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Performance Space

Miles Away from “The Cool”

Works Cited

  • Alexander, Bryant Keith. “Skin Flint (or, The Garbage Man's Kid): A Generative Autobiographical Performance Based on Tami Spry's Tatoo Stories.” Text and Performance Quarterly 20.1 (2000): 97–114. 10.1080/10462930009366286
  • Carby, Hazel. Race Men: The W. E. B. Du Bois Lectures. Cambridge, MA: Harvard UP, 1998.
  • Conquergood, Dwight. “Performing as a Moral Act: Ethical Dimensions of the Ethnography of Performance.” Literature in Performance 5.2 (1985): 1–13. 10.1080/10462938509391578
  • Davis, Miles. Birth of The Cool. Capitol Records, 2001. CD.
  • Davis, Miles Bitches Brew. Sony, 1999. CD.
  • Davis, Miles “If I Were a Bell.” Rec. 1956. Relaxin’ With the Miles Davis Quintet. OJC/Prestige, 1991. CD.
  • Davis, Miles “You're My Everything.” Rec. 1956. Relaxin’ With the Miles Davis Quintet. OJC/Prestige, 1991. CD.
  • Davis, Miles, and Quincy Troupe. Miles, The Autobiography. New York: Simon and Schuster, 1989.
  • de Certeau, Michel. The Practice of Everyday Life. Trans. Steven Rendall. Berkeley: U of California P, 1984.
  • Hahn, Andrea. “On the Endangered List: State Preservation Group Says Tuscan Lodge Needs to Be Saved.” Southern Illinoisan. The Southern, 11 Mar. 2005. Web. 13 Apr. 2009.
  • “The Last Laws to Go: 1998 and 2000.” Lovingday.org. Loving Day 2012, n.d. Web. 11 Apr. 2013.
  • McRae, Chris. “Listening to a Brick: Hearing Location Performatively.” Text and Performance Quarterly 32.4 (2012): 332–48. 10.1080/10462937.2012.702219
  • Pineau, Elyse Lamm. “Intimate Partners: A Critical Autobiography of Performing Anaïs.” Voices Made Flesh: Performing Women's Autobiography. Ed. Lynn C. Miller, Jacqueline Taylor, and M. Heaver Carver. Madison: U of Wisconsin P, 2003. 33–46.
  • Thomas, Blackwell. “Knocking Down History.” Southern Illinoisan. The Southern, 4 Mar. 2009. Web. 13 Apr. 2009.
  • Troupe, Quincy. Miles and Me. Berkeley: U of California P, 2000.

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