References
- Azoulay, A. 2008. The Civil Contract of Photography. New York: Zone Books.
- Azoulay, A. 2012. Civil Imagination: A Political Ontology of Photography. London: Verso.
- Benjamin, W. 2008. “The Work of Art in the Age of Its Technological Reproducibility: Second Version.” In The Work of Art in the Age of Its Technological Reproducibility and Other Writings on Media, edited by M. W. Jennings, B. Doherty, T. Y. Levin, E. Jephcott, R. Livingstone, and H. Eiland, 19–55. Cambridge, M.A.: Belknap Press of Harvard University Press.
- Böser, U. 2013. “A Film Unfinished: Yael Hersonski’s Re-representation of Archival Footage from the Warsaw Ghetto.” Film Criticism 37 (2): 38–56.
- Crary, J. 1996. Techniques of the Observer: On Vision and Modernity in the Nineteenth Century. London: MIT Press.
- Engelking, B., and J. Leociak. 2009. The Warsaw Ghetto: A Guide to the Perished City. New Haven, CT: Yale University Press.
- Prager, B. 2015. After the Fact: The Holocaust in Twenty-First Century Documentary Film. New York: Bloomsbury.
- Sekula, A. 1986. “The Body and the Archive.” October 39: 3–64. doi:10.2307/778312.
- Tagg, J. 1993. The Burden of Representation: Essays on Photographies and Histories. Minneapolis: University of Minnesota Press.
- Zelizer, B. 1998. Remembering to Forget: Holocaust Memory through the Camera’s Eye. Chicago: University of Chicago Press.