Notes
- Johnson , Georgia Douglas. 1999 . African American Review , 33 ( 3 ) Fall : 519 – 21 .
- Johnson , Georgia Douglas. A Sunday Morning in the South Edited by: Perkins and Stephens . 103 – 4 .
- 1916 . “Drawing for Conspirators” by Philip Guston in Park and “Christmas in Georgia, A.D. 1916” . The Crisis , Dec. : 78 – 9 .
- Johnson , Georgia Douglas. “A Bill to be Passed,” . 3
Works Cited
- Baker , Houston A. Jr. 1987 . Modernism and the Harlem Renaissance , Chicago : U of Chicago P .
- Carby , Hazel V. 1987 . Reconstructing Womanhood: The Emergence of the Afro‐American Woman Novelist , New York : Oxford UP .
- Collins , Patricia Hill . 1990 . Black Feminist Thought: Knowledge, Consciousness, and The Politics of Empowerment , New York : Routledge .
- Du Bois , W.E.B. 1926 . “Criteria of Negro Art,” . The Crisis , October : 290 – 7 .
- Du Bois , W.E.B. 1965 . The Souls of Black Folk in Three Negro Classics , Edited by: Franklin , John Hope . New York : Avon .
- Dubrow , Heather . 1982 . Genre , New York : Methuen .
- Favor , J. Martin . 1999 . Authentic Blackness: The Folk in the New Negro Renaissance , Durham : Duke UP .
- Fletcher , Winona L. 1985 . “From Genteel Poet to Revolutionary Playwright: Georgia Douglas Johnson.” . Theatre Annual , 30 : 41 – 64 .
- Fuoss , Kirk W. 1999 . “Lynching Performances: Theatres of Violence,” . Text and Performance Quarterly , 19.1 : 1 – 37 .
- Gates , Henry Louis. Jr. 1998 . The Signifying Monkey: A Theory of Afro‐American Literary Criticism , New York : Oxford .
- Harrison , Paul Carter . 1972 . The Drama of Nomo , New York : Grove Press .
- Hay , Samuel A. 1994 . African American Theatre: An Historical and Critical Analysis , Cambridge : UP .
- Hull , Gloria T. 1987 . Color, Sex and Poetry: Three Women Writers of the Harlem Renaissance , Bloomington : Indiana UP .
- Johnson , Georgia Douglas . “A Bill to Be Passed.” . Library of Congress . NAACP Papers, Box C‐299. Manuscript Reading Room,
- Johnson , Georgia Douglas . “Catalogue of Writings.” . Washington, DC : Georgia Douglas Johnson Papers, Moorland‐Spingarn Research Center, Howard U .
- Johnson , Georgia Douglas . A Sunday Morning in the South Edited by: Perkins and Stephens . 103 – 9 .
- Johnson , James Weldon and Rosamond , J. 1969 . The Book of American Negro Spirituals , New York : Viking .
- Locke , Alain . 1968 . “The Negro Spirituals.” . In The New Negro , Edited by: Locke , Alain . New York : Atheneum .
- Locke , Alain . 1922 . “Steps Toward the Negro Theatre.” . The Crisis , December : 66 – 8 .
- Locke , Alain . 1926 . “The Negro and the American Stage.” . Theatre Arts , February : 112 – 20 .
- Mahone , Sydne , ed. 1994 . Moon Marked and Touched by the Sun: Plays by African American Women , New York : Theatre Communications Group .
- Madison , D. Soyini . 1993 . “ ‘That Was My Occupation’: Oral Narrative, Performance, and Black Feminist Thought.” . Text and Performance Quarterly , 13.3 : 213 – 32 .
- Matthews , Donald H. 1998 . Honoring the Ancestors: An African Cultural Interpretation of Black Religion and Literature , New York : Oxford UP .
- Park , Marlene . 1993 . “Lynching and Anti‐Lynching: Art and Politics in the 1930s,” . Prospects , 18 : 311 – 65 .
- Perkins , Kathy A. 1989 . Black Female Playwrights: An Anthology of Plays before 1950 , Bloomington : Indiana UP .
- Perkins , Kathy A. and Stephens , Judith L. 1998 . Strange Fruit: Plays on Lynching by American Women , Bloomington : Indiana UP .
- Southern , Eileen . 1987 . “An Origin for the Negro Spiritual.” . In The Theatre of Black Americans: A Collection of Critical Essays , Edited by: Hill , Erroll . 89 – 98 . New York : Applause .
- Stephens , Judith L. 1999 . “ ‘And Yet They Paused’ and ‘A Bill to be Passed: Newly Recovered Lynching Dramas by Georgia Douglas Johnson.” . African American Review , 33 : 519 – 22 .
- Stephens , Judith L. 1990 . “The Anti‐Lynch Play: Toward an Interracial Feminist Dialogue in Theatre.” . Journal of American Drama and Theatre , 2.3 : 59 – 69 .
- Stephens , Judith L. 1992 . “Anti‐Lynch Plays by African American Women: Race, Gender, and Social Protest in American Drama.” . African American Review , 26 : 329 – 39 .
- Stephens , Judith L. 1999 . “The Harlem Renaissance and the New Negro Movement.” . In The Cambridge Companion to American Women Playwrights , Edited by: Murphy , Brenda . 98 – 117 . New York : Cambridge UP .
- Stephens , Judith L. 1997 . “Lynching, American Theatre, and the Preservation of a Tradition.” . Journal of American Drama and Theatre , 9.1 : 54 – 65 .
- Stephens , Judith L. “Lynching Dramas and Women: History and Critical Context.” . Edited by: Perkins and Stephens . 3 – 14 .
- Stephens , Judith L. 1999 . “Racial Violence and Representation: Performance Strategies in Lynching Dramas of the 1920s.” . African American Review , 33.4 : 655 – 71 .
- Stephens , Judith L. 2000 . “Revisiting Representations of An American Race Ritual Early Lynching Dramas 1905–1920.” . In The Imagined Self: Revisioning the African American Text , Edited by: Samuels , Wilfred . Tuscaloosa : U of Alabama P . Forthcoming in
- Sundquist , Eric . 1993 . To Wake the Nations: Race in the Making of American Literature , Cambridge : Harvard UP .
- Tate , Claudia . 1997 . “Introduction.” . In The Selected Works of Georgia Douglas Johnson , xvii – ixxx . New York : Hall .
- 1916 . The Crisis , December : 78 – 9 .
- Todorov , Tzvetan . 1976 . “The Origin of Genres.” . New Literary History , 8.1 : 159 – 70 .
- Wall , Cheryl A. 1995 . Women of the Harlem Renaissance , Bloomington : Indiana UP .
- Wells , Ida B. 1969 . On Lynchings: Southern Horrors, A Red Record and Mob Rule in New Orleans , New York : Arno P .
- Wilkerson , Margaret B. 1986 . 9 Plays by Black Women , New York : Mentor .