References
- Ampere Analysis. 2020. “Australia TV 2.0: Strategies for Entertainment & Sport”. Webinar presentation, 4 August 2020.
- Australian Communications and Media Authority (ACMA). 2020. “Communications Report 2018-19”. https://www.acma.gov.au/publications/2020-02/report/communications-report-2018-19
- Bondebjerg, I., E. N. Redvall, R. Helles, S. S. Lai, H. Sondergaard, and C. Astrupgaard. 2017. Transnational European Television Drama Production, Genres and Audiences. Cham: Springer.
- Caldwell, J. T. 1995. Televisuality: Style, Crisis, and Authority in American Television. New Brunswick, New Jersey: Rutgers University Press.
- Clarke, S. 2019. “A Look at Netflix’s Ever-Increasing Physical Footprint in International Territories.” Variety. Accessed 7 November 2019. https://variety.com/2019/tv/news/netflix-international-territories-1203395845/
- Cunningham, S., and A. Scarlata. 2020. “New Forms of Internationalisation? The Impact of Netflix in Australia.” Media International Australia 177 (1): 149–164. doi:10.1177/1329878X20941173.
- Cunningham, S., and E. Jacka. 1996. Australian Television and International Mediascapes. Cambridge: Cambridge University Press.
- Davis, M. 1990. City of Quartz: Excavating the Future in Los Angeles. London. New York: Verso.
- Dermody, S., and E. Jacka. 1987. The Screening of Australia. Sydney: Currency Press.
- Douglas, J. 2019. “The Most Important Netflix Series Right Now May Not Be in English.” CNBC. Accessed 17 October 2019. https://www.cnbc.com/2019/10/17/a-big-netflix-money-success-in-almost-every-non-english-market.html
- Elsaesser, T. 2005. European Cinema: Face to Face with Hollywood. Amsterdam: Amsterdam University Press.
- Enker, D. 2018. “Netflix Wades into Australian Waters with Epic Supernatural Mystery Tidelands.” The Age. Accessed 29 November 2019. https://www.theage.com.au/entertainment/tv-and-radio/netflix-wades-into-australian-waters-with-epic-supernatural-mystery-tidelands-20181129-h18iy1.html?btis
- Godzich, W. 1999. “Global English and Diglossia Strategies.” Boundary 2 26 (2): 31–44.
- Goldsmith, B. 2006. “Australian International Cinema.” Paper given at the XIIIth Biennial Conference of the Film and History Association. Melbourne, Australia. 16–19 November.
- Goldsmith, B. 2010. “Outward-looking Australian Cinema.” Studies in Australasian Cinema 4 (3): 199–214. doi:10.1386/sac.4.3.199_1.
- Goodenough, C. 2018. “Filming for Netflix Series Tidelands at Bayside Redlands.” Redland City Bulletin. Accessed 19 April 2018. https://www.redlandcitybulletin.com.au/story/5352172/filming-for-netflix-series-at-redlands
- Hamilton Daly, L. 2019. “In Conversation”. Panel Screen Forever Conference. Melbourne, Australia. 13 November.
- Havens, T. J. 2003. “On Exhibiting Global Television: The Business and Cultural Functions of Global Television Fairs.” Journal of Broadcasting & Electronic Media 47 (1): 18–35. doi:10.1207/s15506878jobem4701_2.
- Hjort, M. 1996. “Danish Cinema and the Politics of Recognition.” In Post-Theory: Reconstructing Film Studies, edited by D. Bordwell and N. Carroll, 520–532. Madison: University of Wisconsin Press.
- Hjort, M. 2005. Small Nation Global Cinema. Minneapolis/London: University of Minnesota Press.
- Hopewell, J., and J. Lang. 2018. “Netflix’s Erik Barmack on Ramping up International Production, Creating Global TV.” Variety. Accessed 11 October 2018. https://variety.com/2018/tv/global/netflix-erik-barmack-international-production-global-tv-1202976698/
- Houston, M. 2018. „Pay TV: Tidelands is a little confusing but has its own weird charm.„ The Sydney Morning Herald. Accessed 16 December. https://www.smh.com.au/entertainment/tv-and-radio/m15tvpay-20181205-h18roj.html
- Hyo-won, L. 2016. “Ted Sarandos: Netflix’s Global Platform Will Bring Diversity to Hollywood.” Hollywood Reporter. Accessed 30 June 2016. https://www.hollywoodreporter.com/news/ted-sarandos-netflixs-global-platform-907558
- Jordan, M. 1981. “A Study of the Relationship between the Novel and the Film (For Cinema or Television), with Special Reference to the Novels of Henry James.” MA diss., University of Warwick.
- Knox, D. 2018a. “Hoodlum Riding the Wave.” TV Tonight. Accessed 11 December 2018. https://tvtonight.com.au/2018/12/hoodlum-riding-the-wave.html
- Lenton, P. 2018. “I Think I Love Netflix’s ‘Tidelands’ But I Have No Idea Why?” Junkee. Accessed 17 December 2018. https://junkee.com/tidelands-review/187144
- Lobato, R., and A. Scarlata. 2019. “Australian Content in SVOD Catalogs: Availability and Discoverability – 2019 Edition”. 17 November 2020. https://apo.org.au/node/264821
- Luegenbiehl, K. 2019. “The 2019 Drama Summit Sessions: Kelly Luegenbiehl.” C21 Podcast. Accessed 19 December 2019. https://www.c21media.net/c21podcasts/the-2019-drama-summit-sessions-kelly-luegenbiehl/
- Ma, W. 2018. “Netflix’s First Australian Original Series, Tidelands, Is Lightweight and Underwhelming.” News.com.au. Accessed 14 December 2018. https://www.news.com.au/entertainment/tv/tv-shows/netflixs-first-australian-original-series-tidelands-is-lightweight-and-underwhelming/news-story/5c75ae5aa3ecc3e9c55d5ac53be6aeb7
- Mayfield, N. 2019. “Interview”. Brisbane, Australia. October 31.
- Middleton, R. 2019. “Hall Repeats Calls for Streamer Regulation.” C21Media. March 8. https://www.c21media.net/hall-repeats-calls-for-streamer-regulation/
- Nelson, S. 2018. “Netflix’s Tidelands Was Tailor-made for a Nudity-based Drinking Game.” The Verge. Accessed 13 December 2018. https://www.theverge.com/2018/12/13/18138379/netflix-tidelands-review-supernatural-soap-opera-sex-nudity-drinking-game
- Netflix. 2019. “FQ3 2019 Earnings Call Transcripts.” Accessed 16 October 2019. https://s22.q4cdn.com/959853165/files/doc_financials/quarterly_reports/2019/q3/Netflix-Inc.-Q3-2019-Earnings-Call-Oct-16-2019.pdf
- Netflix. 2020. “2019 Quarterly Earnings, Q4, Letter to Shareholders.” Accessed 21 January 2020. https://s22.q4cdn.com/959853165/files/doc_financials/2019/q4/FINAL-Q4-19-Shareholder-Letter.pdf
- Newsome, B. 2018. “Tidelands: Stick with It, and You Might Get Hooked.” The Sydney Morning Herald. Accessed 20 December 2018. https://www.smh.com.au/entertainment/tv-and-radio/tidelands-stick-with-it-and-you-might-get-hooked-20181213-p50m6g.html
- O’Donnell, N., and D. Richards. 2020. “Netflix Submission to ACMA/Screen Australia ‘Supporting Australian Stories on Our Screens’ Options Paper”. 17 November 2020. https://www.communications.gov.au/sites/default/files/submissions/sass-netflix.pdf
- O’Regan, T. 1996. Australian National Cinema. London. New York: Routledge.
- O’Regan, T., and S. Ward. 2006. “Experimenting with the Local and the Transnational: Television Drama Production on the Gold Coast.” Continuum 20 (1): 17–31. doi:10.1080/10304310500475335.
- Potter, A. 2020. Producing Children’s Television in the On-Demand Age. Bristol; Chicago: Intellect.
- Potter, A., and R. Davis. 2017. “The Gold Coast on Screen: Children’s Television Selling Brand Australia in International Markets.” Series: International Journal of TV Serial Narratives 111 (1): 27–40.
- Roxborough, S. 2019. “Netflix’s Global Reach Sparks Dubbing Revolution: “The Public Demands It”.” The Hollywood Reporter. Accessed 13 August 2019. https://www.hollywoodreporter.com/news/netflix-s-global-reach-sparks-dubbing-revolution-public-demands-it-1229761
- Sassen, S. 2000. “Spatialities and Temporalities of the Global: Elements for a Theorization.” Public Culture 12 (1): 215–232. doi:10.1215/08992363-12-1-215.
- Screen Australia. 2018. “Screen Australia Drama Report 2017/2018”. 17 November 2020. https://www.screenaustralia.gov.au/getmedia/2cdec8cb-eb51-400b-9c88-2d14bcf83ca8/Drama-report-2017-2018.pdf
- Turner, G. 2018. “Netflix and the Reconfiguration of the Australian Television Market.” Media Industries 5 (2): 129–142.
- Turner, G. 2020. “Dealing with Diversity: Australian Television, Homogeneity and Indigeneity.” Media International Australia 174 (1): 20–28. doi:10.1177/1329878X19869481.
- Vnuk, H. 2018. “Why Netflix Chose Tidelands to Be Its First Original Australian Series.” Now to Love. Accessed 7 December 2018. https://www.nowtolove.com.au/celebrity/tv/tidelands-cast-interview-52827
- Ward, S., and T. O’Regan. 2010. “Fashioning the Boutique Location: Remaking the Gold Coast as an International Production Location.” In Locating Migrating Media, edited by G. Elmer, C. H. Davis, J. Marchessault, and J. McCullough, 79–102. Maryland: Lexington Books.
- Ward, S., and T. O’Regan. 2011. “Defining a National Brand: Australian Television Drama and the Global Television Market.” Journal of Australian Studies 35 (1): 33–47. doi:10.1080/14443058.2010.541928.