Performance studies in communication

Works Cited

• Alexander, Bryant Keith. “Archiving Performance/Performance as Archive: A Hybrid Book Review and Performance of E. Patrick Johnson’s Sweet Tea.” Text and Performance Quarterly 34 (2014): 416–18. Print.
   Web of Science ®Google Scholar
• Alexander, Bryant Keith. “Performing Culture in the Classroom: An Instructional (Auto)Ethnography.” Text and Performance Quarterly 19 (1999): 307–31. Print.
   Google Scholar
• Alexander, Bryant Keith. “Phantoms, Amputations, and Mournings of Black Dreadlocks: Or Reentering the Barbershop.” Text and Performance Quarterly 34 (2014): 409–15. Print.
   Web of Science ®Google Scholar
• Albrecht, Mario. “Acting Naturally Unnaturally: The Performative Nature of Authenticity in Contemporary Popular Music.” Text and Performance Quarterly 28 (2008): 379–95. Print.
   Web of Science ®Google Scholar
• Allison, John M., Jr. ““It’s All Set in the Stars”: Adapting and Staging Lee Smith's Intensive Care.” Text and Performance Quarterly 36 (2016): 18–33. Print.
   Web of Science ®Google Scholar
• Amaya, Hector. “Performing Acculturation: Rewriting Latina/o Immigrant Self.” Text and Performance Quarterly 27 (2007):194–12. Print.
   Google Scholar
• Andrade, Luis M. “On the Death of Mi Madre, Hauntings, and Ethnic Mourning.” Text and Performance Quarterly 38 (2018):136–52. Print.
   Web of Science ®Google Scholar
• Armstrong Richard N., and Gerald S. Argetsinger. “The Hill Cumorah Pageant: Religious Pageantry as Suasive Form.” Text and Performance Quarterly 9 (1989): 153–64. Print.
   Google Scholar
• Ashcraft, Karen Lee, and Lisa A. Flores. “‘Slaves with White Collars’: Persistent Performances of Masculinity in Crisis.” Text and Performance Quarterly 23 (2003): 1–29. Print.
   Google Scholar
• Bacon, Wallace A. “The Dangerous Shores a Decade Later.” The Study of Oral Interpretation: Theory and Comment. Ed. Richard Haas and David A. Williams. Indianapolis: Bobbs, 1975. 221–28. Print.
   Google Scholar
• Bacon, Wallace A. “The Dangerous Shores: From Elocution to Interpretation.” Quarterly Journal of Speech 46 (1960):148–52. Print.
   Web of Science ®Google Scholar
• Bacon, Wallace A. “The Dangerous Shores–One Last Time.” Text and Performance Quarterly 16 (1996): 356–58. Print.
   Google Scholar
• Bacon, Wallace A. “Untitled.” Literature in Performance 5.1 (1984): 83–84. Print.
   Google Scholar
• Bacon, Wallace, and Robert Breen. Literature for Interpretation. New York: Holt, 1961.
   Google Scholar
• Baker-White, Robert. “Authority and Jouissance in Fugard’s Statements After An Arrest Under the Immorality Act.” Text and Performance Quarterly 12 (1992): 228–44. Print.
   Google Scholar
• Banks, Stephen P. “Performing Public Announcements: The Case of Flight Attendants’ Work Discourse.” Text and Performance Quarterly 14 (1994): 253–67. Print.
   Google Scholar
• Baptista, Lori Danielle Barcliff. “Peixe: Patria e Possibilidades Portuguesas ‘Fish, Homeland, and Portuguese Possibilities.’” Text and Performance Quarterly 29.1 (2009): 60–76. doi:10.1080/10462930802514354.
   Google Scholar
• Batiste, Stephanie. “Epaulettes and Leaf Skirts, Warriors and Subversives: Black National Subjectivity in Macbeth and Haiti.” Text and Performance Quarterly 23 (2003): 154–85. Print.
   Google Scholar
• Bauman, Richard. “Performance.” Folklore, Cultural Performances, and Popular Entertainments: A Communications-Centered Handbook. Ed. Richard Bauman. Oxford: Oxford UP, 1992. 41–49. Print.
   Google Scholar
• Beasley, Myron. “‘Tribute to the Ancestors’: Ritual Performance and Same-Gender-Loving Men of African Descent.” Text and Performance Quarterly 28 (2008): 433–57. Print.
   Web of Science ®Google Scholar
• Beauvais, Paul Jade. “Native Son in Prison: Rhetorical Performance as Restored Behavior.” Text and Performance Quarterly 10 (1990): 306–15. Print.
   Google Scholar
• Bell. Elizabeth “Performance Studies as Women’s Work: Historical Sights/Sites/Citations from the Margin.” Text and Performance Quarterly 16 (1996): 350–74. Print.
   Google Scholar
• Bell, Elizabeth. “Sex Acts Beyond Boundaries and Binaries: A Feminist Challenge for Self Care in Performance Studies.” Text and Performance Quarterly 25 (2005):187–219. Print.
   Google Scholar
• Bell, Elizabeth. Theories of Performance. Thousand Oaks, CA: Sage, 2008. Print.
   Google Scholar
• Bell, Elizabeth. “Toward a Pleasure-Centered Economy: Wondering a Feminist Aesthetics of Performance.” Text and Performance Quarterly 15 (1995): 99–121. Print.
   Google Scholar
• Bell, Elizabeth. “Weddings and Pornography: The Cultural Performance of Sex.” Text and Performance Quarterly 19 (1999): 173–95. Print.
   Google Scholar
• Bell, Elizabeth, and Linda C. Forbes “Office Folklore in the Academic Paperwork Empire: The Interstitial Space of Gendered (Con)Texts.” Text and Performance Quarterly 14 (1994): 181–96. Print.
   Google Scholar
• Benson, Thomas W. “A Scandal in Academia: Sextext and CRTNET.” Western Journal of Communication 76 (2012): 2–16. Print.
   Google Scholar
• Birkhead, Douglas. Review of Life After Postmodernism: Essays on Value and Culture, edited and introduced by John Fekete. Text and Performance Quarterly 9 (1989): 173–74. Print.
   Google Scholar
• Bodkin, Alison Fisher, and Christopher Collins. “Fractured.” Text and Performance Quarterly, 36 (2017): 257–69. Print.
   Google Scholar
• Bowman, Michael. “Killing Dillinger: A Mystory.” Text and Performance Quarterly 20 (2000): 342–74. Print.
   Google Scholar
• Bowman, Ruth Laurion. “Domestic(ating) Excess: Women's Roles in Uncle Tom's Cabin and its Adaptations.” Text and Performance Quarterly 20 (2000): 113–29. Print.
   Google Scholar
• Bowman, Michael, and Ruth Laurion Bowman. “Performing the Mystory: A Textshop in Autoperformance.” Teaching Performance Studies. Ed. Nathan Stucky and Cynthia Wimmer. Carbondale: Southern Illinois UP, 2002: 161–74. Print.
   Google Scholar
• Brisini, Travis. “The Conference Room Carpet.” Text and Performance Quarterly 36 (2016): 156–65. Print.
   Web of Science ®Google Scholar
• Brisini, Travis. “The Mystical and the Mundane: The Human/Animal Distinction in Animal Parade.” Text and Performance Quarterly 39 (2019): 173–76. Print.
   Web of Science ®Google Scholar
• Brisini, Travis. “Phytomorphizing Performance: Plant Performance in an Expanded Field.” Text and Performance Quarterly 39 (2019): 3–21. Print.
   Web of Science ®Google Scholar
• Brisini, Travis. “Precarity Afoot: Material Performatives as Evolutionary Relations Across Deep Time.” Text and Performance Quarterly 38 (2018): 119–35. Print.
   Web of Science ®Google Scholar
• Brisini, Travis, and Jake Simmons. “Posthuman Relations in Performance Studies.” Text and Performance Quarterly 36 (2016) 191–99. Print.
   Web of Science ®Google Scholar
• Broderick, Michael, and Sean Gleason. “We Kill Our Own: Towards a Material Ecology of Farm Life.” Text and Performance Quarterly 36 (2016): 250–64. Print.
   Web of Science ®Google Scholar
• Brody, Jennifer DeVere. “Queering Racial Reproduction: ‘Unnatural Acts’ in Angelina Weld Grimke’s ‘The Closing Door.’” Text and Performance Quarterly 23 (2003): 205–23. Print.
   Google Scholar
• Calafell, Bernadette. “Pro(re-)claiming Loss: A Performance Pilgrimage in Search of Malintzin Tenépal.” Text and Performance Quarterly 25 (2005): 43–56. Print.
   Google Scholar
• Calafell, Bernadette, and Shane Moreman. “Envisioning an Academic Readership: Latino/a Performatives per the Form of Publication.” Text and Performance Quarterly 29 (2009): 123–30. Print.
   Web of Science ®Google Scholar
• Callier, Durell M., and Kimberlee Pérez. “Still Political: Reflections of the Complex Histories, Negotiations, and Significations of Hair.” Text and Performance Quarterly 34 (2014): 390–91. Print.
   Web of Science ®Google Scholar
• Cameron, Kenneth M. “Paul Robeson, Eddie Murphy, and the Film Text of ‘Africa’.” Text and Performance Quarterly 10 (1990): 282–93. Print.
   Google Scholar
• Capo, Kay Ellen. “Review of Reading Women: Essays in Feminist Criticism, by Mary Jacobus.” Literature in Performance 8 (1988): 92–94. Print.
   Google Scholar
• Capo, Kay Ellen. “Review of Stealing the Language: The Emergence of Women’s Poetry in America, by Alicia Susan Ostriker.” Literature in Performance 7 (1986): 62–63. Print.
   Google Scholar
• Capo, Kay Ellen, and Darlene M. Hantzis. “(En)gendered (and Endangered) Subjects: Writing, Reading, Performing, and Theorizing Feminist Criticism.” Text and Performance Quarterly 11 (1991): 249–66. Print.
   Google Scholar
• Carlson, Marvin. Performance: A Critical Introduction. London: Routledge, 2013. Print.
   Google Scholar
• Carpenter, Faedra Chatard. “Robert O’Hara’s Insurrection: ‘Que(e)rying’ History.” Text and Performance Quarterly 23 (2003): 186–204. Print.
   Google Scholar
• Carr, Tessa W., and Deanna Shoemaker. “Hauntings: Marking Flesh, Time, Memory.” Text and Performance Quarterly 37 (2017): 68–93. Print.
   Web of Science ®Google Scholar
• Carroll, Lewis. Sylvie and Bruno Concluded. New York: Macmillan, 1894. Print.
   Google Scholar
• Carver, M. Heather. “Beckoning: Communicating Performance Studies as Communication.” Text and Performance Quarterly 33 (2013): 227–28. Print.
   Web of Science ®Google Scholar
• Carver, M. Heather, and Bryant Keith Alexander. “Introduction: Oral Interpretation and Ethnography in Performance: (Re)Examining the Dangerous Shores 2012.” Text and Performance Quarterly 32 (2012): 187–91. Print.
   Web of Science ®Google Scholar
• Chambers-Letson, Joshua. “The Queer of Color's Mother: Ryan Rivera, Audre Lorde, Martin Wong, Danh Vō.” TDR: The Drama Review 62.1 (2018): 46–59. Print.
   Google Scholar
• Chávez, Karma. “Remapping Latinidad: A Performance Cartography of Latina/o Identity in Rural Nebraska.” Text and Performance Quarterly 29 (2009): 165–82. Print.
   Web of Science ®Google Scholar
• Cherry-Chandler, Eileen. “After the Reapers: Place Settings of Race, Class, and Food Insecurity.” Text and Performance Quarterly 29 (2009): 44–59. Print.
   Web of Science ®Google Scholar
• Cherwitz, Richard A. and Thomas J. Darwin. “Why the ‘Epistemic’ in Epistemic Rhetoric? The Paradox of Rhetoric as Performance.” Text and Performance Quarterly 15 (1995): 189–205. Print.
   Google Scholar
• Chesebro, James W. “Text, Narration, and Media.” Text and Performance Quarterly 9 (1989): 1–23. Print.
   Google Scholar
• Chung, Kelly I. “Review of The Racial Mundane: Asian American Performance and the Embodied Everyday, by Ju Yon Kim.” Text and Performance Quarterly 37 (2017): 281–83. Print.
   Web of Science ®Google Scholar
• Chvasta, Marcyrose. “Remembering Praxis: Performance in the Digital Age.” Text and Performance Quarterly 25 (2005): 156–70. Print.
   Google Scholar
• Coleman, Daniel B. “Performing the Border: A Queer of Color Artist-Scholar and Ally Response to Tortilla Curtain.” Text and Performance Quarterly 33 (2013): 184–90. Print.
   Web of Science ®Google Scholar
• Collins, Christopher C. “Animal Parade.” Text and Performance Quarterly 39 (2019): 160–72. Print.
   Web of Science ®Google Scholar
• Colson, Ted. “Introduction.” Renewal and Revision: The Future of Interpretation. Ed. Ted Colson. Denton, TX: NB Omega, 1986. 1–7. Print.
   Google Scholar
• Colson, Ted. “Untitled.” Literature in Performance 5.1 (1984): 84–86. Print.
   Google Scholar
• Conquergood, Dwight. “Boasting in Anglo-Saxon England: Performance and the Heroic Ethos.” Literature in Performance 1.2 (1981): 24–35. Print.
   Google Scholar
• Conquergood, Dwight. “Homeboys and Hoods: Gang Communication as Cultural Space.” Cultural Struggles: Performance, Ethnography, Praxis. Ed E. Partick Johnson. Ann Arbor: U of Michigan P, 2013. 224–63. Print.
   Google Scholar
• Conquergood, Dwight. “Performing as a Moral Act: Ethical Dimensions of the Ethnography of Performance.” Literature in Performance 5.2 (1985): 1–13. Print.
   Google Scholar
• Conquergood, Dwight. “Response to Wendt.” Text and Performance Quarterly 10 (1990): 256–59. Print.
   Google Scholar
• Conquergood, Dwight. “Rethinking Elocution: The Trope of the Talking Book and Other Figures of Speech.” Text and Performance Quarterly 20 (2000): 325–41. Print.
   Google Scholar
• Conquergood, Dwight. “Storied Worlds and the Work of Teaching.” Communication Education 42 (1993): 337–48. Print.
   Web of Science ®Google Scholar
• Corey, Frederick C. “Performing Sexuality in an Irish Pub.” Text and Performance Quarterly 16 (1996): 146–60. Print.
   Google Scholar
• Corey, Frederick C. “Tim Miller’s Body (of Work).” Text and Performance Quarterly 23 (2003): 253–70. Print.
   Google Scholar
• Corey, Frederick C., and Thomas K. Nakayama. “Sextext.” Text and Performance Quarterly 17 (1997): 58–68. Print.
   Google Scholar
• Craig, Robert T. “Communication Theory as a Field.” Communication Theory 9.2 (1999): 119–61. Print.
   Web of Science ®Google Scholar
• Crenshaw, Kimberle. “Demarginalizing the Intersection of Race and Sex: A Black Feminist Critique of Antidiscrimination Doctrine, Feminist theory and Antiracist politics.” University of Chicago Legal Forum 1989 (1989): 139–67. Web. 11 Nov. 2017.
   Google Scholar
• Dailey, Sheron J. “Response.” Text and Performance Quarterly 10 (1990): 259–61. Print.
   Google Scholar
• Darnell, Amy L. “Review of Mean Little Deaf Queer, by Terry Galloway.” Text and Performance Quarterly 30 (2010): 480–82. Print.
   Web of Science ®Google Scholar
• Davis, Patricia G. “The Other Southern Belles: Civil War Reenactment, African American Women, and the Performance of Idealized Femininity.” Text and Performance Quarterly 32 (2012): 308–11. Print.
   Web of Science ®Google Scholar
• DeChaine, D. Robert. “Affect and Embodied Understanding in Musical Experience.” Text and Performance Quarterly 22 (2002): 79–98. Print.
   Google Scholar
• Delgado, Fernando. “All Along the Border: Kid Frost and the Performance of Brown Masculinity.” Text and Performance Quarterly 20 (2000): 388–401. Print.
   Google Scholar
• Delgado, Fernando. “Reflections on Being/Performing Latino Identity in the Academy” Text and Performance Quarterly 29 (2009): 149–64. Print.
   Web of Science ®Google Scholar
• Denzin, Norman K. Interpretive Ethnography: Ethnographic Practices for the 21st Century. Thousand Oaks, CA: Sage, 1997. Print.
   Google Scholar
• Dillard, Scott “Breathing Darrell: Solo Performance as a Contribution to a Useful Queer Mythology.” Text and Performance Quarterly 20 (2000): 74–83. Print.
   Google Scholar
• Dow, Bonnie J. “Performance of Feminine Discourse in Designing Women.” Text and Performance Quarterly 12 (1992): 125–45. Print.
   Google Scholar
• Edwards, Paul C. “Performance of and Beyond Literature.” The SAGE Handbook of Performance Studies. Ed. D. Soyini Madison and Judith Hamera. Thousand Oaks, CA: Sage, 2006. 143–50. Print.
   Google Scholar
• Edwards, Paul C. “Six Questions about the ‘Other’ Nickleby.” Literature in Performance 7.2 (1987): 79–81. Print.
   Google Scholar
• Edwards, Paul C. “Unstoried: Teaching Literature in the Age of Performance Studies.” Theatre Annual 52 (1999): 1–147. Print.
   Google Scholar
• Eguchi, Shinsuke. “Review of Sexual Discretion: Black Masculinity and the Politics of Passing, by Jeffery Q. McCune Jr.” Text and Performance Quarterly 36 (2016): 180–82. Print.
   Web of Science ®Google Scholar
• Eguchi, Shinsuke, and Myra N. Roberts. “Gay Rapping and Possibilities: A Quare Reading of ‘Throw that Boy P***y.” Text and Performance Quarterly 35 (2015): 142–57. Print.
   Web of Science ®Google Scholar
• Engler, Balz. “Vachel Lindsay and the Town of American Visions.” Literature in Performance 3 (1982): 27–34. Print.
   Google Scholar
• Evans, Nicola. “Games of Hide and Seek: Race, Gender and Drag in the Crying Game and the Birdcage.” Text and Performance Quarterly 18 (1998): 199–216. Print.
   Google Scholar
• Feldman, Alice E. “Dances with Diversity: American Indian Self-Presentation within the Representative Contexts of a Non-Indian Museum.” Text and Performance Quarterly 14 (1994): 210–21. Print.
   Google Scholar
• Fenske, Mindy. “The Aesthetic of the Unfinished: Ethics and Performance.” Text and Performance Studies 24 (2004): 1–19. Print.
   Google Scholar
• Fenske, Mindy. “The Movement of Interpretation: Conceptualizing Performative Encounters with Multimediated Performance.” Text and Performance Quarterly 26 (2006): 138–61. Print.
   Google Scholar
• Fletcher, John. “Of Minute Men and Rebel Crown Armies: Reconsidering Transformative Citizenship.” Text and Performance Quarterly 29 (2009): 222–38. Print.
   Web of Science ®Google Scholar
• Foucault, Michel. Discipline and Punish. Trans. Alan Sheridan. New York: Vintage, 1991. Print.
   Google Scholar
• Foucault, Michel. Fearless Speech. Ed. Joseph Pearson. Los Angeles, CA: Semiotext(e), 2001. Print.
   Google Scholar
• Forrest, John. “Abstract of “Why Do They Laugh? An Interactional Approach to Humor in Iranian Improvisatory Theatre,” by William O. Beeman.” Literature in Performance 3.2 (1983): 98–99. Print.
   Google Scholar
• Forrest, John. “Meditation for the Performer: A Brief, Replicable Introduction.” Literature in Performance 6.1 (1985): 12–23. Print.
   Google Scholar
• Fuoss, Kirk. “Performance as Contestation: An Agonistic Performance on the Insurgent Assembly.” Text and Performance Quarterly 13 (1994): 331–49. Print.
   Google Scholar
• Fuoss, Kirk, Cindy J. Kistenberg, and Lawrence B. Rosenfield. “‘OUT ART’: Reducing Homophobia on College Campuses Through Artistic Intervention.” Text and Performance Quarterly 12 (1992): 349–61. Print.
   Google Scholar
• Fox, Ragan. “Tales of a Fighting Bobcat: An ‘Auto-Archaeology’ of Gay Identity Formation and Maintenance.” Text and Performance Quarterly 30 (2010): 122–24. Print.
   Web of Science ®Google Scholar
• Fuentes, Marcela A. “Performance Constellations: Memory and Event in Digitally Enabled Protests in the Americas.” Text and Performance Quarterly 35 (2015): 24–42. Print.
   Web of Science ®Google Scholar
• Gallie, Walter Bryce. Philosophy and the Historical Understanding. New York: Schocken, 1964. Print.
   Google Scholar
• Galloway, Terry. “Taken: The Philosophically Sexy Transformation in a Woman by Playing Male Roles in Shakespeare.” Text and Performance Quarterly 17 (1997): 94–100. Print.
   Google Scholar
• Garland, David. “‘What is a History of the Present?’ On Foucault’s Genealogies and their Critical Preconditions.” Punishment and Society 16 (2014): 365–84. Print.
   Web of Science ®Google Scholar
• Gendzel, Glen. “The Tortilla Curtain and California’s Nativist Heritage.” Text and Performance Quarterly 33 (2013): 175–83. Print.
   Web of Science ®Google Scholar
• Gentleman, Rye. “Review of Performance and Media: Taxonomies for a Changing Field, by Sarah Bay-Cheng, Jennifer Parker-Starbuck, and Davd Z. Saltz.” Text and Performance Quarterly 39 (2019): 263–65. Print.
   Google Scholar
• Gingrich-Philbrook, Craig. “Autobiographical Performance and Carnivorous Knowledge: Rae C. Wright’s Animal Instincts.” Text and Performance Quarterly 18 (1998): 63–79. Print.
   Google Scholar
• Gingrich-Philbrook, Craig. “Autoethnography’s Family Values: Easy Access to Compulsory Experiences.” Text and Performance Quarterly 25 (2005): 297–314. Print.
   Google Scholar
• Gingrich-Philbrook, Craig. “Disciplinary Violation as Gender Violation: The Stigmatized Masculine Voice of Performance Studies.” Communication Theory 8 (1998): 203–20. Print.
   Web of Science ®Google Scholar
• Gingrich-Philbrook, Craig. “‘Good Vibration’ or Domination: Stylized Repetition in Mythopoetic Performance of Masculinity.” Text and Performance Quarterly 14 (1994): 21–45. Print.
   Google Scholar
• Gingrich-Philbrook, Craig. “On the Execution of the Young Giraffe, Marius, by the Copenhagen Zoo: Conquergood’s ‘Lethal Theatre’ and Posthumanism.” Text and Performance Quarterly 36 (2016): 200–11. Print.
   Web of Science ®Google Scholar
• Gingrich-Philbrook, Craig. “Refreshment.” Text and Performance Quarterly 17 (1997): 352–60. Print.
   Google Scholar
• Gingrich-Philbrook, Craig. “The Unnatural Performative: Resisting Phenomenal Closure.” Text and Performance Quarterly 17 (1997): 123–29. Print.
   Google Scholar
• Gingrich-Philbrook, Craig, and Jake Simmons. “Reprogramming the Stage: A Heuristic for Posthuman Performance.” Text and Performance Quarterly 35 (2015): 323–44. Print.
   Web of Science ®Google Scholar
• Gharavi, Lance. “Dancing on the Emerald Table: (Mis)Adventures in Performance and Esoterica.” Text and Performance Quarterly 24 (2014): 348–63. Print.
   Google Scholar
• Goltz, Dustin. “Invitation to Participate: ‘Critical Performance Dialogues: Skepticisms and Imaginaries’ Summer 2016.” Received by Jake Simmons. 11 May 2015.
   Google Scholar
• Gratch, Lindsey Michalik. “How I Learned to Swede (and You Can Too!): In Praise of Amateur Aesthetics.” Text and Performance Quarterly 38 (2018): 109–14. Print.
   Web of Science ®Google Scholar
• Gray, Jonathan. “Trail Mix: A Sojourn on the Muddy Divide Between Nature and Culture.” Text and Performance Quarterly 30 (2010): 201–19. Print.
   Web of Science ®Google Scholar
• Gray, Jonathan. “Web 2.0 and Collaborative Online Performance.” Text and Performance Quarterly 32 (2012): 65–72. Print.
   Web of Science ®Google Scholar
• Gray, Paul H. “Calling the Cops.” American Communication Journal 1.2 (1998): n. pag. Web. 1 Nov. 2017.
   Google Scholar
• Gray, Paul H. “Cast Down Your Bucket Where You Are.” The Future of Performance Studies: Visions and Re-Visions. Ed. Sheron J. Dailey. Annandale, VA: NCA, 1988. 320–24. Print.
   Google Scholar
• Gray, Paul H. “On Naming the Rose: A Response.” Text and Performance Quarterly 10 (1990): 262–64. Print.
   Google Scholar
• Gutierrez, Robert. “Review of Latina/o Communication Studies: Theorizing Performance, by Bernadette Marie Calafell.” Text and Performance Quarterly 31 (2011): 455–56. Print.
   Web of Science ®Google Scholar
• Gutierrez-Perez, Robert, and Luis Andrade. “Queer of Color Worldmaking: <Marriage> in the Rhetorical Archive and the Embodied Repertoire.” Text and Performance Quarterly 38 (2018): 1–18. Print.
   Web of Science ®Google Scholar
• Haas, Benjamin. “Hopeless Activism: Performance in the Anthropocene.” Text and Performance Quarterly 36 (2016): 279–96. Print.
   Web of Science ®Google Scholar
• Hamera, Judith. “Loner on Wheels as Gaia: Identity, Rhetoric, and History in the Angry Art of Rachel Rosenthal.” Text and Performance Quarterly 11 (1991): 35–45. Print.
   Google Scholar
• Hamera, Judith. “A Post-Jungian Perspective on Repetition and Violence in the Tanztheater of Pina Bausch.” Text and Performance Quarterly 9 (1989): 107–12. Print.
   Google Scholar
• Hamera, Judith. “Postmodern Performance, Postmodern Criticism.” Literature in Performance 7.1 (1986): 13–20. Print.
   Google Scholar
• Hamera, Judith. “Silence that Reflects: Butoh, Ma, and the Crosscultural Gaze.” Text and Performance Quarterly 10 (1990): 53–60. Print.
   Google Scholar
• Haraway, Donna. The Companion Species Manifesto: Dogs, People, and Significant Otherness. Chicago: Prickly Paradigm, 2003. Print.
   Google Scholar
• Haraway, Donna. “Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective.” Feminist Studies 14 (1988): 575–99. Print.
   Web of Science ®Google Scholar
• Hasian, Marouf, Jr. “Performative Law and the Maintenance of Interracial Social Boundaries: Assuaging Antebellum Fears of ‘White Slavery’ and the Case of Sally Miller/Salome Müller.” Text and Performance Quarterly 23 (2003): 55–86. Print.
   Google Scholar
• Hawes, Leonard. “Becoming-Other-Wise: Conversational Performance and the Politics of Experience.” Text and Performance Quarterly 18 (1998): 273–99. Print.
   Google Scholar
• Henderson, Mae. “Josephine Baker and La Revue Negre: From Ethnography to Performance.” Text and Performance Quarterly 23 (2003): 107–33. Print.
   Google Scholar
• Heston, Lilla A. “The Very Oral Henry James.” Literature in Performance 1.2 (1980): 1–12. Print.
   Google Scholar
• Hill, Randall T. “Legitimizing Colonial Privilege: Native Americans at a Quincentenary of Discourse.” Text and Performance Quarterly 16 (1996): 92–101. Print.
   Google Scholar
• Holling, Michelle A., and Bernadette Marie Calafell. “Identities on Stage and Staging Identities: Chicano Brujo Performances as Emancipatory Practices.” Text and Performance Quarterly 27 (2007): 58–83. Print.
   Google Scholar
• Hollwitz, John C. “Steele MacKaye and the Origins of Performer Training in America.” Literature in Performance 2.1 (1981): 50–55. Print.
   Google Scholar
• HopKins, Mary Francis. “Performance of Literature and the Core.” Renewal and Revision: The Future of Interpretation. Ed. Ted Colson. Denton: NB Omega, 1986. 100–14. Print.
   Google Scholar
• Hudson, Lee. “A Conversation with May Swenson.” Literature in Performance 3.2 (1983): 55–66. Print.
   Google Scholar
• Holton, Kimberly DaCosta. “Like Blood in Your Mouth: Topograhies of Flamenco Voice and Pedagogy in Diaspora.” Text and Performance Quarterly 18 (1998): 300–18. Print.
   Google Scholar
• Houston Grey, Stephanie. “Writing Redemption: Trauma and the Authentication of the Moral Order in Hibakusha Literature.” Text and Performance Quarterly 22 (2002): 1–23. Print.
   Google Scholar
• Inslee, L. Forrest. “Review of Why Suya Sing: A Musical Anthropology of an Amazonian People, by Anthony Seeger, and Dried Millet Breaking: Time, Words, and Song in the Woi Epic of the Kpelle, by Ruth M. Stone.” Text and Performance Quarterly 11 (1991): 159–61. Print.
   Google Scholar
• Jackson, Shannon. “Rhetoric in Ruins: Performing Literature and Performance Studies.” Performance Research 14.1 (2009): 6–16. Print.
   Web of Science ®Google Scholar
• Johnson, Amber. “Confessions of a Video Vixen: My Autocritography of Sexuality, Desire, and Memory.” Text and Performance Quarterly 34 (2014): 182–200. Print.
   Web of Science ®Google Scholar
• Johnson, E. Patrick. “From Page to Stage: The Making of Sweet Tea.” Text and Performance Quarterly 32 (2012): 248–53. Print.
   Web of Science ®Google Scholar
• Johnson, E. Patrick. “‘Quare’ Studies, or (Almost) Everything I Know About Queer Studies I Learned from My Grandmother.” Text and Performance Quarterly 21 (2001): 1–25. Print.
   Google Scholar
• Johnson, E. Patrick. “Snap! Culture: A Different Kind of ‘Reading.’” Text and Performance Quarterly 15 (1995): 122–42. Print.
   Google Scholar
• Johnson, E. Patrick. Sweet Tea: Black Gay Men of the South. Chapel Hill: U of North Carolina P, 2008.
   Google Scholar
• Johnson, Josephine A. “The Music of Speech: Florence Farr and W.B. Yeats.” Literature in Performance 2.1 (1982): 56–65. Print.
   Google Scholar
• Johnson, Javon. “Manning Up: Race, Gender, and Sexuality in Los Angeles’ Slam and Spoken Word Poetry Communities.” Text and Performance Quarterly 30 (2010): 396–419. Print.
   Web of Science ®Google Scholar
• Jones, Joni L. “Improvisation as a Performance Strategy for African-based Theatre.” Text and Performance Quarterly 13 (1993): 233–51. Print.
   Google Scholar
• Jones, Joni L. “Performance Ethnography: The Role of Embodiment in Cultural Authenticity.” Theatre Topics 12 (2002): 1–15. Print.
   Google Scholar
• Jones, Joni L. “Performing Osun Without Bodies: Documenting the Osun Festival in Print.” Text and Performance Quarterly 17 (1997): 69–93. Print.
   Google Scholar
• Jones, Joni L. “The Self as Other: Creating the Role of Joni the Ethnographer for Broken Circles.” Text and Performance Quarterly 16 (1996): 131–45. Print.
   Google Scholar
• Jones, Omi Osun Joni L. “Re-Presenting Blackness.” Text and Performance Quarterly 32 (2012): 254–58. Print.
   Web of Science ®Google Scholar
• Jones, Stacy L. Holman. “An Invitation to Opening.” Text and Performance Quarterly 34 (2014): 372–73. Print.
   Web of Science ®Google Scholar
• Jones, Stacy L. Holman. “Women, Musics, Bodies, and Texts: The Gesture of Women’s Music.” Text and Performance Quarterly 19 (1999): 217–35. Print.
   Google Scholar
• Khader, Allison R. “Review of From Bourgeois to Boojie: Black Middle-Class Performances, by Vershawn Ashanti Young with Bridget Harris Tsemo, eds.” Text and Performance Quarterly 32 (2012): 254–58. Print.
   Google Scholar
• Kirkwood, William G. “Shiva's Dance at Sundown: Implications of Indian Aesthetics for Poetics and Rhetoric.” Text and Performance Quarterly 10 (1990): 93–110. Print.
   Google Scholar
• Kleinau, Marion. “Oral Performance and the Mind’s Images.” Literature in Performance 1.2 (1981): 45–57. Print.
   Google Scholar
• Kleinau, Marion. “Untitled.” Literature in Performance 5.1 (1984): 88–90. Print.
   Google Scholar
• Krell, Elias D. “‘Who’s the Crack Whore at the End?’ Performance, Violence, and Sonic Borderlands in the Music of Yva las Vegass.” Text and Performance Quarterly 32 (2012): 254–58. Print.
   Google Scholar
• Lane-Ewart. Janice. “Interview with Sekou Sundiata.” Text and Performance Quarterly 29 (2009): 276–78. Print.
   Web of Science ®Google Scholar
• Langellier, Kristin M. “Doing Deconstruction: Sexuality and Interpretation.” Literature in Performance 4.1 (1983): 45–50. Print.
   Google Scholar
• Langellier, Kristin M. “From Text to Social Context.” Literature in Performance 6.2 (1986): 60–70. Print.
   Google Scholar
• Langellier, Kristin M. “Personal Narratives: Perspectives on Theory and Research.” Text and Performance Quarterly 9 (1989): 243–76. Print.
   Google Scholar
• Langellier, Kristin M. “Review of Gender and Reading: Essays on Readers, Texts, and Contexts, ed. by Elizabeth A. Flynn and Patrocinio P. Schweickart.” Literature in Performance 7.2 (1987): 64–66. Print.
   Google Scholar
• Langellier, Kristin M. “Storytelling, Turning Points, and Wicked Problems in Performance Studies.” Text and Performance Quarterly 33 (2013): 214–19. Print.
   Web of Science ®Google Scholar
• Latham, Angela J. “Performance, Ethnography, and History: An Analysis of Displays by Female Bathers in the 1920s.” Text and Performance Quarterly 17 (1997): 170–81. Print.
   Google Scholar
• Lee, Charlotte I. “Roethke Writes about Women.” Literature in Performance 1.1 (1980): 23–32. Print.
   Google Scholar
• Lentz, Tony M. “The Rhapsodes Revisited: Notes Regarding Their Divine Inspiration, Success, and Recognition.” Literature in Performance 1.1 (1980): 45–50. Print.
   Google Scholar
• LeVan, Michael. “Digital Proximities.” Text and Performance Quarterly 33 (2013): 246–47. Print.
   Web of Science ®Google Scholar
• LeVan, Michael, and Marcyrose Chvasta. “Of Many Distributions.” Text and Performance Quarterly 32 (2012): 61–64. Print.
   Web of Science ®Google Scholar
• Lindeman, Kurt. “Live(s) Online: Narrative Performance, Presence, and Community in Livejournal.com.” Text and Performance Quarterly 24 (2005): 354–72. Print.
   Google Scholar
• Lindenfeld, Laura, and Kristin M. Langellier. “Introduction.” Text and Performance Quarterly 29 (2009): 1–4. Print.
   Web of Science ®Google Scholar
• Lindlof, Thomas R., and Bryan C. Taylor. Qualitative Communication Research Methods. Thousand Oaks, CA: Sage, 2017. Print.
   Google Scholar
• Loesch, Katherine. “Review of Southwestern Indian Ritual Drama, ed. Charlotte J. Frisbe.” Literature in Performance 3.2 (1983): 88–98. Print.
   Google Scholar
• Logan, Christie. “Collisions in the Canyon: Matthew Spangler’s Adaptation of T. C. Boyle’s The Tortilla Curtain.” Text and Performance Quarterly 33 (2013): 168–74. Print.
   Web of Science ®Google Scholar
• Long, Beverly Whittaker. “Editor’s Comments.” Literature in Performance 1.1 (1980): v. Print.
   Google Scholar
• Longley, Alys. “‘Skeleton Boat on an Ocean of Organs’ and Other Stories: Understanding and Evoking Posthuman Relations Through Site-Based Dance, Somatic Practices, Performance Writing and Artist-Books.” Text and Performance Quarterly 36 (2016): 229–49. Print.
   Web of Science ®Google Scholar
• MacDonald, Shauna M. “Performance as Critical Posthuman Pedagogy.” Text and Performance Quarterly 34 (2014): 164–81. Print.
   Web of Science ®Google Scholar
• Maclay, Joanna. “A Conversation with Eudora Welty.” Literature in Performance 1.2 (1981): 68–82. Print.
   Google Scholar
• Madison, D. Soyini. “Performing Theory/Embodied Writing.” Text and Performance Quarterly, 19 (1999): 107–24. Print.
   Google Scholar
• Madison, D. Soyini. “That Was My Occupation: Oral Narrative, Performance, and Black Feminist Thought.” Text and Performance Quarterly 13 (1993): 213–32. Print.
   Google Scholar
• Mandradjieff, Mara. “Ballerina-Pointe Shoe Becoming, Fluid Multiplicities, and the Red Shoes.” Text and Performance Quarterly 36 (2016): 265–78. Print.
   Web of Science ®Google Scholar
• McCune Jr., Jeffery Q. “‘Out’ in the Club: The Down Low, Hip-Hop, and the Architexture of Black Masculinity.” Text and Performance Quarterly 28 (2008): 298–14. Print.
   Web of Science ®Google Scholar
• McGeough, Danielle Dick. “Laboring for Community, Civic Participation, and Sanitation: The Performance of Indian Toilet Festivals.” Text and Performance Quarterly, 33 (2013): 361–77. Print.
   Web of Science ®Google Scholar
• McKenzie, Jon. Perform or Else: From Discipline to Performance. London: Routledge, 2001. Print.
   Google Scholar
• McMahon, Marci R. “Sonic Cultural Citizenship through Performance: CASA 0101s Production of Josefina López’s Detained in the Desert.” Text and Performance Quarterly 37 (2017): 203–19. Print.
   Web of Science ®Google Scholar
• McMullen, Wayne J., and Martha Solomon. “The Politics of Adaptation: Steven Spielberg’s Appropriation of the Color Purple.” Text and Performance Quarterly 14 (1994): 158–74. Print.
   Google Scholar
• McRae, Chris. “Miles Away from ‘The Cool’.” Text and Performance Quarterly 34 (2014): 304–16. Print.
   Web of Science ®Google Scholar
• Meyer, Moe. “The Signifying Invert: Camp and the Performance of Nineteenth-Century Sexology.” Text and Performance Quarterly 15 (1995): 265–81. Print.
   Google Scholar
• Meyer, Moe, and Baba Ogunda Bebe-Fagbamila. “Ifa and Me: A Divination.” Text and Performance Quarterly 17 (1997): 33–57. Print.
   Google Scholar
• Meyers, W. Benjamin, and Desirée Rowe. “The Critical Lede: New Media and Ecological Balance.” Text and Performance Quarterly 32 (2012): 73–77. Print.
   Web of Science ®Google Scholar
• Miller, Jackson B. “Coyote's Tale on the Old Oregon Trail: Challenging Cultural Memory through Narrative at the Tamástslikt Cultural Institute.” Text and Performance Quarterly 25 (2005): 220–38. Print.
   Google Scholar
• Miller, Lynda. “‘In Her Own Words: An O’Keefe Ekphrastic.’” Text and Performance Quarterly 17 (1997): 101–8. Print.
   Google Scholar
• Miller, Lynn Christine. “Review of The New Feminist Criticism: Essays on Women, Literature, and Theory, ed. Elaine Showalter.” Literature in Performance 6.1 (1985): 76–78. Print.
   Google Scholar
• Miller, Lynn Christine. “The Subjective Camera and Staging Psychological Fiction.” Literature in Performance 2.2 (1982): 35–42. Print.
   Google Scholar
• Miller, Lynn C., and Jacqueline Taylor. “Editor’s Introduction.” Text and Performance Quarterly 17 (1997): 5–6. Print.
   Google Scholar
• Mitchell, Karen S., Sonja Arsham Kuftinec, and Harry Brod. “How Does Citizenship Mean?” Text and Performance Quarterly 29 (2009): 201–04. Print.
   Web of Science ®Google Scholar
• Montez, Noe. “Strengthening Job Prospects Within and Beyond the Academy: A State of the Field Address for the Fourth Symposium of Doctoral Programs in Theatre and Performance Studies.” Howlround Theatre Commons, 7 Oct. 2018. Web. 20 Jan. 2019.
   Google Scholar
• Moore, Julia. “Performative Face Theory: A Critical Perspective on Interpersonal Identity Work.” Communication Monographs 84 (2017) 285–76. Print.
   Web of Science ®Google Scholar
• Moreman, Shane T. “Memoir as Performance: Strategies of Hybrid Ethnic Identity.” Text and Performance Quarterly 29 (2009): 346–66. Print.
   Web of Science ®Google Scholar
• Moreman, Shane T., and Persona Non Grata. “Learning from and Mentoring the Undocumented AB540 Student: Hearing an Unheard Voice.” Text and Performance Quarterly 31 (2011): 303–20. Print.
   Web of Science ®Google Scholar
• Moreno Tabarez, Ulises. “Trafficking Across Dangerous Borders (Shores): An Open Letter to a Brother.” Text and Performance Quarterly 32 (2012): 227–43. Print.
   Web of Science ®Google Scholar
• Mutua, Eddah M. “Forum: The Politics of Hair: Hair is Not Just Hot Air: Narratives about Politics of Hair in Kenya.” Text and Performance Quarterly 34 (2014): 392–94. Print.
   Web of Science ®Google Scholar
• Nadesan, Majia Holmer, and Angela Tretheway. “Performing the Enterprising Subject: Gendered Strategies for Success (?)” Text and Performance Quarterly 20 (2000): 233–50. Print.
   Google Scholar
• Nadesan, Majia Holmer, and Patty Sotirin. “The Romance and Science of ‘Breast is Best’: Discursive Contradictions and Contexts of Breast-Feeding Choices.” Text and Performance Quarterly 18 (1998): 217–32. Print.
   Google Scholar
• Nelson, Stephanie. “Choric Communication: The Case of a Togolese Women’s Musical Organization.” Text and Performance Quarterly 20 (2000): 268–89. Print.
   Google Scholar
• Palmer-Mehta, Valerie. “The Wisdom of Folly: Disrupting Masculinity in King of the Hill.” Text and Performance Quarterly 26 (2006):181–98. Print.
   Google Scholar
• Pao, Angela. “The Eyes of the Storm: Gender, Genre, and Cross-Casting in Miss Saigon.” Text and Performance Quarterly 12 (1992): 21–39. Print.
   Google Scholar
• Pearse, James A. “Nonprint Resources.” Literature in Performance 2.2 (1982): 94–95. Print.
   Google Scholar
• Pearse, James A. “Nonprint Resources.” Literature in Performance 3.2 (1983): 108–09. Print.
   Google Scholar
• Pearse, James A. “Nonprint Resources.” Literature in Performance 4.2 (1984): 98–99. Print.
   Google Scholar
• Pelias, Ronald J. “Confessions of Apprehensive Performer.” Text and Performance Quarterly 17 (1997): 25–32. Print.
   Google Scholar
• Pelias, Ronald J. “The Critical Life.” Communication Education 49 (2000): 220–28. Print.
   Web of Science ®Google Scholar
• Pelias, Ronald J. “Meditations and Mediations.” The Future of Performance Studies: Visions and Re-Visions. Ed. Sheron J. Dailey. Annandale: NCA, 1988. 14–22. Print.
   Google Scholar
• Pelias, Ronald J., and James VanOosting. “A Paradigm for Performance Studies.” Quarterly Journal of Speech 73 (1987): 219–31. Print.
   Web of Science ®Google Scholar
• Pelle, Susan. “The ‘Grotesque’ Pussy: ‘Transformational Shame’ in Margaret Cho's Stand-up Performances.” Text and Performance Quarterly 30 (2010): 21–37. Print.
   Web of Science ®Google Scholar
• Penney, Joel. “Review of Slaves to Fashion: Black Dandyism and the Styling of Black Diasporic Identity, by Monica L. Miller.” Text and Performance Quarterly 31 (2011): 449–51. Print.
   Web of Science ®Google Scholar
• Pérez, Kimberlee. “‘A Mexican Who Looks Like You’: Reflections on the Politics of Hair from Outside the Black/White Binary.” Text and Performance Quarterly, 34 (2014): 395–98. Print.
   Web of Science ®Google Scholar
• Pérez, Kimberlee, and Dustin Bradley Goltz. “Treading Across Lines in the Sand: Performing Bodies in Coalitional Subjectivity.” Text and Performance Quarterly 30 (2010): 247–68. Print.
   Web of Science ®Google Scholar
• Perret, Marion D. “‘To Stage Me to Their Eyes’: Visual Imagery in the BBC Production of Measure for Measure.” Literature in Performance 2.2 (1982): 6–22. Print.
   Google Scholar
• Peterson, Eric E. “Representation and the Limits of Interpretation.” Literature in Performance 4.1 (1983): 22–26. Print.
   Google Scholar
• Peterson, Eric E., and Kristin M. Langellier. “The Politics of Personal Narrative Methodology.” Text and Performance Quarterly 17 (1997): 135–52. Print.
   Google Scholar
• Pineau, Elyse. “Nursing Mother and Articulating Absence.” Text and Performance Quarterly 20 (2000): 1–19. Print.
   Google Scholar
• Pineau, Elyse Lamm. “A Mirror of Her Own: Anais Nin’s Autobiographical Performances.” Text and Performance Quarterly 12 (1992): 97–112. Print.
   Google Scholar
• Pineda, Richard. D. “Will They See Me Coming? Do They Know I'm Running? Los Lobos and the Performance of Mestizaje Identity through Journey.” Text and Performance Quarterly 29 (2009):183–200. Print.
   Web of Science ®Google Scholar
• Pollock, Della. “Review of Culture and Domination, by John Brenkham, and Discerning the Subject, by Paul Smith.” Text and Performance Quarterly 9 (1989): 169–72. Print.
   Google Scholar
• Pollock, Della. Telling Bodies Performing Birth. New York: Columbia UP. 1999. Print.
   Google Scholar
• Post, Robert M. “To Read as a Poet: Major Performances of Edith Sitwell.” Text and Performance Quarterly 11 (1991): 128–40. Print.
   Google Scholar
• Powell, Kashif Jerome. “[6 Black Boys ^ Jena (1 Tree+2 Nooses) – Civil Liberties] / 1 Indivisible Nation=an Auto-ethnographic Performance of the Jena Six.” Text and Performance Quarterly 31 (2011): 68–89. Print.
   Web of Science ®Google Scholar
• Reed, Alison. “Traumatic Utopias: Holding Hope in Bridgeforth’s love conjure/blues.” Text and Performance Quarterly 35 (2015): 119–41. Print.
   Web of Science ®Google Scholar
• Rickert, William E. “Semantic Consequences of Rhyme.” Literature in Performance 4.2 (1984): 1–9. Print.
   Google Scholar
• Rivera-Servera, Ramón H. “Exhibiting Voice/Narrating Migration: Performance-based Curatorial Practice in ¡Azúcar! The Life and Music of Celia Cruz.” Text and Performance Quarterly 29 (2009) 131–48. Print.
   Web of Science ®Google Scholar
• Roberts, Kathleen Glenister. “Speech, Gender, and the Performance of Culture: Native American ‘Princesses’.” Text and Performance Quarterly 22 (2002): 261–79. Print.
   Google Scholar
• Roche, Jenny. “Traces from Elsewhere: Dancing Together Across Distance and Time.” Text and Performance Quarterly 39 (2019): 74–88. Print.
   Web of Science ®Google Scholar
• Roloff, Leland H. “Performer, Performing, Performance: Towards a Psychologicalization of Theory.” Literature in Performance 3.2 (1983): 13–24. Print.
   Google Scholar
• Rose, Heidi. “Stylistic Features of American Sign Language Literature.” Text and Performance Quarterly 14 (1994): 144–57. Print.
   Google Scholar
• Rowe, Desireé, and W. Benjamin Myers. “The Performative Possibilities of New Media.” Text and Performance Quarterly 32 (2012): 59–60. Print.
   Web of Science ®Google Scholar
• Rusted, Brian. “Abstract of “Performing Ethnography,” by Victor and Eddie Turner.” Literature in Performance. 3.2 (1983) 96–97. Print.
   Google Scholar
• Saltzberg, Matt. “On Sweet Tea: A Yankee’s Response.” Text and Performance Quarterly 30 (2012): 259–68. Print.
   Google Scholar
• Sawin, Patricia E. “‘Right Here is a Good Christian Lady’: Reported Speech in Personal Narratives.” Text and Performance Quarterly 12 (1992): 193–211. Print.
   Google Scholar
• Schaefer, James F., Jr. “An Examination of Language as Gesture in a Play by Gertrude Stein.” Literature in Performance 3.1 (1982): 1–14. Print.
   Google Scholar
• Schechner, Richard. Performance Studies: An Introduction. London: Routledge, 2017.
   Google Scholar
• Scheibel, Dean. “Faking Identity in Clubland: The Communication Performance of ‘Fake ID’.” Text and Performance Quarterly 12 (1992): 160–75. Print.
   Google Scholar
• Schneider, Raymond J. “Performance Studies: The Lyric Dimension.” Text and Performance Quarterly 10 (1990): 264–65. Print.
   Google Scholar
• Schram, Peninnah. “One Generation Tells Another: The Transmission of Jewish Values Through Storytelling.” Literature in Performance 4:2 (1984): 33–45. Print.
   Google Scholar
• Scott, JulieAnn. “Performing Unfeminine Femininity: A Performance of Identity Analysis of Bulimic Women’s Personal Narratives.” Text and Performance Quarterly 28 (2008): 116–38. Print.
   Web of Science ®Google Scholar
• Shafer, Yvonne. “Archetypal Figures in the Caretaker: Trickster Versus Intruder.” Literature in Performance 6.2 (1986): 38–43. Print.
   Google Scholar
• Shaffer, Tracy Stephenson. “Busted Flat in Baton Rouge.” Text and Performance Quarterly 25.1 (2005): 57–69. Print.
   Google Scholar
• Shaffer, Tracy Stephenson. “Performance as Practice.” Text and Performance Quarterly 34 (2014): 102–03. Print.
   Web of Science ®Google Scholar
• Shields, Ronald E. “Like a Choir of Nightingales: The Oxford Recitations, 1923–1930.” Literature in Performance 3.1 (1982): 15–26. Print.
   Google Scholar
• Shields, Vickie Rutledge, and Colleen Coughlin. “Performing Rodeo Queen Culture: Competition, Athleticism and Excessive Feminine Masquerade.” Text and Performance Quarterly 20 (2000): 182–202. Print.
   Google Scholar
• Shoemaker, Deanna. “Mamafesto! (Why Superheroes Wear Capes).” Text and Performance Quarterly 31 (2011): 190–202. Print.
   Web of Science ®Google Scholar
• Sikes, Alan. “The Performing Genome: Genetics and the Rearticulation of the Human.” Text and Performance Quarterly 22 (2002): 163–80. Print.
   Google Scholar
• Simmons, Jake. “Memories of Venice: Posthuman Utopias and Autoperformatives.” Departures in Critical Qualitative Research 5.1 (2016) 83–89. Print.
   Google Scholar
• Sloane, Thomas O. “The Strategies of Authorial Presence: Narrators and Regionalism in Flannery O’Connor and Eudora Welty.” Literature in Performance 2.1 (1981): 1–25. Print.
   Google Scholar
• Spangler, Matthew. “Artist's Statement: Adapting TC Boyle's Novel The Tortilla Curtain and Subsequent Production by the San Diego Repertory Theatre.” Text and Performance Quarterly 33. (2013): 151–67. Print.
   Web of Science ®Google Scholar
• Speer, Jean Haskell. “Review of “Between Two Worlds: The Hmong Shaman in America” Directed by Tag Seigel and Produced by Tag Seigel and Dwight Conquergood.” Literature in Performance, 8:2 (1988) 105–07. Print.
   Google Scholar
• Spry, Tami. “By the Roots: A Postscript to Goldilocks.” Text and Performance Quarterly 34:4 (2014): 399–403. Print.
   Web of Science ®Google Scholar
• Spry, Tami. “‘Skins: A Daughter’s (Re) Construction of Cancer’: A Performative Autobiography.” Text and Performance Quarterly 17 (1997): 361–65. Print.
   Google Scholar
• Spry, Tami. “Tattoo Stories: A Postscript to Skins.” Text and Performance Quarterly 20 (2000): 84–96. Print.
   Google Scholar
• Stephens, Judith L. “Politics and Aesthetics, Race and Gender: Georgia Douglas Johnson's Lynching Dramas as Black Feminist Cultural Performance.” Text and Performance Quarterly 20:3 (2000): 251–67. Print.
   Google Scholar
• Stern, Carol Simpson. “Deconstruction and the Phenomenological Alternative.” Literature in Performance 4.1 (1983): 41–44. Print.
   Google Scholar
• Stern, Carol Simpson. “A Reply to Wendt.” Text and Performance Quarterly 10 (1990): 265–67. Print.
   Google Scholar
• Stern, Carol Simpson. “Review of Reading Deconstruction Deconstructive Reading, by G. Douglas Atkins.” Literature in Performance 7.1 (1986): 53–54. Print.
   Google Scholar
• Stern, Danielle. “You Had Me at Foucault: Living Pedagogically in the Digital Age.” Text and Performance Quarterly 31 (2011): 249–66. Print.
   Web of Science ®Google Scholar
• Strine, Mary. “Mapping the ‘Cultural Turn’ in Performance Studies.” The Future of Performance Studies: Visions and Re-Visions. Ed. Sheron J. Dailey. Annandale: NCA, 1988. 3–9. Print.
   Google Scholar
• Strine, Mary. “The Politics of Asking Women's Questions: Voice and Value in the Poetry of Adrienne Rich.” Text and Performance Quarterly 9 (1989): 24–41. Print.
   Google Scholar
• Strine, Mary. “Post-Structuralism and Performance: A Symposium.” Literature in Performance 4.1 (1983): 21. Print.
   Google Scholar
• Strine, Mary S., Beverly Whitaker Long, and Mary Frances HopKins. “Research in Interpretation and Performance Studies: Trends, Issues, Priorities.” Speech Communication: Essays to Commemorate the 75th Anniversary of the Speech Communication Association. Ed. Gerald M. Phillips and Julia T. Wood. Carbondale: Southern Illinois UP, 1990. 181–204. Print.
   Google Scholar
• Striphas, Ted. “Performing Scholarly Communication.” Text and Performance Quarterly 32 (2012): 78–84. Print.
   Web of Science ®Google Scholar
• Stucky, Nathan. “Re/membering Our Future by Re/searching Our Past: What to Wall In and Wall Out in Performance Studies History.” The Future of Performance Studies: Visions and Revisions. Ed. Sheron J. Dailey. Annandale: NCA, 1988. 93–97. Print.
   Google Scholar
• Stucky, Nathan. “Wallace Bacon's View from the Lighthouse.” Text and Performance Quarterly 32 (2012): 244–44. Print.
   Google Scholar
• Suchy, Patricia A. “‘A Complex Double Vision’: The Motives Behind the Masks in Ralph Ellison's Invisible Man.” Text and Performance Quarterly 21 (2001): 145–82. Print.
   Google Scholar
• Suchy, Patricia A. “Dangerous Shores and Disoriented Penguins in Beyond the Utmost Bound: A Performance about Antarctic Exploration.” Text and Performance Quarterly 26 (2016): 34–56. Print.
   Google Scholar
• Suchy, Patricia A. “A Few Good Swedes: Examples of Sweding for Your Consideration.” Text and Performance Quarterly 38 (2018): 115–17. Print.
   Web of Science ®Google Scholar
• Taylor, Jacqueline. “A Response to Mary Strine’s Essay ‘Mapping the “Cultural Turn” in Performance Studies’.” The Future of Performance Studies: Visions and Re-Visions. Ed. Sheron J. Dailey. Annandale: NCA, 1988. 10–13. Print.
   Google Scholar
• Taylor, Jacqueline. “Narrative Strategies in Fiction and Film: Flannery O'Connor's ‘The Displaced Person’.” Literature in Performance 2.2 (1982): 1–11. Print.
   Google Scholar
• Taylor, Jacqueline. “On Being an Exemplary Lesbian: My Life as a Role Model.” Text and Performance Quarterly 20 (2000): 58–73. Print.
   Google Scholar
• Taylor, Jacqueline. “The Power of Performance.” Renewal and Revision: The Future of Interpretation. Ed. Ted Colson. Denton: NB Omega, 1986. 157–64. Print.
   Google Scholar
• Tallant, Carole E. “Introduction.” Literature in Performance 8.1 (1988): 1–3. Print.
   Google Scholar
• Taylor, Jacqueline. “Review of The Norton Anthology of Literature by Women, ed. Sandra M. Gilbert and Susan Gubar.” Literature in Performance 6.1 (1985): 74–76. Print.
   Google Scholar
• Taylor, Jacqueline. “Review of On Deconstruction: Theory and Criticism after Structuralism, by Jonathan Culler.” Literature in Performance 5.1 (1984): 61–63. Print.
   Google Scholar
• Taylor, Jacqueline. “Review of Writing Beyond the Ending: Narrative Strategies of Twentieth-Century Women Writers, by Rachel Blau DuPlessis.” Literature in Performance 7.1 (1986): 60–61. Print.
   Google Scholar
• Taylor, Jacqueline. “Toni Morrison reads Song of Solomon.” Literature in Performance 8.1 (1988): 106–07. Print.
   Google Scholar
• Taylor, Jacqueline, and Alan Wade. “Literature in the Media.” Literature in Performance 7.1 (1986): 73–75. Print.
   Google Scholar
• Tonn, Mari Boor, and Mark S. Kuhn. “Co-Constructed Oratory: Speaker-Audience Interaction in the Labor Union Rhetoric of Mary Harris “Mother” Jones.” Text and Performance Quarterly 13 (1993): 313–30. Print.
   Google Scholar
• Trujillo, Nick. “In Search of Naunny's Grave.” Text and Performance Quarterly 18 (1998): 344–68. Print.
   Google Scholar
• Twigg, Reginald. “The Performative Dimension of Surveillance: Jacob Riis’ How the Other Half Lives.” Text and Performance Quarterly 12 (1992): 305–28. Print.
   Google Scholar
• Tyburczy, Jennifer. “Queer Acts of Recovery and Uncovering: Deciphering Mexico through Archival Ephemera in David Wojnarowicz's A Fire in My Belly.” Text and Performance Quarterly 35 (2015): 4–23. Print.
   Web of Science ®Google Scholar
• Ulmer, Gregory L. Teletheory: Grammatology in the Age of Video. New York: Routledge, 1989. Print.
   Google Scholar
• Van Ens, Claire E. “Review of Writing Selves: Contemporary Feminist Autobiography, by Jean Perreault.” Text and Performance Quarterly 17 (1997): 129–31. Print.
   Google Scholar
• VanOosting, James. “Review of The Novel as Performance: The Fiction of Ronald Sukenick and Raymond Federman, by Jerzy Kutnik.” Literature in Performance 7.1 (1986): 55–56. Print.
   Google Scholar
• VanOosting, James, and Ronald J Pelias. “Performance Studies: Continuing the Dialogue.” Text and Performance Quarterly 10 (1990): 67–68. Print.
   Google Scholar
• Vargas, Yarma Velázquez, and George B. Sánchez-Tello. “I Saw Cándido at the Home Depot: A Review of Tortilla Curtain.” Text and Performance Quarterly 33 (2013): 191–95. Print.
   Web of Science ®Google Scholar
• Wade, Alan. “From Text to Television: A Chamber Theatre approach.” Literature in Performance 2.2 (1982): 23–34. Print.
   Google Scholar
• Wade, Les. “David Rabe and the Female Figure: The Body in the Boom Boom Room.” Text and Performance Quarterly 12 (1992): 40–53. Print.
   Google Scholar
• Waggoner, Catherine Egley. “The Emancipatory Potential of Feminine Masquerade in Mary Kay Cosmetics.” Text and Performance Quarterly 17 (1997): 256–72. Print.
   Google Scholar
• Waggoner, Catherine Egley, and Lynn O'Brien Hallstein. “Feminist Ideologies Meet Fashionable Bodies: Managing the Agency/Constraint Conundrum.” Text and Performance Quarterly 21 (2001): 26–46. Print.
   Google Scholar
• Warren, John T., and Amy Kilgard. “Staging Stain Upon the Snow: Performance as a Critical Enfleshment of Whiteness.” Text and Performance Quarterly 21 (2001): 261–76. Print.
   Google Scholar
• Wendt, Ted. “The Displacement of the Aesthetic: Problems of Performance Studies.” Text and Performance Quarterly 10 (1990): 248–56. Print.
   Google Scholar
• Young, Harvey. “Touching History: Suzan-Lori Parks, Robbie McCauley and the Black Body.” Text and Performance Quarterly 23 (2003): 134–53. Print.
   Google Scholar
• Zukic, Naida. “Embodied Ambivalence: Reiterating and Transforming Phallocentrism in the Pillow Book.” Text and Performance Quarterly 22 (2002): 181–95. Print.
   Google Scholar