References
- Leon Krier, “Project on the City” LOTUS INTERNATIONAL 11, 1976, p 73.
- Robert Venturi et al, Learning from Las Vegas (Cambridge: MIT Press, 1972).
- For a snappy and concise argument see Martin Pawley's “Breakdown of Theory” in Architecture versus Housing (New York: Praeger Publishers, 1971), pp 81–107.
- Lars Lerup, Building the Unfinished: Architecture and Human Action, SAGE Publications, Beverly Hills, CA, 1977.
- Ibid, p 132.
- See, for example, Lars Lerup et al, Human Behavior in Institutional Fires and its Design Implications (Berkeley: Center for Planning and Development Research, College of Environmental Design).
- Clement Greenburg, “Modernist Painting,” in The New ART, ed Gregory BattockGregory Battock (New York: Dutton, 1966), p 101.
- Fernand Braudel, Capitalism and Material Life: 1400-1800, New York: Harper & Row, 1973, p 193.
- Jorge Luis Borges, Dreamtigers (New York: Dutton, 1964), p 41.
- Lars Lerup, “Villa Prima Facie,” PAMPHLET ARCHITECTURE 3, William Stout Architectural Books, San Francisco, 1978.
- The inclusion of this attitude as Modernistic, is clearly not part of Clement Greenburg's definition, but not contradictive either. See Walter Benjamin, Charles Baudelaire: A Lyric Poet in the Era of High Capitalism (London: NLB, 1973), p 35, 170.
- Borges, Dreamtigers, p 38.