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Italian

Theory and praxis in Pasolini's trilogy of life: “Decameron”

Pages 395-417 | Published online: 05 Jun 2009

Notes

  • Gervais , Marc . 1973 . Pier Paolo Pasolini , Paris : Seghers .
  • Stack , Oswald , ed. 1969 . Pasolini on Pas‐Pasolini , Bloomington : Indiana University Press .
  • Petraglia , Sandro . 1974 . Pier Paolo Pasolini , Florence : La Nuova Italia .
  • Predal , René . 1976 . “Pier Paolo Pasolini,” . L'Avant‐Scène du Cinéma , 175 : 27 – 42 . 176
  • MacBean , James Roy . 1975 . Film and Revolution , Bloomington : Indiana University Press .
  • Andrew , J. Dudley . 1976 . The Major Film Theories , v New York : Oxford University Press .
  • Pasolini . 1961 . “Intellectualism . . . and the Teds,” . Films and Filming , 7 Jan. : 17
  • Pasolini . 1970 . “II cinema impopolare,” . Nuovi Argomenti , 20 Oct./Dec. : 166 – 176 .
  • Pasolini , Pier Paolo . 1972 . Empirismo Eretico , 273 – 80 . Milano : Garzanti .
  • Pasolini . 1975 . Trilogia della vita , Bologna : Cappelli .
  • 1966 . “The Cinema of Poetry,” . Cahiers du Cinema in English , 6 : 34 – 43 .
  • 1969 . “Pasolini: Structuralism and Semiology,” . Cinema , 3 June : 5 – 11 .
  • Pettit , Philip . 1975 . The Concept of Structuralism: A Critical Analysis , Berkeley : University of California Press .
  • Merrell , Floyd . 1976 . “Fearful Paradoxes (dissymetries),” . In 1976 Film Studies Annual , 52 – 73 . West Lafayette : Purdue Research Foundation .
  • Bachmann , Gideon . 1973 . “Pasolini Today: The Interview,” . Take One , 4 : 18 – 21 .
  • Bachmann . “Pasolini Today,” . 21
  • Bachmann . “Pasolini Today,” . 21
  • Fofi , Goffredo . 1971 . “Qualche film,” . Quaderni Piacentini , 44–45 : 258
  • Allombert , Guy . 1971 . “Contre Décameron,” . Image et Son , 255 : 108
  • Boccaccio , Giovanni . 1977 . The Decameron , Edited by: Musa , Mark and Bondanella , Peter . New York : Norton .
  • Stack . Pasolini on Pasolini, 73 – 97 .
  • 1965 . “Pier Paolo Pasolini: An Interview with James Blue,” . Film Comment , 3 : 25 – 32 .
  • 1965 . “An Epical‐Religious View of the World,” . Film Quarterly , 18 : 31 – 45 .
  • 1970 . “Il sentimento della storia,” . Cinema Nuovo , 205 : 172 – 73 .
  • Petraglia . Pier Paolo Pasolini, 15 – 16 .
  • Branca , Vittore . 1964 . Boccaccio medioevale , Florence : Sansoni .
  • Stack . Pasolini on Pasolini, 48
  • 1967 . “La paura del naturalismo (osservazioni sul piano‐sequenza),” . Nuovi Argomenti , 6 : 11 – 23 .
  • Pasolini . “La paura del naturalismo,” . 22
  • Metz , Christian . 1974 . Film Language: A Semiotics of the Cinema , 21 New York : Oxford University Press .
  • Bachmann . “Pasolini Today,” . 21
  • Stack . “In fact, rather than politics, it is sex which Pasolini now seems to see as the main threat to the bourgeoisie” . 9
  • Pasolini . 1971 . Oedipus Rex , 7 New York : Simon & Schuster .
  • Stack . Pasolini on Pasolini, 63 – 64 .
  • Pasolini . “An Epical‐Religious View of the World,” . 31 – 45 .
  • Pasolini . “La paura del naturalismo,” . 21
  • Stack . Pasolini on Pasolini, 120
  • Stack . Pasolini on Pasolini 120
  • Stack . Pasolini on Pasolini, 124
  • Bachmann . “Pasolini Today,” . 20
  • Dorigo , Francesco . 1970 . “Pasolini de Marx a Freud,” . Rivista del Cinematografo , 4 : 135 – 41 .
  • Prono , Franco . 1972 . “La religionedel suo tempo in Pier Paolo Pasolini,” . Cinema Nuovo , 215 : 42 – 45 .
  • Pasolini . “La sceneggiatura come struttura che vuole essere altra struttura,” . Empirismo eretico , 200

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