Notes
- Lucas , Hans and Milne , Tom , eds. 1972 . Godard on Godard , 25 New York Viking Press .
- Hillier , Jim , ed. 1985 . "The Essential” . In Cahiers du Cinéma: The 1950s , 135 London : Routledge & Kegan Paul .
- 1961 . “What is Mise en scene” . Film Culture, , : 65
- Hillier , Jim , ed. 1986 . Cahiers du Cinéma: The 1960s , 117 Cambridge, Mass. : Harvard University Press .
- 1962/3 . ‘'Notes on the Auteur Theory” . Film Culture, , Winter : 7
- 1971 . “Why Hollywood” . Monogram, , April : 3 – 4 .
- “Sunspots” . In Cahiers du Cinéma: The 1960s, 142
- “20 Years On ‐ A Discussion about American Cinema & the Politique des Auteurs” . In Cahiers du Cinéma: The 1960s, 205
- Caughie , John , ed. 1981 . Theories of Authorship: A Reader , 14 London : BFI/Routledge & Kegan Paul .
- Sarris , Andrew . 1963 . “Special Issue: American Directors” . Film Culture, , Spring
- Mourlet , Michel . 1965 . Sur Un Art Ignoré , Paris : Editions La Table Ronde .
- Bazin , André . 1971 . What is Cinema? , Edited by: Gray , Hugh . Vol II , 140 – 157 . Berkeley : University of California Press .
- Gray , Hugh , ed. 1967 . “The Evolution of the Language of Cinema” . In What is Cinema? , Vol I , 23 – 41 . Berkeley : University of California Press .
- Bazin , André . 1980 . “William Wyler or the Jansenist of Mise en scène” . In Realism in the Cinema , Edited by: Williams , Chris . London : Routledge & Kegan Paul .
- Perkins , Victor . 1972 . Film as Film ‐ Understanding & Judging Movies , Harmondsworth : Pelican .
- Bordwell , David . 1985 . The Classical Hollywood Cinema: Film Style & Mode of Production to 1960 , 37 – 41 . London : Routledge & Kegan Paul .