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Continuum
Journal of Media & Cultural Studies
Volume 28, 2014 - Issue 2: Postfeminist inflections in television studies
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Articles

‘A suitable job for a woman’: women, work and the television crime drama

Sue TurnbullCommunication and Media Studies, Faculty of Law, Humanities and the Arts, University of Wollongong, Wollongong, AustraliaCorrespondence[email protected]
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Pages 226-234 | Published online: 03 Mar 2014

REFERENCES

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  • Brunsdon, Charlotte. 2012. “Television Crime Series, Women, Police and Fuddy-Duddy Feminism.” Feminist Media Studies1 (1): 1–20.
  • Crown, Sara. 2011. “A Life in Writing: PD James.” The Guardian, November 4. Accessed August 15, 2012. http://www.guardian.co.uk/culture/2011/nov/04/pd-james-life-in-writing.
  • D'Acci, Julie. 1994. Defining Women: Television and the Case of Cagney and Lacey. Chapel Hill: The University of North Carolina Press.
  • Gregg, Melissa, and WilsonJason. 2010. “Underbelly, True Crime and Cultural Economy of Infamy.” Continuum24 (3): 411–427.
  • Hale, Beth. 2008. “Lynda La Plante's Fury over Alcoholic Final Act for Prime Suspect.” Daily Mail, October 20. Accessed August 15, 2012. http://www.dailymail.co.uk/tvshowbiz/article-411694/Lynda-La-Plantes-fury-alcoholic-final-act-Prime-Suspect.html.
  • James, P. D.1972. An Unsuitable for a Woman. London: Faber and Faber.
  • James, P. D.2000. A Time to be in Earnest. London: Faber and Faber.
  • Jermyn, Deborah. 2010. Prime Suspect. London: B.F.I..
  • McDermid, Val. 1994. A Suitable Job for a Woman. London: Harper Collins.
  • Negra, Diane. 2009. What a Girl Wants: Fantasizing the Reclamation of Self in Postfeminism. London: Routledge.
  • Packard, Felicity. 2012. “Is That What Really Happened? Uncovering New Modes of Practice and Generic Space in the Writing of Underbelly.” Paper presented to the Fifth Screenwriters Conference at Macquarie University, September 15–16.
  • Williams, Linda. 1999. Hard Core: Power, Pleasure and the ‘Frenzy of the Visible’. 2nd ed. Berkeley: University of California Press.

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