References
- Barba, Eugenio. 1991. A Dictionary of Theatre Anthropology: The Secret Art of the Performer. London: Routledge.
- Baudrillard, Jean. [1968] 1996. The System of Objects. London: Verso. (Original title: Le système des objets. Paris: Gallimard.)
- Benjamin, Walter. 1969. Illuminations, edited by Hannah Arendt. New York: Schocken.
- Bonhomme, Béatrice, Ghislaine Del Rey, Christine Di Benedetto, Filomena Iooss, and Jean-Pierre Triffaux. 2015. Babel Aimée. La choralité d'une performance à l'autre, du théâtre au carnival. Paris : Lharmattan Coll Thyrse n°7.
- Brook, Peter. 1968. The Empty Space. New York: Athenaeum.
- De Marinis, Marco. 1993. The Semiotics of Performance. Bloomington: Indiana University Press.
- De Toro, Fernando. 1995. Theatre Semiotics: Text and Staging in Modern Theatre. Toronto Studies in Semiotics and Communication. Toronto: University of Toronto Press.
- Durkheim, Emile. [1912] 1965. The Elementary Forms of the Religious Life. Translated by Joseph Ward Swain. New York: The Free Press.
- Elam, Keir. 1980. The Semiotics of Theatre and Drama. London: Methuen.
- Féral, Josette. 2011. “De l’événement au réel extrême. L’esthétique du choc.” In Performance et savoirs, edited by André Helbo, 37–52. Brussels: De Boeck.
- Fischer-Lichte, Erika. 1992. The Semiotics of Theater. Bloomington: Indiana University Press.
- Fried, Michael. 1980. Absorption and Theatricality. Chicago, IL: University of Chicago Press.
- Grotowski, Jerzy. 1968. Towards a Poor Theatre. London: Routledge.
- Helbo, André, ed. 1975. Sémiologie de la Representation. Paris-Brussels: PUF-Complexe.
- Helbo, André, ed. 1986. Approches de l’opéra. Proceedings. Congress of the International Association for Semiotics of Performing Arts. Paris: Didier Erudition.
- Helbo, André. 1987. Theory of Performing Arts. Amsterdam: Benjamins.
- Helbo, André, ed. 1992. Approaching Theater. Bloomington: Indiana University Press.
- Helbo, André. 2002. L’adaptation. Du théâtre au cinéma. Paris: Armand Colin.
- Helbo, André. 2006. Signes du Spectacle. Brussels: Peter Lang.
- Helbo, André. 2007. Le théâtre, texte ou spectacle vivant? Paris: Klincksieck.
- Helbo, André, ed. 2011. Performance et Savoirs. Brussels: De Boeck.
- Helbo, André, ed. 2013. Interdiscipline et Arts du Spectacle Vivant. Paris: Honoré Champion.
- Helbo, André, ed. 2015a. “ Les métamorphoses du spectateur”. Special Issue of Degrés, 161–162. Brussels. doi:10.3917/dbu.helbo.2011.01.0037.
- Helbo, André. 2015b. “Spectacular Mediations and Semiotic Stakes.” Gestos 30 (60): 112–120.
- Helbo, André, ed. 2016. La transdisciplinarité en Question(s). Brussels: AISS-IASPA.
- Helbo, André, and J. Evans, eds. 1986. Semiotics. Towards an International Language of Theory. Dordrecht: Martinus Nijhoff.
- Kirby, Michael. 1987. A Formalist Theatre. Philadelphia: University of Pennsylvania Press.
- Lehmann, Hans-Thies. 2006. Postdramatic Theater. London: Routledge.
- Lyotard, Jean-François. [1979] 1984. La condition Postmoderne. Paris: édition de Minuit.
- Mauss, Marcel. 1967. The Gift. New York: Norton Library.
- Mc Auley, Gay. 2012. Not Magic But Work. An Ethnographic Account of a Rehearsal Process. Manchester: Manchester University Press.
- Schechner, Richard. 2011. “L’avant-garde, la niche-garde et la Performance Theory.” In Performance et Savoirs, edited by André Helbo, 13–35. Brussels: De Boeck.
- Ubersfeld, Anne. 1999. Reading Theatre. Toronto: The University of Toronto Press.