537
Views
8
CrossRef citations to date
0
Altmetric
General papers

Not ‘from my hot little ovaries': how slash manips pierce reductive assumptions

REFERENCES

  • Allington, D.2007. “‘How Come Most People Don't See It?': Slashing The Lord of the Rings.” Social Semiotics17 (1): 43–62.
  • Ang, I.1985. Watching Dallas. London: Methuen.
  • Bacon-Smith, C.1992. Enterprising Women: Television, Fandom and the Creation of Popular Myth. Philadelphia: University of Pennsylvania Press.
  • Baker, D.2001. “The Slash Edge: Why Queer as Folk Isn't Slashy.” Accessed October 12, 2012.http://www.nightroadsassoc.com/qaf1.htm.
  • Bakhtin, M.1984. Rabelais and His World. Bloomington: Indiana University Press.
  • Barker, C.2005. Cultural Studies: Theory and Practice. 2nd ed.London: Sage.
  • Barker, M.1993. “Seeing How Far You Can See: On Being a ‘Fan' of 2000 AD.” In Reading Audiences: Young People and the Media, edited by D.Buckingham, 159–183. Manchester: Manchester University Press.
  • Bataille, G.1962. Death and Sensuality: A Study of Eroticism and the Taboo. New York: Walker and Company.
  • Bourdieu, P.1980. “The Aristocracy of Culture.” Media, Culture & Society2 (3): 225–254.
  • Brennan, J. C. L.2009. “I Am Your Worst Fear, I Am Your Best Fantasy: New Approaches to Slash Fiction.” Honours thesis, Department of Media and Communications, University of Sydney. http://hdl.handle.net/2123/5872.
  • Buchbinder, D.2011. “From ‘Wizard' to ‘Wicked': Adaptation Theory and Young Adult fiction.” In Contemporary Children's Literature and Film: Engaging with Theory, edited by K.Mallan, and C.Bradford, 127–146. Basingstoke: Palgrave Macmillan.
  • Bury, R.2005. Cyberspaces of Their own: Female Fandoms Online. New York: Peter Lang.
  • Carter, A.1979. The Sadeian Woman. London: Virago.
  • Cicioni, M.1998. “Male Pair-Bonds and Female Desire in Fan Slash Writing.” In Theorizing Fandom: Fans, Subculture and Identity, edited by C.Harris, and A.Alexander, 153–178. Cresskill, NJ: Hampton.
  • Coppa, F.2008. “Women, Star Trek, and the Early Development of Fannish Vidding.” Transformative Works and Cultures1. http://journal.transformativeworks.org/index.php/twc/article/view/44.
  • Davies, R.2005. “The Slash Fanfiction Connection to Bi Men.” Journal of Bisexuality5 (2–3): 195–202.
  • Davisson, A., and P.Booth. 2007. “Reconceptualizing Communication and Agency in Fan Activity: A Proposal for a Projected Interactivity Model for Fan Studies.” Texas Speech Communication Journal32 (1): 33–43.
  • Deleuze, G, and F.Guattari. 1987. A Thousand Plateaus: Capitalism and Schizophrenia. London: The Athlone Press.
  • Dennis, J. P.2010. “Drawing Desire: Male Youth and Homoerotic Fan Art.” Journal of LGBT Youth7 (1): 6–28.
  • Derrida, J.1976. Of Grammatology. Baltimore, MD: John Hopkins University Press.
  • Dyer, R.1994. “Idol Thoughts: Orgasm and Self-reflexivity in Gay Pornography.” Critical Quarterly36 (1): 49–62.
  • Fejes, F.2002. “Bent Passions: Heterosexual Masculinity, Pornography, and Gay Male Identity.” Sexuality & Culture6 (3): 95–113.
  • Fiske, J.1987. Television Culture. London: Routledge.
  • Fiske, J., and J.Hartley. 1978. Reading Television. London: Methuen.
  • Foucault, M.1986. “Of Other Spaces.” Diacritics16 (1): 22–27, Translated by J. Miskowiec.
  • Frith, S.1982. “Music for Pleasure.” Mass Communication Review Yearbook3: 493–503.
  • Green, S., C.Jenkins, and H.Jenkins. 1998. “Normal Female Interest in Men Bonking: Selections from The Terra Nostra Underground and Strange Bedfellows.” In Theorizing Fandom: Fans, Subculture and Identity, edited by C.Harris, and A.Alexander, 9–40. Cresskill, NJ: Hampton.
  • Gwenllian-Jones, S.2002. “The Sex Lives of Cult Television Characters.” Screen43 (1): 79–90.
  • Hall, S.1981. “Encoding and Decoding in Television Discourse.” In Culture, Media, Language, edited by S.Hall, D.Hobson, A.Lowe, and P.Willis, 128–138. London: Hutchinson.
  • Hansen, B. 2010. “Darkfic Slash: Are Evil Phantasies Dangerous?” In Challenging Evil: Time, Society and Changing Concepts of the Meaning of Evil, edited by J.Schlegel, and B.Hansen, 125–132. Oxford: Inter-Disciplinary Press.
  • Hartley, J. 1999. Uses of Television. London: Routledge.
  • Hocquenghem, G.1978. Homosexual Desire. London: Allison and Busby.
  • Jenkins, H.1988. “Star Trek Rerun, Reread, Rewritten: Fan Writing as Textual Poaching.” Critical Studies in Mass Communication5 (2): 85–107.
  • Jenkins, H. 1992. Textual Poachers: Television Fans & Participatory Culture. London: Routledge.
  • Jenkins, H. 1996. “A Conversation with Henry Jenkins: Interview on the Intersections of Fan and Academic Criticism.” In Enterprise Zones: Critical Positions on Star Trek, edited by T.Harrison, and S.Projansky. Boulder, CO: Westview Press.
  • Jenkins, H. 2006. Convergence Culture. New York: New York University Press.
  • Jenkins, H. 2009. “Who the &%&# is Henry Jenkins? Confessions of an Aca-fan: The Official Weblog of Henry Jenkins.” Accessed October 12, 2012. http://henryjenkins.org/aboutmehtml.
  • Lackner, E., B. L.Lucas, and R. A.Reid. 2006. “Cunning Linguists: The Bisexual Erotics of Words/Silence/Flesh.” In Fan Fiction and Fan Communities in the Age of the Internet: New Essays, edited by K.Hellekson, and K.Busse. Jefferson, NC: McFarland.
  • Lamb, P. F., and D. L.Veith. 1986. “Romantic Myth, Transcendence, and Star Trek Zines.” In Erotic Universe: Sexuality and Fantastic Literature, edited by D.Palumbo. New York: Greenwood.
  • Liebes, T., and E.Katz. 1991. The Export of Meaning. Oxford: Oxford University Press.
  • Lothian, A., K.Busse, and R. A.Reid. 2007. “‘Yearning Void and Infinite Potential': Online Slash Fandom as Queer Female Space.” English Language Notes45 (2): 103–111.
  • Lunsing, W.2006. “Yaoi Ronsō: Discussing Depictions of Male Homosexuality in Japanese Girls' Comics, Gay Comics and Gay Pornography.” Intersections: Gender, History and Culture in the Asian Context12. http://intersections.anu.edu.au/issue12/lunsing.html.
  • MacCormack, P.2004. “Perversion: Transgressive Sexuality and Becoming-Monster.” Thirdspace: A Journal of Feminist Theory & Culture3 (2). http://www.thirdspace.ca/journal/article/view/maccormack/174.
  • MacDonald, M.2006. “Harry Potter and the Fan Fiction Phenom.” The Gay & Lesbian Review13 (1): 28–30.
  • Manifold, M. C.2009. “Fanart as Craft and the Creation of Culture.” International Journal of Education Through Art5 (1): 7–21.
  • McKee, A.1999. “Australian Gay Porn Videos: The National Identity of Despised Cultural Objects.” The International Journal of Cultural Studies2 (2): 178–198.
  • McKee, A.2001. “A Beginner's Guide to Textual Analysis.” Metro Magazine127/128: 138–149.
  • McKee, A. 2003. Textual Analysis: A Beginner's Guide. London: Sage.
  • McLelland, M. J.2006/2007. “Why Are Japanese Comics Full of Boys Bonking?” Refractory: A Journal of Entertainment Media10. http://refractory.unimelb.edu.au/2006/12/04/why-are-japanese-girls%E2%80%99-comics-full-of-boys-bonking1-mark-mclelland/.
  • Meyer, M. D. E., and M. H. L.Tucker. 2007. “Textual Poaching and Beyond: Fan Communities and Fandoms in the Age of the Internet.” Review of Communication7 (1): 103–116.
  • Morley, D. 1980. The Nationwide Audience: Structure and Decoding. London: British Film Institute.
  • Nelson, M. 2011. The Art of Cruelty. New York: W.W. Norton & Company.
  • Penley, C. 1991. “Brownian Motion: Women, Tactics, and Technology.” In Technoculture, edited by C.Penley, and A.Ross, 135–162. Minneapolis: University of Minnesota Press.
  • Prowse, M. June 23, 2001. “Warrior Lovers (Review).” Financial Times22.
  • Pugh, S. 2005. The Democratic Genre: Fan Fiction in a Literary Context. Glasgow: Seren.
  • Radway, J. 1984. Reading the Romance: Women, Patriarchy, and Popular Literature. Chapel Hill: University of North Carolina Press.
  • Rambukkana, N.2007. “Is Slash an Alternative Medium? ‘Queer' Heterotopias and the Role of Autonomous Media Spaces in Radical World Building.” Affinities: A Journal of Radical Theory, Culture and Action1 (1): 69–85.
  • Ross, A. 1989. No Respect: Intellectuals and Popular Culture. New York: Routledge.
  • Russ, J. 1985. “Pornography by Women for Women, with Love.” In Magic Mommas, Trembling Sisters, Puritans, and Perverts: Feminist Essays, edited by J. Russ, 79–99. Trumansburg, NY: Crossing Press.
  • Russo, J. L.2009. “User-Penetrated Content: Fan Video in the Age of Convergence.” Cinema Journal48 (4): 125–130.
  • Salmon, C. 2005. “Crossing the Abyss: Erotica and the Intersection of Evolutionary Psychology and Literary Studies.” In The Literary Animal: Evolution and the Nature of Narrative, edited by J.Gottschall, and D. S.Wilson, 244–258. Evanston: Northwestern University Press.
  • Salmon, C., and D.Symons. 2001. Warrior Lovers: Erotic Fiction, Evolution and Human Sexuality. London: Weidenfeld & Nicolson.
  • Salmon, C., and D.Symons. 2004. “Slash Fiction and Human Mating Psychology.” SSSS: The Journal of Sex Research41 (1): 94–100.
  • Scodari, C.2003. “Resistance Re-examined: Gender, Fan Practices, and Science Fiction Television.” Popular Communication1 (2): 111–130.
  • Shave, R.2004. “Slash Fiction on the Internet, or, Is the Carnival Over?” Refractory6. http://refractory.unimelb.edu.au/2004/06/17/slash-fandom-on-the-internet-or-is-the-carnival-over-rachel-shave/.
  • Smith, H. 2005. The Writing Experiment: Strategies for Innovative Creative Writing. Sydney: Allen & Unwin.
  • Tulloch, J. 1995. “We're Only a Speck in the Ocean: The Fans as Powerless Elite.” In Science Fiction Audiences: Watching Doctor Who and Star Trek, edited by J.Tulloch, and H.Jenkins, 144–172. New York: Routledge.
  • Weinstein, M.2006. “Slash Writers and Guinea Pigs as Models for Scientific Multiliteracy.” Educational Philosophy and Theory38 (5): 607–623.
  • Williams, L. 1990. Hard Core: Power, Pleasure and the ‘Frenzy of the Visible'. London: Pandora.
  • Wimsatt, W. K., Jr., and M. C.Beardsley. 1946. “The Intentional Fallacy.” The Sewanee Review54 (3): 468–488.
  • Woledge, E.2005. “Decoding Desire: From Kirk and Spock to K/S.” Social Semiotics15 (2): 235–250.
  • Woledge, E.2006. “Intimatopia: Genre Intersections between Slash and the Mainstream.” In Fan Fiction and Fan Communities in the Age of the Internet: New Essays, edited by K.Hellekson, and K.Busse, 97–114. Jefferson, NC: McFarland.
  • Zanghellini, A.2009. “Underage Sex and Romance in Japanese Homoerotic Manga and Anime.” Social & Legal Studies18 (2): 159–177.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.