Archiving Performance/Performance as Archive: A Hybrid Book Review and Performance Commentary on E. Patrick Johnson's Sweet Tea

References

• Alexander , Bryant K. “ Queer(y)ing the Postcolonial Through the West(ern) .” Denzin et al. 101 – 33 .
   Google Scholar
• Alexander , Bryant K. “ Reflections, Riffs and Remembrances: The Black Queer Studies in the Millennium Conference (2000) .” Callaloo 23.4 2001 : 1285 – 1305 .
   Web of Science ®Google Scholar
• Alexander , Bryant K. Symposium: Archiving Performance/The Performance as Archive. The Performing Blackness Series of the Warfield Center for African and African American Studies . University of Texas , Austin . 2010 10 Sept . Address.
   Google Scholar
• Anzaldúa , Gloria. “ Movimientos de Rebeldiá y Las Cultural Que Traicionan ” Borderlands/La Frontera . By Anzaldúa . San Francisco : Sprinsters/Aunt Lute , 1987 . 15 – 23 .
   Google Scholar
• Beasley , Myron M. “ Tribute to the Ancestors: Ritual Performance and Same-Gender-Loving Men of African Descent ” Text and Performance Quarterly 28.4 2008 : 433 – 57 .
   Web of Science ®Google Scholar
• Cohen , Cathy J. The Boundaries of Blackness: AIDS and the Breakdown of Black Politics . 1999 Chicago : U of Chicago P .
   Google Scholar
• Collins , Patricia Hill. “ Gender, Black Feminism, and Black Political Economy ” Annals of the American Academy of Political and Social Science 568.1 2000 : 41 – 53 .
   Web of Science ®Google Scholar
• Conquergood , Dwight. “ Performance Studies: Interventions and Radical Research ” The Drama Review 46.2 2002 : 145 – 56 .
   Web of Science ®Google Scholar
• Conquergood , Dwight. “ Performing as a Moral Act: Ethical Dimensions of the Ethnography of Performance ” Literature in Performance , 5.2 1985 : 1 – 13 .
   Google Scholar
• Crenshaw , Kimberly W. “ Mapping the Margins: Intersectionality, Identity Politics, and Violence Against Women of Color .” Stanford Law Review 43.6 1991 : 1241 – 99 .
   Google Scholar
• Degraffenreid , George , Charles Fowler , and Timothy Gerber . Music! Its Role and Importance in Our Lives , 6th ed. . New York : McGraw-Hill/Glencoe , 2006 .
   Google Scholar
• Denzin , Norman K. , and Yvonne S. Lincoln “ Introduction: Critical Methodologies and Indigenous Inquiry ” Denzin et al. 1 – 26 .
   Google Scholar
• Denzin , Norman K. , Lincoln , Yvonne S. and Smith , Linda T. 2008 . Handbook of Critical and Indigenous Methodologies , Thousand Oaks : Sage .
   Google Scholar
• Dolan , Jill. 2005 . Utopia in Performance: Finding Hope at the Theater , Ann Arbor : U of Michigan P .
   Google Scholar
• Ferguson , Roderick A. 2004 . Toward a Queer of Color Critique: Aberrations in Black , Minneapolis : U of Minnesota P .
   Google Scholar
• Galvin , Mary E. 1999 . Queer Poetics: Five Modernist Women Writers , Westport : Greenwood .
   Google Scholar
• Halberstam , Judith. 1998 . Female Masculinity , Durham : Duke UP .
   Google Scholar
• Hall , Jacquelyn D. “ Afterward: Reverberations ” Remembering: Oral History Performance . Della Pollock New York. Palgrave Macmillan , 2005 . 187 – 98
   Google Scholar
• Hancock , Ange-Marie. “ When Multiplication Doesn't Equal Quick Addition: Examining Intersectionality as a Research Paradigm ” Perspective on Politics 5.1 2007 : 63 – 79 .
   Google Scholar
• Harper , Philip Brian. 1998 . Are We Not Men: Masculine Anxiety and the Problem of African American Identity , Oxford : Oxford UP .
   Google Scholar
• Home Page . Sisters in the Life . Our Film Works, n.d . 22 Apr. 2012 <http://www.sistersinthelife.com/800index.html>.
   Google Scholar
• HopKins , Mary Frances . 1981 . From Page to Stage: The Burden of Proof . Southern Speech Communication Journal , 47.1 : 1 – 9 .
   Google Scholar
• Johnson , E. Patrick . 2001 . Quare Studies, or (Almost) Everything I Know About Queer Studies I Learned from My Grandmother . Text and Performance Quarterly , 21.1 : 1 – 25 .
   Google Scholar
• Johnson , E. Patrick . 2008 . Sweet Tea: Black Gay Men of the South—An Oral History , Chapel Hill : North Carolina UP .
   Google Scholar
• Jones , Joni L . 2002 . Performance Ethnography: The Role of Embodiment in Cultural Authenticity . Theatre Topics , 12.1 : 1 – 15 .
   Google Scholar
• Madison , D. Soyini. “ Performance Ethnography ” Critical Ethnography: Methods, Ethics, and Performance . By Madison. Thousand Oaks : Sage , 2005 . 149 – 80 .
   Google Scholar
• McBride , Dwight A. 2005 . Why I Hate Abercrombie & Fitch: Essays on Race and Sexuality , New York : New York UP .
   Google Scholar
• Muñoz , Jose Esteban. 1999 . Disidentification: Queers of Color and the Performance of Politics , Minneapolis : U of Minnesota P .
   Google Scholar
• Pollock , Della . 1990 . Telling the Told: Performing Like a Family . Oral History Review , 18.2 : 1 – 36 .
   Google Scholar
• Pouring Sweet Tea: A One Man Performance . By E. Patrick Johnson. Perf. Johnson. NCA 95th Annual Convention, Hilton, Chicago. 13 Nov. 2009 .
   Google Scholar
• Román , David. “ Pomo Afro Homos’ Fierce Love: Intervening in the Cultural Politics of Race, Sexuality and AIDS ” Acts of Intervention: Performance, Gay Culture, and AIDS . Bloomington : Indiana UP . 154 – 76 .
   Google Scholar
• Stucky , Nathan. , “ Fieldwork in the Performance Studies Classroom ” The Sage Handbook of Performance Studies . D. Soyini Madison and Judith Hamera . Thousand Oaks : Sage , 2006 . 261 – 77 .
   Google Scholar
• “Sweet Tea.” By E. Patrick Johnson. Perf. Johnson. Dir. Helga Davis. Oscar G. Brockett Theater, Austin. 9 Sept . 2010 .
   Google Scholar
• Sweet Tea: Black Gay Men of the South . By E. Patrick Johnson. Perf. Johnson. Dir. Daniel Alexander Jones. About Face Theater , Chicago . 27 May 2010 .
   Google Scholar
• Taylor , Diana. 2003 . The Archive and the Repertoire: Performing Cultural Memory in the Americas , Durham : Duke UP .
   Google Scholar
• Welbon , Yvonne dir. Living with Pride: Ruth C. Ellis @ 100 . Our Film Works , 1999 .
   Google Scholar