References
- Bruzzi, S. (1997). Undressing cinema: Clothing and identity in the movies. New York: Routledge.
- Butler, J. (1990). Gender trouble: Feminism and the subversion of identity. New York: Routledge.
- Coates, J. (2017). Gambling with the nation: Heroines of the Japanese yakuza film, 1955–1975, Japanese Studies, 37(3),353–369.
- Dyer, R. (1993). The matter of images: Essays on representations. London: Routledge.
- Eiga 40-nen zen kiroku [All records of films of the last 40 years]. (1986). Kinema Junpō [The Movie Times], no. 929.
- Ferguson, J. M. (2010). Queer Japanese cinema: A rich and diverse cultural history’s challenge to hegemonic ideologies of gender and sexuality (Master’s thesis, The University of British Columbia).
- Fukazawa, T. (1969). Yakuza eiga no keifu: Yakuza eiga hanjō-ki [Genealogy of the yakuza film: Prosperity of the yakuza film]. In Kenkichi Kusumoto, (Ed.), Ninkyō eiga no sekai [The world of ninkyo films]. Arechi-shuppansha, 79–102.
- Icreverzi, K. H. (2015). Reproduction without end: The gendered labor of Japanese high growth cinema (Doctoral dissertation, University of California, Irvine).
- Ishizuka, H. (2001). Nihon eiga ni okeru program picture no yakuwari: Toei ninkyō eiga wo chūshin to shite [The role of program pictures based on the block blocking system in the Japanese film: On Toei’s ‘ninkyo’ films] (Doctoral dissertation, Osaka University of Arts).
- Kanno, Y. (2015, February). Gossip, aruiwa radical na chi [Gossip, or radical knowledge], Eureka, 47(2),176–182.
- Kasahara, K. (2004). Hametsu no bigaku: Yakuza eiga he no requiem [Aesthetics of destruction: Requiem for the yakuza film]. Chikuma-shobō.
- MacKinnon, K. (1997). Uneasy pleasures: The male as erotic object. London: Cygnus Arts.
- Mavor, C. (2007). Reading boyishly: Roland Barthes, J.M. Barrie, Jacques Henri Lartigue, Marcel Proust, and D.W. Winnicott. Durham: Duke University Press.
- McLelland, M. (2006, January).A short history of ‘hentai’. Intersections: Gender, History and Culture in the Asian Context, 12. Retrieved from: http://intersections.anu.edu.au/issue12/mclelland.html
- Neale, S. (1983). Masculinity as spectacle, Screen, 24(6),2–17.
- Purdie, S. (1993). Comedy: The mastery of discourse. London: Harvester Wheatsheaf.
- Richardson, N. (2009). Effeminophobia, misogyny and queer friendship: The cultural themes of Channel 4’s Playing It Straight, Sexualities, 12(4),525–544.
- Saitō, A. (2004). Takakura Ken no aimai na nikutai [Ken Takakura’s ambiguous body]. In Inuhiko Yomota & Ayako Saitō, (Eds.), Otoko-tachi no kizuna, Asia eiga: Homosocial na yokubō [The bond of men, Asian films: Homosocial desire]. Heibon-sha, 63–120.
- Saitō, A. (2009). Hibotan Oryū ron [An essay on Hibotan Oryu]. In Inuhiko Yomota & Hana Washitani, (Eds.), Tatakau onna-tachi: Nihon eiga no josei action [Female fighters: Female action in Japanese cinema]. Sakuhin-sha, 84–149.
- Satō, T. (1974, November). Eiga to dōseiai-teki hyōgen [Film and homosexual expression], Eureka, 6(13),54–57.
- Sawaki, K. (2014). Bourbon Street. Shinchō-sha.
- Schrader, P. (1974, January). Yakuza-eiga: A primer. Film Comment, 10(1),8–17.
- Sedgwick, E. K. (1985). Between men: English literature and male homosocial desire. New York: Columbia University Press.
- Sedgwick, E. K. (1991). How to bring your kids up gay, Social Text, 29, 18–27.
- Shiba, T., & Aoyama, S. (1998). Yakuza eiga to sono jidai. [The yakuza film and its period]. Tokyo: Chikuma-shobō.
- Sinfield, A. (1992). Faultlines: Cultural materialism and the politics of dissident reading. Berkeley: University of California Press.
- Standish, I. (2000). Myth and masculinity in the Japanese cinema: Towards a political reading of the “tragic hero”. Richmond: Curzon.
- Takeuchi, M. (2014). ‘Hentai’ toiu bunka: Kindai nihon no chi’isana kakumei [Queer rebels: A history of hentai culture in modern Japan]. Hitsuji-shobō.
- Takeuchi, M. (2016). Hentai wo himotoku: Edogawa Ranpō to Umehara Hokumei no grotesque na teikō [Untangling hentai: Grotesque rebellions by Ranpo Edogawa and Hokumei Umehara]. In Mizuho Takeuchi & ‘Metamo’ study group, (Eds.), Hentai Nijūmensō: Mō hitotsu no kindai nihon seishin-shi [Hentai with twenty faces: Another intellectual history of modern Japan]. Rikka-shuppan, 1–19.
- Treglia, L. (2019). Yakuza no onnatachi: Women in Japanese gangster cinema. In George S. Larke-Walsh, (Ed.), A Companion to the gangster film (377–394). Hoboken: Wiley Blackwell.
- Watanabe, T. (1972). Hero no yume to shi: Eiga-teki kairaku no yukue [Hero’s dream and death: Whereabouts of cinematic pleasure]. Shichō-sha.
- Yamadaira, S. (2015). Takakura Ken to ninkyō eiga [Ken Takakura and ninkyo films]. Tokuma-shoten.
- Yoko’o, T. (1969). Takakura Ken: Dan’yū = Takakura Ken he no renbo [Ken Takakura: Affection for Male Friend = Ken Takakura]. In Kenkichi Kusumoto, (Ed.), Ninkyō Eiga no Sekai [The World of Ninkyo Films]. Arechi-shuppansha, 163–170.