyborgs to celluloid souls: Mechanical bodies in anime and Japanese puppet theatre . Positions , 10 ( 3 ) : 729 – 71 .
   Web of Science ®Google Scholar
• Braidotti, R. 2005. Affirming the affirmative: On nomadic affectivity’. rhizomes 11/12, http://www.rhizomes.net/issue11/braidotti.html
   Google Scholar
• Butler , J. 1990 . Gender trouble: Feminism and the subversion of identity , New York : Routledge .
   Google Scholar
• Butler , J. 1993 . Bodies that matter: On the discursive limits of sex , New York : Routledge .
   Google Scholar
• Deleuze , G. and Guattari , F. 1988 . A thousand plateaus: Capitalism and schizophrenia , London : The Athlone Press .
   Google Scholar
• Gatens , M. 1996 . “ Through a Spinozist lens: Ethology, difference, power ” . In Deleuze: A critical reader , Edited by: Patton , Paul . 162 – 87 . Oxford : Blackwell .
   Google Scholar
• Harland , R. 1987 . Superstructuralism: the philosophy of structuralism and poststructuralism , London : Mehthuen .
   Google Scholar
• Hasegawa , Y. 2002 . “ Post-identity Kawaii: Commerce, gender and contemporary Japanese art ” . In Consuming bodies: Sex and contemporary Japanese art , Edited by: Lloyd , Fran . 127 – 41 . London : Reaktion .
   Google Scholar
• Hjorth , L. 2009 . Game girl: Re-imagining Japanese gender and gaming via Melbourne female cosplayers . Intersections: Gender and Sexuality in Asia and the Pacific , 20 http://intersections.anu.edu.au/issue20/hjorth.htm
   Google Scholar
• Iwabuchi , K. 2002 . Recentering globalisation: Popular culture and Japanese transnationalism , Durham, NC : Duke University Press .
   Google Scholar
• Jenkins , H. 1992 . Television fans and participatory culture , New York : Routledge .
   Google Scholar
• Kinsella , S. 1995 . “ Cuties in Japan ” . In Women, media and consumption in Japan , Edited by: Skov , Lise and Moeran , Brian . 220 – 54 . Honolulu : University of Hawaii Press .
   Google Scholar
• Kinsella , S. 1998 . Japanese subculture in the 1990s: Otaku and the amateur manga movement . Journal of Japanese Studies , 24 ( 2 ) : 289 – 316 .
   Web of Science ®Google Scholar
• Kinsella , S. 2006 . Minstrelized girls: male performers of Japan's Lolita complex . Japan Forum , 18 ( 1 ) : 65 – 87 .
   Google Scholar
• Lindvall , T.R. and Melton , J.M. 1997 . “ Towards a post-modern animated discourse: Bakhtin intertextuality and the cartoon carnival ” . In A reader in animation studies , Edited by: Piling , Jayne . 203 – 30 . Sydney : John Libbey .
   Google Scholar
• Mactavish , A. 2002 . “ Technological pleasure: The performance and narrative of technology in Half-Life and other high-tech computer games ” . In ScreenPlay: Cinema/videogames/interfaces , Edited by: King , Geoff and Krywinska , Tanya . 33 – 49 . London : Wallflower Press .
   Google Scholar
• Massumi , B. 1996 . “ The autonomy of affect ” . In Deleuze: A critical reader , Edited by: Patton , Paul . 217 – 39 . Oxford : Blackwell .
   Google Scholar
• McCormick , C. 2007 . “ Becoming, cosplay and identity ” . In Fandomania, characters and cosplay , 4 – 9 . New York : Aperture . Elena Dorfman (photographer)
   Google Scholar
• Morris , R.C. 1995 . All made up: Performance theory and the new anthropology of sex and gender . Annual Review of Anthropology , 24 : 567 – 92 .
   Web of Science ®Google Scholar
• Muramatsu , Y. 2002 . Gender construction through interactions between the media and audience in Japan . International Journal of Japanese Sociology , 22 : 72 – 87 .
   Google Scholar
• Norris, C., and J. Bainbridge. 2009. Selling otaku? Mapping the relationship between industry and fandom in the Australian cosplay scene. Intersections: Gender and Sexuality in Asia and the Pacific, http://intersections.anu.edu.au/issue20/norris_bainbridge.htm
   Google Scholar
• Robertson , J. 1992 . The politics of androgyny in Japan: Sexuality and subversion in the theatre and beyond . American Ethnologist , 19 ( 3 ) : 419 – 42 .
   Web of Science ®Google Scholar
• Robertson , J. 1998 . Takarazuka: Sexual politics and popular culture in modern Japan , Berkeley : University of California Press .
   Google Scholar
• Shaviro , S. 1993 . The cinematic body , Minneapolis : University of Minnesota Press .
   Google Scholar
• Sobchack , V. 2000 . What my fingers knew: The cinesthetic subject, or vision in the flesh . Senses of Cinema , 5 http://www.sensesofcinema.com/contents/00/5/fingers.html
   Google Scholar
• Takahashi , M. 2008 . “ Opening the closed world of Shōjo manga: Teenage girls, romance comics and contemporary Japanese culture ” . In Japanese visual culture , Edited by: MacWilliams , Mark.W. 137 – 54 . New York : M.E. Sharpe .
   Google Scholar
• Toffoletti , K. 2007 . Cyborgs and Barbie dolls: Feminism, popular culture and the post-human body , London : I.B. Tauris .
   Google Scholar
• Varley , P. 2000 . Japanese Culture , Honolulu : University of Hawaii Press .
   Google Scholar