[Dr]illing in the name of: the criminalisation of Sydney drill group ONEFOUR

References

• Adams, C. (2010). Akon banned at Melbourne arena. Retrieved June 22, 2022, from https://www.news.com.au/entertainment/music/akon-banned-at-melbourne-arena/news-story/8207c04ec2bd75c9bd6d738405d8dc1f
   Google Scholar
• Ahmad, M. M. (2013). Western Sydney is worth writing about. The Guardian. Retrieved August 8, 2021, from https://www.theguardian.com/commentisfree/2013/jul/18/western-sydney-representation-community
   Google Scholar
• Ah Sam, O. (2019). Community voice – Exploring healing in musical identities: A Samoan perspective. New Zealand Journal of Music Therapy, 17, 43–46.
   Google Scholar
• Barkham, P. (2001). Eminen may take the rap. The Guardian. Retrieved June 22, 2022, from https://www.theguardian.com/world/2001/jul/06/worlddispatch.patrickbarkham
   Google Scholar
• Bazelon, D. (1981). Foreword–The morality of the criminal law: Rights of the accused. Journal of Criminal Law and Criminology, 72(4), 1143–1144.
   Web of Science ®Google Scholar
• Beebeejaun, Y., Durose, C., Rees, J., Richardson, J., & Richardson, L. (2014). ‘Beyond text’: Exploring ethos and method in co-producing research with communities. Community Development Journal, 49(1), 37–53.
   Web of Science ®Google Scholar
• Bendrups, D. (2013). Popular music, cultural policy, and the Festival of Pacific Arts. Perfect Beat, 14(2), 158–174.
   Google Scholar
• Bennett, A. (1999a). Subcultures or neo-tribes? Rethinking the relationship between youth, style and musical taste. Sociology, 33(3), 599–617.
   Google Scholar
• Bennett, A. (1999b). Hip hop am main: The localization of rap music and hip hop culture. Media, Culture & Society, 21(1), 77–91. https://doi.org/10.1177/016344399021001004
   Web of Science ®Google Scholar
• Bennett, A., & Rogers, I. (2016). Popular music scenes and cultural memory. London: Palgrave Macmillan.
   Google Scholar
• Betz, E. (2014). Polynesian youth hip hop: Intersubjectivity and Australia’s multicultural audience. Ethnomusicology Forum, 23(2), 247–265. http://doi.org/10.1080/17411912.2014.926630
   Web of Science ®Google Scholar
• Bhabha, H. K. (2004). The location of culture. Abingdon: Routledge.
   Google Scholar
• Burke, G. (2020). How NWA’s most notorious hit almost ended up in the bin. ABC web site. Retrieved June 22, 2022, from https://www.abc.net.au/doublej/music-reads/features/ice-cube-nwa-f-tha-police/12114070
   Google Scholar
• Cattermole, J. (2013). Beyond the Black Atlantic: Black outernationality and Afrocentrism in Aotearoa/New Zealand roots reggae. Musicology Australia, 35(1), 112–137. doi:10.1080/08145857.2013.761102
   Google Scholar
• Cohen, S. (1972). Folk devils and moral panics. London: McGibbon and Kee.
   Google Scholar
• Deleuze, G., & Guattari, F. (1980). A thousand plateaus (B. Massumi, trans.). London and New York: Continuum.
   Google Scholar
• Dyson, M. (2019). JAY-Z: Made in America. New York: St Martin’s Press.
   Google Scholar
• Faleatua, A. (2018). Rationales in flux: Charting transcultural Polynesian music-making processes. Perfect Beat, 19(2), 107–121.
   Web of Science ®Google Scholar
• Faruqi, O. (2019). Who wants war with Sydney’s realest? Retrieved from https://www.abc.net.au/news/2019-12-13/australian-drill-rappers-onefour-battle-police/11779746?nw=0
   Google Scholar
• Fatsis, L. (2019). Policing the beats: The criminalisation of UK drill and grime music by the London Metropolitan Police. The Sociological Review (Keele), 67(6), 1300–1316. https://doi.org/10.1177/0038026119842480
   Web of Science ®Google Scholar
• Ferrell, J., Hayward, K. J., & Young, J. (2015). Cultural criminology: An invitation (2nd ed.). London: SAGE.
   Google Scholar
• Fisher, M. (2017). The weird and the eerie. New York: Repeater Books.
   Google Scholar
• Foucault, M. (1977). Discipline and punish: The birth of the prison. New York: Random House.
   Google Scholar
• Frith, S. (2011). Music and identity. In S. Hall & P. du Gay (Eds.), Questions of cultural identity (pp. 108–127). SAGE Publications Ltd. Retrieved from https://doi.org/10.4135/9781446221907.n7
   Google Scholar
• Gallagher, P., & Poletti, P. (1998). Ethnic diversity, Aboriginality and sentencing young offenders. Current Issues in Criminal Justice, 10(1), 89–90. doi:10.1080/10345329.1998.12036116
   Google Scholar
• Gilroy, P. (1987). There ain’t no black in the Union Jack. London: Hutchinson.
   Google Scholar
• Gramenz, J. (2021, December 16). Police say outlaw motorcycle gangs are targeting young recruits, who are being ‘groomed’ through ‘rap music’, 7 News. Retrieved June 1, 2022, from https://7news.com.au/news/nsw/rapper-on-the-run-after-raptor-raids-c-4960208
   Google Scholar
• Guiterrez, M. (2018). Does abstraction belong to White people? BOMBmagazine.
   Google Scholar
• Guo, J. (2016, January 4). How Iggy Azalea mastered her ‘blaccent’ Washington Post. Retrieved August 20, 2021, from https://www.washingtonpost.com/news/wonk/wp/2016/01/04/how-a-white-australian-rapper-mastered-her-blaccent/
   Google Scholar
• Hagemann, B. (2020, February 3). Globally recognised as Australia’s first drill act, OneFour is indeed the hottest outfit to hit Australian hip-hop in recent memory … but has Western Sydney’s “realest” summoned a 21st century assault on free speech? Rolling Stone. Retrieved July 3, 2020, from https://au.rollingstone.com/music/music-features/policing-the-poets-the-story-of-onefour-6666/
   Google Scholar
• Halsey, M. (2018). Becoming feared: Fashioning and projecting the violent self. In M. Lee & G. Mythen (Eds.), The Routledge International handbook on fear of crime (pp. 429–446). Oxon: Routledge.
   Google Scholar
• Hayward, K. J., & Young, J. (2004). Cultural criminology: Some notes on the script. Theoretical Criminology, 8(3), 259–273. https://doi.org/10.1177/1362480604044608
   Web of Science ®Google Scholar
• Hebdige, D. (1979). Subculture: The meaning of style. London: Routledge.
   Google Scholar
• Hesmondhalgh, D. (2007). Subcultures, scenes or tribes? None of the above. Journal of Youth Studies, 1, 21–40.
   Google Scholar
• Ho, C. (2012). Western Sydney is hot! Community arts and changing perceptions of the West. Gateways: International Journal of Community Research and Engagement, 5(2012), 35–55.
   Google Scholar
• Hyland, N. (2016). Young, gifted, and brown: The liberation of Oceanic youth in The Beautiful Ones. New Theatre Quarterly, 32(4), 333–346.
   Web of Science ®Google Scholar
• Ijale. (2021). Don’t run. Retrieved March 28, 2022, from https://www.youtube.com/watch?v=DG6Ls0i9zgE
   Google Scholar
• Ilan, J. (2020, July 2). Digital street culture decoded: Why criminalizing drill music is street illiterate and counterproductive. The British Journal of Criminology, 60(4), 994–1013. https://doi.org/10.1093/bjc/azz086
   Web of Science ®Google Scholar
• Jewkes, Y. (2011). Media and crime (2nd ed.). London: SAGE.
   Google Scholar
• Kaeppler, A. (2019). Tongan brass bands: An expanding tradition. The World of Music, 8(2), 39–56.
   Web of Science ®Google Scholar
• Kanngieser, A. (2012). A sonic geography of voice: Towards an affective politics of voice. Progress in Human Geography, 36, 336–353.
   Web of Science ®Google Scholar
• Katz, J. (1988). Seductions of crime: Moral and sensual attractions in doing evil. New York: BasicBooks.
   Google Scholar
• Kim, E. (2022). When the cops tried to cancel Rage Against the Machine. Mel Magazine. Retrieved June 22, 2022, from https://melmagazine.com/en-us/story/rage-against-the-machine-evil-empire-tour
   Google Scholar
• Kubrin, C. (2005). Gangstas, thugs, and hustlas: Identity and the code of the street in rap music. Social Problems (Berkeley, Calif.), 52(3), 360–378. https://doi.org/10.1525/sp.2005.52.3.360
   Google Scholar
• Lee, M. (2022). This is not a drill: Towards a sonic and sensorial musicriminology. Crime, Media, Culture: An International Journal, 18(3), 446–465. doi:10.1177/17416590211030679
   Web of Science ®Google Scholar
• Lefebvre, H. (1991). The production of space. Oxford: Blackwell Publishing.
   Google Scholar
• Lyng, S. (1990). Edgework: A social psychological analysis of voluntary risk taking. American Journal of Sociology, 95(4), 851–886.
   Web of Science ®Google Scholar
• Lyng, S. (2004). Crime, edgework and corporeal transaction. Theoretical Criminology, 8(3), 359–375. https://doi.org/10.1177/1362480604044614
   Web of Science ®Google Scholar
• Mackley-Crump, J. (2015). An interview with King Kapisi, Awanui Reeder and Ryan Monga: Riffing on Pacific festivals and the notion of ‘Pacific music’. Perfect Beat, 16(1–2), 87–99.
   Google Scholar
• Marsh, K. (2019). Music as dialogic space in the promotion of peace, empathy and social inclusion. International Journal of Community Music, 12(3), 301–316.
   Web of Science ®Google Scholar
• Massumi, B. (2002). Navigating movements: A conversation with Brian Massumi. In M. Zournazi (Ed.), Hope: New philosophies for change (pp. 1–46). Sydney: Pluto Press.
   Google Scholar
• Matza, D. (1964). Delinquency and Drift. New York: John Wiley and Sons.
   Google Scholar
• Maxwell, I. (2003). Phat Beats, Dope Rhymes: Hip hop down under comin’ upper. Middletown, Conn: Weslyean University Press.
   Google Scholar
• McClanahan, B., & South, N. (2020). ‘All knowledge begins with the senses’: Towards a SENSORY CRIMINOLOGY. The British Journal of Criminology, 60(1), 3–23. https://doi.org/10.1093/bjc/azz052
   Web of Science ®Google Scholar
• McLuhan, M. (1964). Understanding media: The extensions of man. New York: McGraw-Hill.
   Google Scholar
• Millie, A. (2017). Urban interventionism as a challenge to aesthetic order: Towards an aesthetic criminology. Crime, Media, Culture: An International Journal, 13(1), 3–20.
   Web of Science ®Google Scholar
• Mitchell, T. (2001). Global noise: Rap and hip-hop outside the USA. Middletown, Conn: Wesleyan University Press. Print.
   Google Scholar
• Mitchell, T. (2006). Blackfellas rapping, breaking and writing: A short history of Australian hip hop. Aboriginal History Journal, 30, 124–137.
   Google Scholar
• Mulalo. (2021). Racing down the Hume. Retrieved March 28, 2022, from https://www.youtube.com/watch?v=93sTMBk__bs
   Google Scholar
• Nielson, E., Dennis, A., & Mike, K. (2019). Rap on trial: Race, lyrics, and guilt in America. New York: The New Press.
   Google Scholar
• NSW Ombudsman. (2016a). The consorting law: Report on the operation of Part 3A, Division 7 of the Crimes Act 1900, NSW Ombudsman, Sydney.
   Google Scholar
• NSW Ombudsman. (2016b). Review of police use of the firearms prohibition order search powers. NSW Ombudsman, Sydney.
   Google Scholar
• O’Donnell, D. (2018). Finding a sense of place in the Pacific diaspora: Pasifika Performance in Aotearoa. Australian Drama Studies, 73, 276–349.
   Google Scholar
• O’Hanlon, R. (2006). Australian hip hop: A sociolinguistic investigation. Australian Journal of Linguistics, 26(2), 193–209. doi:10.1080/07268600600885528
   Google Scholar
• Owusu-Bempah, A. (2020). Part of art or part of life? Rap lyrics in criminal trials. Retrieved July 3, 2022, from https://blogs.lse.ac.uk/politicsandpolicy/rap-lyrics-in-criminal-trials/
   Google Scholar
• Papastergiadis, N. (2002). ‘Traces left in cities’ architectural design, poetics in Architecture No 156.
   Google Scholar
• Patil, V. (2009). Contending masculinities: The gendered (re) negotiation of colonial hierarchy in the United Nations debates on decolonization. Theory and Society, 38(2), 195–215. https://doi.org/10.1007/s11186-008-9076-y
   Web of Science ®Google Scholar
• Quinn, E. (2005). Nuthin’ but a ‘G’ Thang: The culture and commerce of gangsta rap. New York: Columbia University Press.
   Google Scholar
• Ravulo, J. (2015). Pacific communities in Australia, Western Sydney University.
   Google Scholar
• Ravulo, J. (2016). Pacific youth offending within an Australian context. Youth Justice, 16(1), 34–48.
   Google Scholar
• Ravulo, J. (2019). The role of holistic approaches in reducing the rate of recidivism for young offenders. The Judicial Review: Selected Papers, 14(2), 125–145.
   Google Scholar
• Ravulo, J. (2022). We invite Penny Wong to come and talanoa with Pacific people here in Australia. Canberra Times.
   Google Scholar
• Ravulo, J., Scanlan, J., & Koster, V. (2019). Delivering youth justice for Pacific young people and their families. In J. Ravulo, T. Mafileo, & D. B. Yeates (Eds.), Pacific social work: Navigating practice, policy and research (pp. 79–89). New York: Routledge.
   Google Scholar
• Real Talk. (2015, December 27). Big Luke. Shorthand Social. Retrieved September 13, 2021, from https://social.shorthand.com/RealTalkTheBook/n2Cdx5d5Kc/big-luke
   Google Scholar
• Rodger, D. (2020). Defining authenticity in the mid-2000s Australian hip-hop scene: Constructing and maintaining ‘underground’ status at a time of increasing popularity. The Asia Pacific Journal of Anthropology, 21(2), 159–177. doi:10.1080/14442213.2020.1714707
   Web of Science ®Google Scholar
• Rose, T. (1994). Black noise: Rap music and black culture in contemporary America. Hanover & London: Wesleyan University Press.
   Google Scholar
• Savage, J. (1991). England’s dreaming: Sex Pistols and punk rock. London: Faber & Faber.
   Google Scholar
• Sentas, V. (2016). Policing the diaspora: Kurdish Londoners, MI5 and the proscription of terrorist organizations in the United Kingdom. British Journal of Criminology, 56(5), 898–918. https://doi.org/10.1093/bjc/azv094
   Web of Science ®Google Scholar
• Sentas, V., & Grewcock, M. (2018). Criminal law as police power: Serious crime, unsafe protest and risks to public safety. International Journal for Crime, Justice and Social Democracy, 7(3), 75–90. doi:10.5204/ijcjsd.v7i3.554
   Web of Science ®Google Scholar
• Stuart, F. (2020). Ballad of the bullet. Princeton, NJ: Princeton University Press.
   Google Scholar
• Swiss, T. (1995). Black noise: Rap music and black culture in contemporary America. By Tricia Rose. Hanover & London. Wesleyan University Press, 1994. xvi + 241 pp. Popular Music, 14(1), 135–136.
   Google Scholar
• Thregoning, J. (2021). These are the 13 artists who will shape Australian music in 2021. Junkee. Retrieved June 2, 2022, from https://junkee.com/australian-artists-to-watch-2021/285629
   Google Scholar
• Trinick, R., & Dale, H. (2015). Head, heart, hand: Embodying Māori language through song. Australian Journal of Music Education, 2015(3), 84–92.
   Google Scholar
• Virilio, P. (1977). Speed and politics: An essay on dromology. New York: Semiotext(e).
   Google Scholar
• Webb, M., & Webb-Gannon, C. (2016). Musical melanesianism: Imagining and expressing regional identity and solidarity in popular song and video. The Contemporary Pacific, 28(1), 59–95.
   Web of Science ®Google Scholar
• White, R. (1981). Inventing Australia. Sydney: Allen and Unwin.
   Google Scholar
• Workneh, L. (2015). Rapper Killer Mike says the criminalization of rap music is the new Jim Crow. Huffington Post. Retrieved August 6, 2021, from https://www.huffpost.com/entry/killer-mike-rap-music-_n_6995852
   Google Scholar
• Young, A. (2010). The scene of violence cinema, crime, affect. New York, NY: Routledge. Print.
   Google Scholar
• Young, J. (1971). The drugtakers. London: Paladin.
   Google Scholar
• Zedner, L. (2014). Preventive justice. Oxford: Oxford University Press.
   Google Scholar
• Legislation
   Google Scholar
• Casino Control Act 1992 (NSW) s 80.
   Google Scholar
• The Justice Legislation Amendment (Non-association and Place Restriction) Act 2001 (NSW).
   Google Scholar
• Crimes Act 1900 (NSW) s 93X.
   Google Scholar
• Firearms Act 1996 No 46 (NSW).
   Google Scholar