Cultivation and erosion of creative identity: a Hong Kong advertising agency as case study

References

• Alvesson, Mats. 1994. “Talking in Organizations – Managing Identity and Impressions in an Advertising Agency.” Organization Studies 15 (4): 535–563.10.1177/017084069401500403
   Web of Science ®Google Scholar
• Alvesson, Mats. 1998. “Gender Relations and Identity at Work: A Case Study of Masculinities and Femininities in an Advertising Agency.” Human Relations 51 (8): 969–1005.
   Web of Science ®Google Scholar
• Alvesson, Mats, Karen Lee Ashcraft, and Robyn Thomas. 2008. “Identity Matters: Reflections on the Construction of Identity Scholarship in Organization Studies.” Organization 15 (1): 5–28.10.1177/1350508407084426
   Web of Science ®Google Scholar
• Banks, Mark. 2007. The Politics of Cultural Work. Basingstoke: Palgrave Macmillan.10.1057/9780230288713
   Google Scholar
• Banks, John, and Mark Deuze. 2009. “Co-creative Labour.” International Journal of Cultural Studies 12 (5): 419–431.10.1177/1367877909337862
   Web of Science ®Google Scholar
• Becker, Howard. 1982. Art Worlds. Berkeley: University of California Press.
   Google Scholar
• Bilton, Chris. 2007. Management and Creativity: From Creative Industries to Creative Management. Malden, MA: Blackwell.
   Google Scholar
• Census and Statistics Department, Hong Kong Special Administrative Region. 2015. Hong Kong Monthly Digest of Statistics: The Cultural and Creative Industries in Hong Kong. http://www.statistics.gov.hk/pub/b71506fa2015xxxxb0100.pdf.
   Google Scholar
• Chan, Lik Sam. 2013a. “Genealogy, Discourses, and Revival of Creativity in the Context of Advertising Industry.” Paper presented at International Association for Media and Communication Research Annual Conference, Dublin, Ireland, June 25–29.
   Google Scholar
• Chan, Jenny. 2013b. “M&C Saatchi Ceases Creative Operations in Hong Kong.” Campaign Asia-Pacific. May 21. http://www.campaignasia.com/article/344007,mc+saatchi+ceases+creative+operations+in+hong+kong.aspx.
   Google Scholar
• Chen, Peiai. 2002. Histories of Chinese and World Advertising: A Comprehensive Review from a Contemporary Perspective. 2nd ed. Beijing: Zhongguo Wujia Chubanshe.
   Google Scholar
• Chiu, Stephen, and Tai-Lok Lui. 2009. Hong Kong: Becoming a Chinese Global City. London: Routledge.
   Google Scholar
• French, Lisa. 2014. “Gender Then, Gender Now: Surveying Women’s Participation in Australian Film and Television Industries.” Continuum: Journal of Media & Cultural Studies 28 (2): 188–200.10.1080/10304312.2014.888040
   Web of Science ®Google Scholar
• Geertz, Clifford. 1973. The Interpretation of Cultures: Selected Essays. New York: Basic Books.
   Google Scholar
• Gill, Rosalind, and Andy Pratt. 2008. “In the Social Factory?: Immaterial Labour, Precariousness and Cultural Work.” Theory, Culture & Society 25 (7–8): 1–30.10.1177/0263276408097794
   Web of Science ®Google Scholar
• Hackley, C., and A. Kover. 2007. “The Trouble with Creatives: Negotiating Creative Identity in Advertising Agencies.” International Journal of Advertising 26 (1): 63–78.
   Web of Science ®Google Scholar
• Hammersley, Martyn, and Paul Atkinson. 2007. Ethnography: Principles in Practice. 3rd ed. London: Routledge.
   Google Scholar
• Huang, Jin. 1993. “Wandering in the Ocean of Hong Kong’s Advertisement.” China Business 12: 46–48.
   Google Scholar
• Institute of International Education. 2015. Open Doors Data. http://www.iie.org/research-and-publications/open-doors/data/international-students/all-places-of-origin.
   Google Scholar
• Kenny, Kate, and Gordon Euchler. 2012. “‘Some Good Clean Fun’: Humour, Control and Subversion in an Advertising Agency.” Gender, Work & Organization 19 (3): 306–323.10.1111/gwao.2012.19.issue-3
   Web of Science ®Google Scholar
• Kincheloe, Joe. 1999. How Do We Tell the Workers? The Socio-economic Foundations of Work and Vocational Education. Boulder, CO: Westview.
   Google Scholar
• Kong, Lily. 2011. “From Precarious Labor to Precarious Economy? Planning for Precarity in Singapore’s Creative Economy.” City, Culture and Society 2 (2): 55–64.10.1016/j.ccs.2011.05.002
   Google Scholar
• Kristofferson, Robert. 2007. Craft Capitalism: Craftworkers and Early Industrialization in Hamilton, Ontario, 1840–1872. Toronto: University of Toronto Press.
   Google Scholar
• Larson, Magali. 1977. The Rise of Professionalism: A Sociological Analysis. Berkeley: University of California Press.
   Google Scholar
• Lau, Siu-Kai, and Hsin-Chi Kuan. 1988. The Ethos of Hong Kong Chinese. Hong Kong: Chinese University Press.
   Google Scholar
• Lee, Annisa. 2007. “The Resilient Advertising Industry in Hong Kong – A Ten-year Bumpy Ride with the Economy.” Modern Advertising, 144, 136. Bejijing: China Advertising Association.
   Google Scholar
• Lee, Eliza Wing Yee. 2005. “The Renegotiation of the Social Pact in Hong Kong: Economic Globalisation, Socio-economic Change, and Local Politics.” Journal of Social Policy 34 (2): 293–310.10.1017/S0047279404008591
   Web of Science ®Google Scholar
• Lewandowski, Natalie. 2010. “Understanding Creative Roles in Entertainment: The Music Supervisor as Case Study.” Continuum: Journal of Media & Cultural Studies 24 (6): 865–875.10.1080/10304312.2010.510595
   Web of Science ®Google Scholar
• Ma, Eric. 2001. “Consuming Satellite Modernities.” Cultural Studies 15 (3/4): 444–463.
   Web of Science ®Google Scholar
• McRobbie, Angela. 1998. British Fashion Design: Rag Trade or Image Industry. London: Routledge.10.4324/9780203168011
   Google Scholar
• McRobbie, Angela. 2002. “From Holloway to Hollywood: Happiness at Work in the New Cultural Economy?” In Cultural Economy, edited by Paul Du Gay and M Pryke, 97–114. London: Sage.
   Google Scholar
• Miles, Matthew, Michael Huberman, and Johnny Saldaña. 2014. Qualitative Data Analysis: A Methods Sourcebook. 3rd ed. Thousand Oaks, CA: Sage.
   Google Scholar
• Moran, Albert, and Michael Keane. 2009. “Introduction: The Global Flow of Creative Ideas.” Continuum: Journal of Media & Cultural Studies 23 (2): 107–114.10.1080/10304310802710579
   Web of Science ®Google Scholar
• Nixon, Sean. 2003. Advertising Cultures: Gender, Commerce, Creativity. London: Sage.10.4135/9781446218839
   Google Scholar
• Ogilvy, David. 1988. Confessions of an Advertising Man. New York: Atheneum.
   Google Scholar
• Ross, Andrew. 2003. No-collar: The Humane Workplace and Its Hidden Costs. New York: Basic Books.
   Google Scholar
• Taylor, Stephanie, and Karen Littleton. 2008. “Art Work or Money: Conflicts in the Construction of a Creative Identity.” The Sociological Review 56 (2): 275–292.10.1111/j.1467-954X.2008.00788.x
   Web of Science ®Google Scholar
• The Association of Accredited Advertising Agencies of Hong Kong. 2015. http://www.aaaa.com.hk.
   Google Scholar