62
Views
0
CrossRef citations to date
0
Altmetric
Performance Space

Is she mad, or does she joke?

Pages 177-221 | Received 01 Aug 2022, Accepted 17 Aug 2023, Published online: 25 Sep 2023

Works Cited

  • “How to Take Good Selfies.” wikiHow, <https://www.wikihow.com/Take-Good-Selfies>. Sep 2021.
  • Apraxine, Pierre, and Xavier Demange. “La Divine Comtesse”: Photographs of the Countess de Castiglione. New Haven, CT: Yale UP, 2000.
  • Barbier, Patrick. Opera in Paris, 1800-1850: A Lively History. Portland, OR: Amadeus P, 1987.
  • Barthes, Roland. Camera Lucida: Reflections on Photography. Trans. Richard Howard. New York: Hill & Wang, 1980.
  • Bogan, Louise. “Portrait.” Collected Poems 1923-53. New York: Noonday P, 1954. 17.
  • Brecht, Bertolt. Brecht on Theatre: The Development of an Aesthetic. Ed. and Trans. John Willett. New York: Hill & Wang, 1964.
  • Davenport, Alma. The History of Photography: An Overview. Boston, MA: Focal P, 1991.
  • Demange, Xavier. “A Nineteenth-Century Photo-Novel.” “La. Divine Comtesse”: Photographs of the Countess de Castiglione. Eds. Pierre Apraxine, and Xavier Demange. New Haven: Yale UP, 2000. 52–73.
  • Gerhard, Anselm. The Urbanization of Opera: Music Theater in Paris in the Nineteenth Century. Trans. Mary Whittall. Chicago, IL: U of Chicago P, 1998.
  • Hamilton, Peter, and Roger Hargreaves. The Beautiful and the Damned: The Creation of Identity in Nineteenth Century Photography. London: Lund Humphries, 2001.
  • Hirsch, Julia. Family Photographs: Content, Meaning, and Effect. New York: Oxford UP, 1981.
  • Kubic, Chris, and Ann Walsh. Conversations with the Countess of Castiglione. Hollywood, CA: Archive, 2001.
  • McPherson, Heather. The Modern Portrait in Nineteenth-Century France. Cambridge: Cambridge UP, 2001.
  • Pultz, John. The Body and the Lens: Photography 1839 to the Present. New York: Harry N. Abrams, 1995.
  • Rexer, Lyle. “‘La Divine Comtesse’: Photographs of the Countess de Castiglione.” Graphis 331 (Jan./Feb. 2001): 11.
  • Rosenblum, Naomi. A World History of Photography. 3rd ed. New York: Abbeville P, 1997.
  • Sobeiszek, Robert A. Ghost in the Shell: Photography and the Human Soul, 1850-2000. Cambridge: MIP P, 1999.
  • Solomon-Godeau, Abigail. “The Legs of the Countess.” October 39 (Winter 1986): 65–108.
  • Sutcliffe, Anthony. “The Impressionists and Haussmann’s Paris.” French Cultural Studies 6 (1995): 197–219.
  • Tracey, Edmund, trans. A Masked Ball: Un Ballo in Maschera. New York: Riverrun P, 1989. 51–92.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.