(Spirit) Photography and the Past in the Neo-Victorian Novel

REFERENCES

• Baer , Ulrich. Spectral Evidence: The Photography of Trauma . Cambridge : MIT Press , 2005 .
   Google Scholar
• Barthes , Roland. Camera Lucida: Reflections on Photography. Trans. Richard Howard . 1980 . London : Vintage , 2000 .
   Google Scholar
• Basham , Diana. The Trial of Woman: Feminism and the Occult Sciences in Victorian Literature and Society . New York : NYU Press , 1992 .
   Google Scholar
• Bolter , Jay David , and Richard Grusin . Remediation: Understanding New Media. 1999 . Cambridge , MA : MIT Press , 2000 .
   Google Scholar
• Bradley , James. Rev. of Sixty Lights, by Gail Jones . 15 August 2007 . <http://www.theage.com.au/articles/2004/08/18/1092765003194.html?from=storyrhs>
   Google Scholar
• Buse , Peter , and Andrew Stott . “Introduction: A Future for Haunting.” Ghosts: Deconstruction, Psychoanalysis, History . Eds. Peter Buse and Andrew Stott . Basingstoke : Palgrave Macmillan , 1999. 1–20.
   Google Scholar
• Carter , Angela. Nights at the Circus . London : Vintage , 1984 .
   Google Scholar
• Castle , Terry. “Phantasmagoria: Spectral Technology and the Metaphorics of Modern Reverie.” Critical Inquiry 15 . 1 ( 1988 ): 26 – 61 .
   Web of Science ®Google Scholar
• Chèroux , Clèment , et al. , eds. The Perfect Medium: Photography and the Occult . 2004 . New Haven : Yale UP , 2005 .
   Google Scholar
• Cloutier , Crista. “Mumler's Ghosts.” The Perfect Medium: Photography and the Occult . Eds. Clément Chéroux , et al. 2004 . New Haven : Yale UP , ( 2005 ). 20 – 23 .
   Google Scholar
• Davis , Colin. Haunted Subjects: Deconstruction, Psychoanalysis and the Return of the Dead . Basingstoke : Palgrave Macmillan , 2007 .
   Google Scholar
• Derrida , Jacques. Specters of Marx: The State of the Debt, the Work of Mourning, & the New International . Trans. Peggy Kamuf . New York: Routledge , 1994 .
   Google Scholar
• Edwards , Elizabeth. “Photographs as Objects of Memory.” Material Memories: Design and Evocation . Eds. Marius Kwint , Christopher Breward , and Jeremy Aynsley . New York : Berg , 1999 . 221 – 36 .
   Google Scholar
• Ferris , Alison. “The Disembodied Spirit.” The Disembodied Spirit . Ed. Alison Ferris. Maine : Bowdoin College Museum of Art , 2003 . 33 – 42 .
   Google Scholar
• ———, ed. The Disembodied Spirit . Maine : Bowdoin College Museum of Art , 2003 .
   Google Scholar
• Fischer , Andreas. “‘The Reciprocal Adaptation of Optics and Phenomena’: The Photographic Recording of Materializations.” The Perfect Medium: Photography and the Occult . Eds. Clément Chéroux , Andreas Fischer et al. , 2004. New Haven : Yale UP , 2005 . 171 – 216 .
   Google Scholar
• Geimer , Peter. “Image as Trace: Speculations about an Undead Paradigm.” Trans. Kata Gellen . Differences: A Journal of Feminist Cultural Studies 18 . 1 ( 2007 ): 7 – 28 .
   Web of Science ®Google Scholar
• Gordon , Avery F. Ghostly Matters: Haunting and the Sociological Imagination . Minneapolis : U of Minnesota P , 1997 .
   Google Scholar
• Green-Lewis , Jennifer. “At Home in the Nineteenth Century: Photography, Nostalgia, and the Will to Authenticity.” Victorian Afterlife: Postmodern Culture Rewrites the Nineteenth Century . Eds. John Kucich and Dianne F . Sadoff. Minneapolis : U of Minnesota P , 2000 . 29 – 48 .
   Google Scholar
• Gunning , Tom. “Haunting Images: Ghosts, Photography and the Modern Body.” The Disembodied Spirit . Eds. Alison Ferris . Maine : Bowdoin College Museum of Art , 2003 . 9 – 19 .
   Google Scholar
• ——— . “Phantom Images and Modern Manifestations: Spirit Photography, Magic Theater, Trick Films, and Photography's Uncanny.” Fugitive Images: From Photography to Video . Eds. Patrice Petro . Bloomington : Indiana UP , 1995 . 42 – 71 .
   Google Scholar
• Harvey , John. Photography and Spirit . London : Reaktion Books , 2007 .
   Google Scholar
• Jolly , Martyn. Faces of the Living Dead: The Belief in Spirit Photography . London : The British Library , 2006 .
   Google Scholar
• Jones , Gail. Sixty Lights . 2004. London : Vintage , 2005 .
   Google Scholar
• King , Jeannette. The Victorian Woman Question in Contemporary Feminist Fiction . Basingstoke : Palgrave Macmillan , 2005 .
   Google Scholar
• Kislingbury , Emily. “Form Manifestations.” The Spiritualist (22 December 1876): 242–43.
   Google Scholar
• Koval , Ramona. Interview with Gail Jones. Books and Writing . Radio National Home 27 March (2005) : 2 – 7 . 1 August 2007. <http://www.abc.net.au/rn/arts/bwriting/stories/s1330197.htm> .
   Google Scholar
• Mitchell , Kate. (Re) Presenting the Victorians: History, Historiography and the Victorian Past in Contemporary Historical Fiction. Diss. University of Melbourne, 2007 . 20 December 2007 . <eprints.infodiv.unimelb.edu.au/archive/00003896/01/thesis_with_cover_material_july_2007.pdf> .
   Google Scholar
• Noakes , Richard. “Spiritualism, Science and the Supernatural in Mid-Victorian Britain.” The Victorian Supernatural . Eds. Nicola Bown , Carolyn Burdett , and Pamela Thurschwell . Cambridge : Cambridge UP , 2004 . 23 – 43 .
   Google Scholar
• Oppenheim , Janet. The Other World: Spiritualism and Psychical Research in England. 1850–1914. 1985 . Cambridge : Cambridge UP , 1988 .
   Google Scholar
• Owen , Alex. The Darkened Room: Women, Power and Spiritualism in Late Victorian England. London: Virago . 1989 .
   Google Scholar
• Peim , Nick. “Spectral Bodies: Derrida and the Philosophy of the Photograph as Historical Document.” Journal of Philosophy of Education 39 . 1 ( 2005 ): 67 – 84 .
   Web of Science ®Google Scholar
• Pritchard , Melissa. Selene of the Spirits . Princeton : Ontario Review Press , 1998 .
   Google Scholar
• Pulham , Patricia and Rosario Arias , eds. Haunting and Spectrality in Neo-Victorian Fiction: Possessing the Past . Basingstoke: Macmillan , 2009 .
   Google Scholar
• Roberts , Michéle. In the Red Kitchen. 1990 . London : Vintage , 1999 .
   Google Scholar
• Royle , Nicholas. The Uncanny. Manchester: Manchester UP , 2003 .
   Google Scholar
• Sante , Luc. “Summoning the Spirits.” Rev. of The Perfect Medium: Photography and the Occult. The New York Review of Books 53 . 3 ( 23 Feb. 2006 ): 17 – 19 .
   Google Scholar
• Schoonover , Karl. “Ectoplasms, Evanescence, and Photography.” Art Journal 62 . 2 ( 2003 ): 30 – 44 .
   Google Scholar
• Showalter , Elaine. The Female Malady: Women, Madness and English Culture 1830–1980. 1985. London: Virago , 1987
   Google Scholar
• Sontag , Susan. On Photography. 1977 . Harmondsworth : Penguin , 1979 .
   Google Scholar
• “Spiritualism and Spirit Photography in Barcelona.” The Spiritualist 8 . 28 ( July 14 1876 ): 328 .
   Google Scholar
• Thurswell , Pamela. “Refusing to Give Up the Ghost: Some Thoughts on the Afterlife from Spirit Photography to Phantom Films.” The Disembodied Spirit . Ed. Alison Ferris . Maine : Bowdoin College Museum of Art , 2003 . 21 – 31 .
   Google Scholar
• Tromp , Marlene. Altered States: Sex, Nation, Drugs, and Self-Transformation in Victorian Spiritualism . New York : State University of New York , 2006 .
   Google Scholar
• ——— “Spirited Sexuality. Sex, Marriage and Victorian Spiritualism.” Victorian Literature and Culture 31 . 1 ( 2003 ): 67 – 81 .
   Web of Science ®Google Scholar