Publication Cover
Continuum
Journal of Media & Cultural Studies
Volume 30, 2016 - Issue 6
455
Views
12
CrossRef citations to date
0
Altmetric
Articles

Early career artists and the exchange of gifts on a crowdfunding platform

&

References

  • Agrawal, A., C. Catalini, and A. Goldfarb. 2015. “Crowdfunding: Geography, Social Networks, and the Timing of Investment Decisions.” Journal of Economics & Management Strategy 24: 253–274. doi:10.1111/jems.12093.
  • Banks, J., and J. Potts. 2010. “Co-Creating Games: A Co-Evolutionary Analysis.” New Media & Society 12 (2): 253–270. doi:10.1177/1461444809343563.
  • Bannerman, S. 2013. “Crowdfunding Culture.” Wi: Journal of Mobile Media 7. Accessed August 20, 2015. http://wi.mobilities.ca/crowdfunding-culture/
  • Baym, N. K. 2012. “Fans or Friends? Seeing Social Media Audiences as Musicians Do.” Participations: Journal of Audience and Reception Studies 9 (2). Accessed May 28, 2016. http://www.participations.org/Volume%209/Issue%202/17%20Baym.pdf
  • Baym, N. K., and R. Burnett. 2009. “Amateur Experts International Fan Labour in Swedish Independent Music.” International Journal of Cultural Studies 12: 433–449. doi:10.1177/1367877909337857.
  • Beer, D. 2008. “Making Friends with Jarvis Cocker: Music Culture in the Context of Web 2.0.” Cultural Sociology 2 (2): 222–241. doi:10.1177/1749975508091034.
  • Bergquist, M., and J. Ljungberg. 2001. “The Power of Gifts: Organizing Social Relationships in Open Source Communities.” Information Systems Journal 11 (4): 305–320.10.1046/j.1365-2575.2001.00111.x
  • Booth, P. 2010. Digital Fandom: New Media Studies. New York: Peter Lang.
  • Booth, P. 2015. “Crowdfunding: A Spimatic Application of Digital Fandom.” New Media & Society 17 (2): 149–166. doi:10.1177/1461444814558907.
  • Davidson, R., and N. Poor. 2015. “The Barriers Facing Artists’ Use of Crowdfunding Platforms: Personality, Emotional Labor, and Going to the Well One Too Many times.” New Media & Society 17 (2): 289–307. doi:10.1177/1461444814558916.
  • Galuszka, P., and B. Brzozowska. 2015. “Crowdfunding: Towards a Redefinition of the Artist’s Role – The Case of MegaTotal.” International Journal of Cultural Studies, published online before print: 1–17. doi:10.1177/1367877915586304d.
  • Galuszka, P., and V. Bystrov. 2014a. “Crowdfunding: A Case Study of a New Model of Financing Music Production.” Journal of Internet Commerce 13 (3–4): 233–252. doi:10.1080/15332861.2014.961349.
  • Galuszka, P., and V. Bystrov. 2014b. “The Rise of Fanvestors: A Study of a Crowdfunding Community.” First Monday 19 (5). Accessed May 28, 2016. http://firstmonday.org/article/view/4117/4072
  • Giesler, M. 2006. “Consumer Gift Systems.” Journal of Consumer Research 33 (2): 283–290.10.1086/506309
  • Hills, M. 2003. Fan Cultures. London: Routledge.
  • Hills, M. 2015. “Veronica Mars, Fandom, and the ‘Affective Economics’ of Crowdfunding Poachers.” New Media & Society 17 (2): 183–197. doi:10.1177/1461444814558909.
  • Hunter, A. 2016. “‘It’s like Having a Second Full-Time Job’ Crowdfunding, Journalism and Labour.” Journalism Practice 10 (2): 217–232.10.1080/17512786.2015.1123107
  • Jenkins, H. 2006. Convergence Culture: Where Old and New Media Collide. New York: New York University Press.
  • Jenkins, H., S. Ford, and J. Green. 2013. Spreadable Media: Creating Value and Meaning in a Networked Culture. New York: New York University Press.
  • Massolution. 2015. 2015CF the Crowdfunding Industry Report. Los Angeles, CA: Massolution.
  • Mauss, M. 1966. The Gift. Forms and Functions of Exchange in Archaic Societies. Translated by I. Cunninson. London: Cohen & West.
  • Ordanini, A., L. Miceli, M. Pizzetti, and A. Parasuraman. 2011. “Crowd-Funding: Transforming Customers into Investors through Innovative Service Platforms.” Journal of Service Management 22: 443–470. doi:10.1108/09564231111155079.
  • Pearson, E. 2007. “Digital Gifts: Participation and Gift Exchange in Livejournal Communities.” First Monday 12 (5). Accessed February 10, 2015. http://journals.uic.edu/ojs/index.php/fm/article/view/1835
  • Scott, S. 2015. “The Moral Economy of Crowdfunding and the Transformative Capacity of Fan-Ancing.” New Media & Society 17 (2): 167–182. doi:10.1177/1461444814558908.
  • Smith, A. N. 2015. “The Backer–Developer Connection: Exploring Crowdfunding’s Influence on Video Game Production.” New Media & Society 17 (2): 198–214. doi:10.1177/1461444814558910.
  • Tomczak, A., and A. Brem. 2013. “A Conceptualized Investment Model of Crowdfunding.” Venture Capital 15: 335–359. doi:10.1080/13691066.2013.847614.
  • Turk, T. 2014. “Fan Work: Labor, worth, and Participation in Fandom’s Gift Economy.” Transformative Works and Cultures 15. Accessed August 20, 2015. http://journal.transformativeworks.com/index.php/twc/article/view/518/428
  • Zeitlyn, D. 2003. “Gift Economies in the Development of Open Source Software: Anthropological Reflections.” Research Policy 32 (7): 1287–1291.10.1016/S0048-7333(03)00053-2

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.