Serial housewives: the feminist resistance of The Real Housewives’ matrixial structure

References

• Allen, Robert C. 1985. Speaking of Soap Operas. Chapel Hill: University of North Carolina Press.
   Google Scholar
• Booth, Paul. 2012. Time on TV: Temporal Displacement and Mashup Television. New York, NY: Peter Lang.
   Google Scholar
• Butler, Judith. 1988. “Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory.” Theatre Journal 40 (4): 519–531.10.2307/3207893
   Web of Science ®Google Scholar
• Clarke, M. J. 2013. “Lost and Mastermind Narration.” In Transmedia Television: New Trends in Network Serial Production, 123–142. New York: Bloomsbury.
   Google Scholar
• Coles, Gail. 2000. “Docusoap: Actuality and the Serial Format.” In Frames and Fictions on Television: The Politics of Identity Within Drama, edited by Bruce Carson and Margaret Llewellen-Jones, 21–39. Exeter: Intellect Books.
   Google Scholar
• Cox, Nicole B., and Jennifer M. Proffitt. 2012. “The Housewives’ Guide to Better Living: Promoting Consumption on Bravo’s The Real Housewives.” Communication, Culture & Critique 5 (2): 295–312.10.1111/j.1753-9137.2012.01126.x
   Google Scholar
• Deleuze, Gilles and Felix Guattari. [1980] 2003. “Introduction: Rhizome.” A Thousand Plateaus: Capitalism and Schizophrenia. Translated by Brian Massumi. London: Continuum.
   Google Scholar
• Dominguez, Pier. 2015. “‘I’m Very Rich, Bitch!’: The Melodramatic Money Shot and the Excess of Racialized Gendered Affect in the Real Housewives Docusoaps.” Camera Obscura: Feminism, Culture, and Media Studies 30 (1 88): 155-183.10.1215/02705346-2885486
   Google Scholar
• Fiske, John. 1987. Television Culture. London: Routledge.
   Google Scholar
• Futon Critic. 2008. “Bravo Announces New Series ‘The Real Housewives of New York City.” TheFutonCritic.com. http://thefutoncritic.com/news/2008/01/14/bravo-announces-new-series-the-real-housewives-of-new-york-city-26434/20080114bravo01/.
   Google Scholar
• Hill, Annette. 2005. Reality TV: Audiences and Popular Factual Television. New York: Routledge.10.4324/9780203337158
   Google Scholar
• Johnson, Derek. 2009. “The Fictional Institutions of Lost: World Building, Reality and the Economic Possibilities of Narrative Divergence.” In Reading Lost: Perspectives on a Hit Show, edited by Roberta Pearson, 27–49. London: I.B.Tauris.
   Google Scholar
• Kavka, Misha, and Amy West. 2004. “Temporalities of the Real: Conceptualizing Time in Reality TV.” In Understanding Reality Television, edited by Su Holmes and Deborah Jermyn, 136–155. London: Routledge.
   Google Scholar
• Kristeva, Julia, Alice Jardine, and Harry Blake. 1981. “Women’s Time.” Signs: Journal of Women in Culture and Society 7 (1): 13–35.10.1086/493855
   Web of Science ®Google Scholar
• Kuhn, Annette. 1997. “The Body and Cinema.” In Writing on the Body: Female Embodiment and Feminist Theory, edited by Katie Conboy, Nadia Medina, and Sarah Stanbury, 195-207. New York: Columbia University Press.
   Google Scholar
• Lee, Michael J., and Leigh Moscowitz. 2013. “The Rich Bitch: Class and Gender on The Real Housewives of NYC.” Feminist Media Studies 13 (1): 64–82.10.1080/14680777.2011.647971
   Google Scholar
• Lieber, Emma. 2013. “Realism’s Housewives.” New England Review 33 (4): 113–130.10.1353/ner.2013.0016
   Google Scholar
• Mittell, Jason. 2015. Complex TV: The Poetics of Contemporary Television Storytelling. New York: New York University Press.
   Google Scholar
• Modleski, Tania. 1979. “The Search for Tomorrow in Today's Soap Operas: Notes on a Feminine Narrative Form.” Film Quarterly 33 (1): 12–21.10.2307/1212060
   Web of Science ®Google Scholar
• Rogers, Steve. 2006. “Bravo’s ‘The Real Housewives of Orange County’ to Premiere March 21.” RealityTVworld.com. http://www.realitytvworld.com/index/print.php?sid=3897
   Google Scholar
• Schauer, Bradley. 2007. “Critics, Clones and Narrative in the Franchise Blockbuster.” New Review of Film and Television Studies 5 (2): 191–210.10.1080/17400300701432894
   Google Scholar
• Silverman, Rachel E, ed. The Fantasy of Reality: Critical Essays on the Real Housewives. New York: Peter Lang. 2015.10.3726/978-1-4539-1563-9
   Google Scholar
• Squires, Lauren. 2014. “Class and Productive Avoidance in The Real Housewives Reunions.” Discourse, Context and Media, 6: 33–44.10.1016/j.dcm.2014.08.005
   Web of Science ®Google Scholar
• Wilhelm, Julie. 2013. “Money Can’t Buy Them Class Security: The Stories of the Real Housewives of Bravo TV.” Storytelling: 32–48. http://search.proquest.com/docview/1548612964?accountid=14765.
   Google Scholar
• Williams, Linda. 2012. “Mega-Melodrama! Vertical and Horizontal Suspensions of the “Classical”.” Modern Drama 55 (4): 523–543.10.3138/md.2012-S83
   Web of Science ®Google Scholar