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Original Articles

Socrates’ Muse and the audience's desire

Pages 293-304 | Published online: 05 Jun 2009

Endnotes

  • Barish , Jonas . 1981 . The Antitheatrical Prejudice , Berkeley : U of California P . analyzes Plato's critical attitude toward the theater in his book
  • Diamond , Elin . 1989 . “Mimesis, Mimicry, and the True‐Real,’” . Modern Drama , 32.1 March : 58
  • Irigaray , Luce . 1974 . Speculum of the Other Woman , Edited by: Gill , Gillian C. Ithaca : Cornell UP .
  • Bass , Alan , ed. 1978 . Writing And Difference , 278 – 293 . Chicago : U of Chicago P .
  • Derrida . 1981 . Phaedrus, Philebus, Republic, Timaeus, Laws , Edited by: Johnson , Barbara . Chicago : U of Chicago P . directly engages Plato's and other dialogues in Dissemination
  • Cole , Toby and Chinoy , Helen Krich . 1949 . Actors On Acting , 6 – 8 . New York : Crown Publishers . anthologized excerpts of the dialogue in
  • Quintilian , Du Bos , Sainte‐Albine and Riccoboni , Luigi . 1985 . The Player's Passion: Studies in the Science of Acting , Newark : U of Delaware P . as well as Artaud and Grotowski
  • Berger , Harry Jr. 1987 . “Levels of Discourse in Plato's Dialogues,” . In Literature and the Question of Philosophy , Edited by: Cascardi , Anthony J. 82 Baltimore : Johns Hopkins UP .
  • Dorter , Kenneth . 1973 . “The Ion: Plato's Characterization of Art,” . Journal of Aesthetics and Art Criticism , 32.1 Fall : 65 – 78 .
  • Hamilton , Edith and Cairns , Huntington . 1961 . “In this little dialogue Plato is amusing himself.” . In Plato: The Collected Dialogues , Edited by: Hamilton , Edith and Cairns , Huntington . 215 Princeton : Princeton UP . introduce the Ion with the statement
  • Herington , John . 1985 . Poetry into Drama: Early Tragedy and the Greek Poetic Tradition , 10 Berkeley : U of California P .
  • Plato . 1969 . The Republic , Edited by: Shorey , Paul . Volume I , 227 – 229 . Cambridge : Harvard UP .
  • Aristotle . 1958 . On Poetry and Style , Edited by: Grube , G.M.A. 61 Indianapolis : Bobbs‐Merrill .
  • Herington , John . Poetry into Drama , 10 – 14 . discusses the connection between actors and rhapsodes
  • Else , Gerald . 1967 . The Origin and Early Form of Greek Tragedy , 63 Cambridge : Harvard UP . suggests “that tragedy grew out of the rhapsodes’ recitations of Homer”
  • Johnson . “What Derrida does in his reading of Plato is to unfold those dimensions of Plato's text that work against the grain of (Plato's own) Platonism” . xxiv writes
  • Havelock , Eric A. 1963 . Preface to Plato , 12 Cambridge : Harvard UP .
  • Grotowski , Jerzy . 1968 . Towards A Poor Theatre , 34 – 35 . New York : Simon and Shuster .
  • Lamb , W.R.M. 1962 . “Besides [the] public recitals [the rhapsodes] gave lectures on the subject matter of the poems to classes of those who hoped to acquire some practical knowledge from their interpretations and disquisitions.” . In Plato: The Statesman, Philebus, Ion , 404 Cambridge : Harvard UP . writes
  • Hesiod . 1988 . Theogony and Works and Days , Edited by: West , M.L. 57 – 58 . New York : Oxford UP .
  • Homer . 1951 . The Iliad , Edited by: Lattimore , Richmond . 165 Chicago : U of Chicago P .
  • Abrams , M.H. 1953 . The Mirror and the Lamp: Romantic Theory and the Critical Tradition , New York : Oxford UP .
  • Stanislavski , Constantin . 1948 . An Actor Prepares , Edited by: Hapgood , Elizabeth Reynolds . 10 New York : Theatre Art Books .
  • Laplanche , J. and Pontalis , J.B. 1973 . The Language of Psycho‐Analysis , Edited by: Nicholson‐Smith , Donald . 205 New York : Norton .
  • Blau , Herbert . 1990 . The Audience , 25 Baltimore : Johns Hopkins UP .

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