Miyazaki Hayao and the Aesthetics of Imagination: Nostalgia and Memory in Spirited Away

References

• Collingwood, Robin (1960) The principles of art (Oxford: Clarendon Press).
   Google Scholar
• Davies, David (2008) Collingwood’s performance theory of art. The British Journal of Aesthetics 48(2), pp. 163–64.
   Google Scholar
• Davis, Darrell (1996) Picturing Japaneseness: Monumental style, Japanese identity, Japanese film (New York, NY: Columbia University Press).
   Google Scholar
• Dean, Tim (2002) Art as symptom: Žižek and the ethics of psychoanalytic criticism. Diacritics 32(2), pp. 21–41.
   Web of Science ®Google Scholar
• Figal, Gerald (1999) Civilization and monsters: Spirits of modernity in Meiji Japan (Durham: Duke University Press).
   Google Scholar
• Flisfeder, Matthew (2012) The symbolic, the sublime and Slavoj Žižek’s theory of film (Basingstoke: Palgrave Macmillan).
   Google Scholar
• Grainge, Paul (2000) Nostalgia and style in retro America: Moods, modes, and media recycling. The Journal of American and Comparative Cultures 23(1), pp. 27–34.
   Google Scholar
• Ikeda Yuichi (2004) Tamashii no janru no tame ni Miyazaki Hayao sakuhin ni okeru animēshon to aregori. Eureka, pp. 145–54.
   Google Scholar
• Ivy, Marilyn (1995) Discourses of the vanishing: Modernity, phantasm, Japan (Chicago: University of Chicago Press).
   Google Scholar
• Kiridōshi Risaku (2001) Miyazaki no ‘sekai’ (Tokyo: Chikuma Shinsho).
   Google Scholar
• Lamarre, Thomas (2002) From animation to anime: Drawing movements and moving drawings. Japan Forum 14(2), pp. 329–67.
   Google Scholar
• Lamarre, Thomas (2006) The first time as farce: Digital animation and the repetition of cinema, in S. Brown (ed.), Cinema anime: Critical engagements with animation, pp. 161–88 (Basingstoke: Palgrave Macmillan).
   Google Scholar
• Lamarre, Thomas (2009) The anime machine: A media theory of animation (Minnesota: University of Minnesota Press).
   Google Scholar
• Miyazaki Hayao (1986) Laputa, released in English as Laputa: Castle in the Sky ( Studio Ghibli).
   Google Scholar
• Miyazaki Hayao (1988) Tonari no Totoro, released in English as My Neighbor Totoro ( Studio Ghibli).
   Google Scholar
• Miyazaki Hayao (1989) Majo no Takkyūbin, released in English as Kiki’s Delivery Service (Studio Ghibli).
   Google Scholar
• Miyazaki Hayao (1992) Poruko Rosso, released in English as Porco Rosso (Studio Ghibli).
   Google Scholar
• Miyazaki Hayao (1997) Mononoke Hime, released in English as Princess Mononoke (Studio Ghibli).
   Google Scholar
• Miyazaki Hayao (2001) Sen to Chihiro no Kamikakushi, released in English as Spirited Away (Studio Ghibli).
   Google Scholar
• Moist, Kevin and Michael Bartholow (2007) When pigs fly: Anime, auteurism and Miyazaki's Porco Rosso. Animation: An Interdisciplinary Journal 2(1), pp. 34–39.
   Google Scholar
• Napier, Susan (2001) Anime from Akira to Princess Mononoke: Experiencing contemporary Japanese animation (Basingstoke: Palgrave Macmillan).
   Google Scholar
• Napier, Susan (2005) Anime from Akira to Howl's Moving Castle: Experiencing contemporary Japanese animation (Basingstoke: Palgrave Macmillan).
   Google Scholar
• Napier, Susan (2006) Matter out of place: Carnival containment and cultural recovery in Miyazaki’s Spirited Away. The Journal of Japanese Studies 32(2), pp. 287–310.
   Web of Science ®Google Scholar
• Ridley, Aaron (1997) Not ideal: Collingwood's expression theory. The Journal of Aesthetics and Art Criticism 55(3), pp. 263–72.
   Web of Science ®Google Scholar
• Schaffer, Bill (2005) Cinema three? Re-animating Deleuze, in D. Ambrose and W. Khandker (eds), Time, affect and the brain: Deleuze’s cinematic aesthetics, pp. 84–85 (Warwick: University of Warwick).
   Google Scholar
• Sinnerbrink, Robert (2011) New philosophies of film: Thinking images (London: Continuum).
   Google Scholar
• Takahashi Tōru (2008) Saibōgu firosofii: ‘Kōkaku Kidōtai’ to ‘Sukai Kurora’ wo megutte (Tokyo: NTT Publishing).
   Google Scholar
• Tannock, Stuart (1995) Nostalgia critique. Cultural Studies 9(3), pp. 453–64.
   Web of Science ®Google Scholar
• Wells, Paul (1998) Understanding animation (London: Routledge).
   Google Scholar