References
- Agamben, Giorgio. 1998. Homo Sacer: Sovereign Power and Bare Life. Translated by Daniel Heller-Roazen. Stanford, CA: Stanford University Press.
- Anderson, Benedict. 1983. Imagined Communities: Reflections on the Origin and Spread of Nationalism. London: Verso.
- Andrews, Dudley. 2006. “An Atlas of World Cinema.” In Remapping World Cinema: Identity, Culture and Politics in Film, edited by Stephanie Dennison and Song Hwee Lim, 19–29. London and New York: Wallflower Press.
- Arbuthnot, Felicity. 2007. “A Bush Family Jihad?” Counter Currents. September 29. Accessed January 16, 2017. http://www.countercurrents.org/arbuthnot290907.htm
- Bartelson, Jens. 2000. “Three Concepts of Globalization.” International Sociology 15 (2): 180–196.10.1177/0268580900015002003
- Bartlett, Christopher A., and Sumantra Ghoshal. 2002. Managing Across Borders: The Transnational Solution. Boston, MA: Harvard Business Press.
- Basch, Linda, Nina Glick Schiller, and Christina Szanton Blanc, eds. 2005. Nations Unbound: Transnational Projects, Postcolonial Predicaments, and Deterritorialized Nation-states. New York, NY: Routledge.
- Berdal, Mats R., and Mónica Serrano, eds. 2002. Transnational Organized Crime and International Security: Business as Usual? London: Lynne Rienner.
- Bhabha, Homi. 1994. The Location of Culture. London: Routledge.
- Bialasiewicz, Luiza, David Campbell, Stuart Elden, Stephen Graham, Alex Jeffrey, and Alison J. Williams. 2007. “Performing Security: The Imaginative Geographies of Current US Strategy.” Political Geography 26: 405–422.
- Blomfeld, Doni. 2013. “Deconstructing the ‘Most Pro-Israel’ Zombie Movie Ever Made.” The Forward, July 11. http://forward.com/culture/180191/deconstructing-the-most-pro-israel-zombie-movie-ev/.
- Blum, William. 2004a. Killing Hope: U.S. Military and CIA Interventions Since WWII. Monroe, ME: Common Courage Press.
- Blum, R. 2004b. “ONE on ONE: It’s the Demography, Stupid.” Jerusalem Post, May 10.
- Brecht, Bertolt. 1961. “On Chinese Acting.” Translated by Eric Bentley. The Tulane Drama Review 6 (1): 130–136.10.2307/1125011
- Calhoun, Craig. 1997. Nationalism. Buckingham, UK: Open University Press.
- Canclini, Néstor García. 1995. Hybrid Cultures: Strategies for Entering and Leaving Modernity, trans Christopher L Chiàppari and Silvia L López. Minneapolis, MN: University of Minnesota Press.
- Choi, Jungbong. 2012. “Introduction: Of Transnational-Korean Cinematrix.” Transnational Cinemas 3 (1): 3–18.10.1386/trac.3.1.3_7
- Crane, Diana. 2014. “Cultural Globalization and the Dominance of the American Film Industry: Cultural Policies, National Film Industries, and Transnational Film.” International Journal of Cultural Policy 20 (4): 365–382.10.1080/10286632.2013.832233
- Dayan, Daniel. 1999. “The Tutor-code of Classical Cinema.” In Film Theory and Criticism: Introductory Readings, edited by L. Braudy and M. Cohen, 118–129. Oxford: Oxford University Press.
- Dixon, Wheeler Winston, and Gwendolyn Audrey Foster. 2011. 21st-Century Hollywood: Movies in the Era of Transformation. London: Rutgers University Press.
- Edwards, Adam, and Peter Gill, eds. 2004. Transnational Organised Crime: Perspectives on Global Security. London: Routledge.
- Escobar, Arturo. 2004. “Beyond the Third World: Imperial Globality, Global Coloniality and Anti-globalisation Social Movements.” Third World Quarterly 25 (1): 207–230.10.1080/0143659042000185417
- Ezra, Elizabeth, and Terry Rowden. 2006. Transnational Cinema, The Film Reader. London: Routledge.
- Ferguson, Kathy E., and Phyllis Turnbull. 2004. “Globalizing Militaries.” In Rethinking Globalism, edited by Manfred Steger, 79–91. Rowman and Littlefield: Lanham, MD.
- Ferree, Myra Marx, and Aili Mari Tripp, eds. 2006. Global Feminism: Transnational Women’s Activism, Organizing, and Human Rights. New York, NY: New York University Press.
- Fiss, Peer C., and Paul M. Hirsch. 2005. “The Discourse of Globalization: Framing and Sensemaking of an Emerging Concept.” American Sociological Review 70 (1): 29–52.10.1177/000312240507000103
- Gregory, D. 2004. The Colonial Present: Afghanistan, Palestine, Iraq. Malden, MA: Wiley-Blackwell.
- Gregory, Derek. 2006. “The Death of the Civilian?” Environment and Planning D: Society and Space 24 (5): 633–638.10.1068/d2405ed
- Grewal, Inderpal. 2005. Transnational America: Feminisms, Diasporas, Neoliberalisms. London: Duke University Press. 10.1215/9780822386544
- Held, David, Anthony G. McGrew, David Goldblatt, and Jonathan Perraton. 1999. Global Transformations: Politics, Economics and Culture. Cambridge: Polity Press.
- Higbee, W., and S. H. Lim. 2010. “Concepts of Transnational Cinema: Towards a Critical Transnationalism in Film Studies.” Transnational Cinemas 1 (1): 7–21.10.1386/trac.1.1.7/1
- Hroch, Miroslav. 1996. “From National Movement to the Fully-formed Nation: The Nation-building Process in Europe.” In Mapping the Nation, edited by Gopal Balakrishnan, 78–97. London and New York: Verso.
- Jackson, Peter. 2008. “Thai Semi-colonial Hybridities: Bhabha and Garcia Canclini in Dialogue on Power and Cultural Blending.” Asian Studies Review 32: 147–170.10.1080/10357820802061324
- Jayyusi, L. 2012. “Terror, War and Disjunctures in the Global Order”. In Media and Terrorism: Global Perspectives, edited by Des Freedman and Daya Kishan Thussu, 23–46. London: Sage.
- Jayyusi, L. 2015. “Discursive Cartographies, Moral Practices: International Law and the Gaza War.” In Law at Work: Studies in Legal Ethnomethods, edited by Baudouin Dupret, Michael Lynch and Tim Berard, 2273–2298. Oxford: Oxford University Press.
- JTA. 2013. “What ‘World War Z’ Says About Israel.” Haaretz, July 08, http://www.haaretz.com/israel-news/culture/leisure/1.534103.
- Jusdanis, Gregory. 2001. The Necessary Nation. Princeton, NJ: Princeton University Press.
- Khagram, S., J. V. Riker, and K. Sikkink, eds. 2002. Restructuring World Politics: Transnational Social Movements, Networks, and Norms. Minneapolis, MN: University of Minnesota Press.
- Klein, Naomi. 2007. The Shock Doctrine: The Rise of Disaster Capitalism. New York, NY: Metropolitan Books/Henry Holt.
- Kraidy, Marwan. 2005. Hybridity or the Cultural Logic of Globalization. Philadelphia, PA: Temple University Press.
- Kramer, Ronald C., and Raymond Michalowski. 2005. “War, Aggression and State Crime: A criminological Analysis of the Invasion and Occupation of Iraq.” The British Journal of Criminology 45: 446–469.10.1093/bjc/azi032
- Montezemolo, Fiamma. 2009. “Tijuana: Hybridity and Beyond: A Conversation with Néstor García Canclini.” Third Text 23 (6): 733–750.10.1080/09528820903371156
- Naficy, Hamid. 2001. An Accented Cinema. Exilic and Diasporic Filmmaking. Princeton, NJ: Princeton University Press.
- Naficy, Hamid. 2006. “Situating Accented Cinema.” In Transnational Cinema, The Film Reader, edited by Elizabeth Ezra and Terry Rowden, 111–129. London and New York: Routledge.
- Nagib, Lucia. 2006. “Towards a Positive Definition of World Cinema.” In Remapping World Cinema: Identity, Culture and Politics in Film, edited by Stephanie Dennison and Song Hwee Lim, 30–37. London and New York: Wallflower Press.
- Nagib, Lucia, Chirs Perriam, and Rajinder Dudrah. 2012. Theorizing World Cinema. London: I.B. Tauris.
- Nagy, Thomas J. 2001. “The Secret Behind the Sanctions: How the U.S. Intentionally Destroyed Iraq’s Water Supply.” The Progressive, September. http://www.progressive.org/mag/nagy0901.html.
- O’Regan, Tom. 1992. “Too Popular by Far: On Hollywood’s International Popularity.” Continuum: The Australian Journal of Media & Culture 5(2): 302–351.
- Online Etymology Dictionary. http://www.etymonline.com/index.php?allowed_in_frame=0&search=trans
- Osterhammel, Jürgen, and Niels P. Petersson. 2005. Globalization: A Short History. Princeton , NJ: Princeton University Press.
- Roberts, Susan, Anna Secor, and Matthew Sparke. 2003. “Neoliberal Geopolitics.” Antipode 35 (5): 886–897.10.1111/anti.2003.35.issue-5
- Said, Edward. 1993. Culture and Imperialism. New York, NY: Vintage Books (Random House).
- Scott, Allen. 2002. “A New Map of Hollywood: The Production and Distribution of American Motion Pictures.” Regional Studies 36 (9): 957–975.10.1080/0034340022000022215
- Scott, Allen. 2004. “Hollywood and the World: The Geography of Motion-picture Distribution and Marketing.” Review of International Political Economy 11 (1): 33–61.10.1080/0969229042000179758
- Shaheen, J. G., 2001. Reel Bad Arabs: How Hollywood Vilifies a People. Northampton, MA: Interlink Publishing Group.
- Shaw, Deborah. 2013. “Deconstructing and Reconstructing ‘Transnational Cinema’.” In Contemporary Hispanic Cinema: Interrogating Transnationalism in Spanish and Latin American Film, edited by S. Dennison, 47–66. Woodbridge: Tamesis.
- Shohat, Ella. 1992. “Notes on the “Post-colonial”.” Social Text, Third World and Post-Colonial Issues. 31 (32): 99–113.
- Shohat, Ella, and Robert Stam. 1994. Unthinking Eurocentrism: Multiculturalism and the Media. London: Routledge.
- Sklair, Leslie. 2012. Transnational Capitalist Class .The Wiley-Blackwell Encyclopedia of Globalization. Published Online: 29 FEB. DOI: 10.1002/9780470670590.wbeog585
- Stoler, Ann Laura. 2004. “Affective States.” In A Companion to the Anthropology of Politics, edited by David Nugent and Joan Vincent, 4–20. Oxford: Blackwell Publishing.
- Stoler, Ann Laura. 2008. “Epistemic Politics: Ontologies of Colonial Common Sense.” The Philosophical Forum 39 (3): 349–361.10.1111/phil.2008.39.issue-3
- The Concise Oxford Dictionary of English Etymology. http://www.oxfordreference.com/search?source=%2F10.1093%2Facref%2F9780192830982.001.0001%2Facref-9780192830982&q=trans
- Turse, Nick. 2014. “Why Is the US Military Averaging More Than a Mission a Day in Africa?” The Nation, March 27. http://www.thenation.com/article/179050/why-us-military-averaging-more-mission-day-africa#.
- Willett, John, ed. and trans. 1964. Brecht on Theatre. New York: Hill and Wang.
- Zeitchik, Steven. 2013. “What is ‘World War Z’ saying about Israel and the Middle East?” Los Angeles Times, June, 21. http://articles.latimes.com/2013/jun/21/entertainment/la-et-mn-world-war-z-israel-brad-pitt-theaters-east-20130621.
Filmography
- Forster, Marc, dir. 2013. World War Z. USA: Paramount Pictures/Skydance Media/Hemisphere Media Capital.
- Friedkin, William, dir. 2000. Rules of Engagement. UK/Germany/Canada/USA: Paramount Pictures/Seven Arts Pictures/Munich Film Partners & Company (MFP)/ ROE Production.
- Spielberg, Steven, dir. 1981. Raiders of the Lost Ark. USA: Lucasfilm/Paramount.