437
Views
3
CrossRef citations to date
0
Altmetric
Original Articles

Transforming Identities through Dance: Amateur Noh Performers’ Immersion in Leisure

Pages 263-277 | Published online: 06 Nov 2013

References

  • Aoki, Ryoko, ‘The Construction of Japanese Noh Theatre as a Masculine Art: An Analysis of its Traditional and Modern Discourses’. Paper presented at the Annual Meeting of the Asian Studies Association, Toronto, Canada, 17 March, 2012.
  • Bestor, Theodore C., Tsukiji: The Fish Market at the Center of the World. Berkeley: University of California Press, 2004.
  • Bourdieu, Pierre, Distinction: A Social Critique of the Judgment of Taste. London: Routledge & Kegan Paul, 1984.
  • Creighton, Millie, ‘Spinning Silk, Weaving Selves: Nostalgia, Gender, and Identity in Japanese Craft Vacations’, Japanese Studies, 21:1 (2001): 5–29.
  • Csikszentmihalyi, Mihaly, Flow: The Psychology of Optimal Experience. New York: Harper Perennial, 1991.
  • DeCoker, Gary, ‘Seven Characteristics of a Traditional Japanese Approach to Learning’, in John Singleton, ed., Learning in Likely Places: Varieties of Apprenticeship in Japan. Cambridge: Cambridge University Press, 1998, 68–84.
  • Giddens, Anthony, Modernity and Self-Identity: Self and Society in the Late Modern Age. Cambridge: Polity Press, 1991.
  • Eliade, Mircea, The Myth of the Eternal Return, or Cosmos and History. Princeton: Princeton University Press, 1971 [1954].
  • Horikami Ken, Kobayashi Yasuharu, Mikami Tadashi and Tazaki Kunito, ‘Nōkai tenbō; yōkyoku jinkō no suitai o megutte’ [A View of the Noh World: The Decline in Population of Nō Singers], Nōgaku Journal, 60 (2010): 18–21.
  • Kato, Etsuko, The Tea Ceremony and Women’s Empowerment in Modern Japan. London and New York: RoutledgeCurzon, 2004.
  • Kawashima, Kumiko, ‘Japanese Working Holiday Makers in Australia and their Relationship to the Japanese Labour Market’, Asian Studies Review, 34:3 (2010): 267–286.
  • Kondo, Dorinne, Crafting Selves: Power, Gender, and Discourses of Identity in a Japanese Workplace. Chicago: University of Chicago Press, 1990.
  • Mori, Barbara Lynne Rowland, ‘The Tea Ceremony: A Transformed Japanese Ritual’, Gender and Society, 5:1 (1991): 86–100.
  • Stebbins, Richard, Serious Leisure: A Perspective for Our Time. New Brunswick, NJ: Transaction Publishers, 2006.
  • Sterling, Marvin, ‘Searching for Self in the Global South: Japanese Literary Representations of Afro-American Blackness’, Japanese Studies, 31:1 (2011): 53–71.
  • Tyler, Royall, ‘The Feather Mantle (Hagoromo: A Woman Play)’, 1978, http://etext.lib.virginia.edu/etcbin/toccer-new2?id=TylHago.sgm&images=images/modeng&data=/texts/english/modeng/parsed&tag=public&part=all (Accessed 20 January 2013).
  • Veblen, Thorstein, The Theory of the Leisure Class. New York: The Modern Library, 2001 [1899].
  • Wacquant, Loic, ‘The Pugilistic Point of View: How Boxers Think and Feel about Their Trade’, Theory and Society, 24:4 (1995): 489–535.
  • Yamanaka, Reiko, ‘What Features Distinguish Nō from Other Performing Arts’, in Stanca Scholz-Cionca and Christopher Balme, eds, No Theatre Transversal. Munich: Iudicium, 2008, 106–122.
  • Yuasa, Yasuo, The Body, Self-Cultivation, and Ki-Energy, Shigenori Nagatomo and Monte S. Hull trans. Albany: State University of New York Press, 1993.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.