Works Cited
- Alberto, Thea. “Pirated Goods Seized at Ortigas, Greenhills Malls.” INQ7.net. August 29, 2006. <http://technology.inq7.net/infotech/infotech/view_article.php?article_id=17857>
- Balcerzak, Scott and Jason Sperb, eds. Cinephilia in the Age of Digital Reproduction: Film, Pleasure and Digital Culture, Vol. 2 London: Wallflower Press, 2012.
- Beller, Jonathan. Acquiring Eyes: Philippine Visuality, Nationalist Struggle, and the World-Media System. Quezon City, The Phillipines: Ateneo de Manila University Press, 2006.
- Beller, Jonathan. “Iterations of the impossible: Questions of digital revolution in the Philippines.” Postcolonial Studies 11, no. 4 (2008): 435–450.
- Berry, Chris. “What is transnational cinema? Thinking from the Chinese situation.” Transnational Cinemas 1, no. 2 (2010): 111–127.
- Betz, Mark. “Introduction, In Focus: Cinephilia.” Cinema Journal 49, no. 2 (2010): 130–166.
- BM/GMA News. ““Maynila Sa Mga Kuko Ng Liwanag” wins film restoration award in London.” GMA News May 5, 2014. <http://www.gmanetwork.com/news/story/359631/lifestyle/artandculture/maynila-sa-mga-kuko-ng-liwanag-wins-film-restoration-award-in-london>
- Bhattacharya, Nandini. “A “Basement” Cinephilia: Indian Diaspora Women Watch Bollywood.” South Asian Popular Culture 2, no. 2 (2004): 161–183.
- Brzeski, Patrick. “Philippines Film Development Chairman Honored With French Knighthood.” The Hollywood Reporter October 25, 2013. <www.hollywoodreporter.com/news/philippines-film-development-chairman-honored-650837>
- Capino, Jose B. Dream Factories of a Former Colony: American Fantasies, Philippine Cinema. Minneapolis: University of Minnesota Press, 2010.
- Chen, Kuan-Hsing. Asia as Method: Toward Deimperialization. Durham, NC: Duke University Press, 2010.
- Chung, Hye Seung. “Toward a Strategic Korean Cinephilia: A Transnational Detournement of Hollywood Melodrama.” South Korean Golden Age Melodrama: Gender, Genre, and National Cinema, eds. Kathleen McHugh and Nancy Abelmann, 117–150. Detroit, MI: Wayne State University Press, 2005.
- Dargis, Manohla. “The 21st-Century Cinephile.” New York Times. November 14, 2004. <http://www.nytimes.com/2004/11/14/movies/14WWLN.html?_r=0>
- de Valck, Marijke and Malte Hagener. “Down with Cinephilia? Long Live Cinephilia? And Other Videosyncratic Pleasures.” In Cinephilia: Movies, Love and Memory, eds. Marijke de Valck and Malte Hagener, 11–26. Amsterdam: Amsterdam University Press, 2005.
- Del Mundo, Clodualdo. Still Looking for a National Film Archive. Manila, Philippines, April 2009.
- DisconnectedMX, Reply, “Saan maganganda ang pirated video?” Pinoy Exchange, Jun 28, 2009, 11:04 AM. <http://www.pinoyexchange.com/forums/showthread.php?t=400597> (accessed June 24, 2010).
- Elsaesser, Thomas. “Cinephilia or the Uses of Disenchantment.” In Cinephilia: Movies, Love and Memory, Memory, eds. Marijke de Valck and Malte Hagener, 27–44. Amsterdam: Amsterdam University Press, 2005
- Gabriel, Teshome. “Colonialism and Law and Order Film Criticism.” Screen 27, no. 3–4 (1986): 140–147.
- Hudson, Dale and Patricia Zimmerman. “Collaborate Remix Zones: Deterritorializing and Decorporatizing Cinephilia.” Screen 50, no. 1 (2009): 135–146.
- Ingawanij, May Adadol and Benjamin McKay, eds. Glimpses of Freedom: Independent Cinema in Southeast Asia. Ithaca, NY: Cornell University Press, 2011.
- Kaplan, Ann. “Melodrama/subjectivity/ideology: Western melodrama theories and their relevance to recent Chinese cinema.” In Melodrama and Asian Cinema, ed. Wimal Dissanayake, 9–28. New York: Cambridge University Press, 1993.
- Karaganis, Joe, ed. Media Piracy in Emerging Economies. New York: Social Science Research Council, 2011. <http://piracy.americanassembly.org/wp-content/uploads/2011/06/MPEE-PDF-1.0.4.pdf>
- Karaganis, Joe. “Media Piracy and the End of Chinese Cultural Exceptionalism? The Ancient History of the DVD.” China Law Blog. July 10 2013. <http://www.chinalawblog.com/2013/07/media-piracy-and-the-end-of-chinese-cultural-exceptionalism-the-ancient-history-of-the-dvd.html>
- Keathley, Christian. Cinephilia and History, or the Wind in the Trees. Bloomington, IN: Indiana University Press, 2006.
- Kim, Soyoung. “‘Cine-Mania’ or Cinephilia: Film Festivals and the Identity Question.” In New Korean Cinema, ed. Chi-Yun Shin, 79–92. Edinburgh: Edinburgh University Press, 2005.
- Klinger, Barbara. “Becoming cult: The Big Lebowski, replay culture and male fans.” Screen 51, no. 1 (2010): 1–20.
- Larkin Brian. “Degraded images, distorted sounds: Nigerian video and the infrastructure of piracy.” Public Culture 16, no. 2 (2004): 289–314.
- Lecaros, Mikhail. “Return of the king: Manuel Conde's ‘Genghis Khan,’” GMA News Online, October 5, 2012. <http://www.gmanetwork.com/news/story/276978/lifestyle/film-review-return-of-the-king-manuel-conde-s-genghis-khan>
- Lim, Bliss Cua. “Pepot and the Archive: Cinephilia and the Archive Crisis of Philippine Cinema.” FlowTV. July 2, 2010. <http://flowtv.org/2010/07/pepotem-and-the-archive/>
- Lim, Bliss Cua. “Archival Fragility: Philippine Cinema and the Challenge of Sustainable Preservation.” Kyoto University Center for Southeast Asian Studies Newsletter 67 (2013). <http://www.cseas.kyoto-u.ac.jp/edit/wp-content/uploads/2013/04/Bliss-Cua-Lim-NL67.pdf>
- Lobato, Ramon. Shadow Economies of Cinema. London: British Film Institute, 2012.
- Martin, Adrian and Jonathan Rosenbaum, eds. Movie Mutations: The Changing Face of World Cinephilia. London: British Film Institute Publishing, 2003.
- Martin, Adrian. “Cinephilia as War Machine.” Framework 50, no. 1–2 (2009): 221–225.
- Master, Oriana Skylar. ““In Search of “Dexter”: Why You Can't Buy Pirated DVDs in China Anymore.” The Atlantic. October 26, 2012. <http://www.theatlantic.com/international/archive/2012/10/in-search-of-dexter-why-you-cant-buy-pirated-dvds-in-china-anymore/264136/>
- Mehta, Monika. “Reading cinephilia in Kikar Ha-Halomot/Desperado Square, viewing the local and transnational in sangam/confluence.” South Asian Popular Culture 4, no. 2 (2006): 147–162.
- Michelson, Annette. “Gnosis and Iconoclasm: A Case Study of Cinephilia.” October 83, Winter (1998): 3–18.
- Nocon, Ramon. “Finally, a national film archive.” Philippine Daily Inquirer. October 27, 2011. <http://entertainment.inquirer.net/18699/finally-a-national-film-archive>
- Pang, Laikwan. Cultural Control and Globalization in Asia: Copyright, Piracy, and Cinema. New York: Routledge, 2006.
- Rosenbaum, Jonathan. “Goodbye Cinema, Hello Cinephilia.” Traffic #50: Qu”est-ceque le Cinéma?. June 24, 2004. <http://www.jonathanrosenbaum.net/2004/06/goodbye-cinema-hello-cinephilia/>
- Rothman, William. “Overview: What is American about film study in America?.” In Melodrama and Asian Cinema, ed. Wimal Dissanayake 254–278. New York: Cambridge University Press, 1993.
- San Diego Jr., Bayani. “Telling the Filipino Story to the World: Ato Bautista.” Philippine Inquirer. December 9, 2010, 1–6.
- Sanogo, Aboubakar. “Regarding Cinephilia and Africa.” Framework 50, nos. 1 & 2 (2009): 226–28.
- Sarkar, Bhaskar. “Tracking “global media” in the outposts of globalization.” World Cinemas, Transnational Perspectives, eds. Natasa Durovicova and Kathleen Newman, 34–58. New York: Routledge, 2010.
- sp0ckman, Reply, “Saan maganganda ang pirated video?” Pinoy Exchange, Jun 27, 2009, 11:32 PM. <http://www.pinoyexchange.com/forums/showthread.php?t = 400597> (accessed June 24, 2010).
- Sontag, Susan. “The decay of cinema.” New York Times. February 25 1996. <http://www.nytimes.com/books/00/03/12/specials/sontag-cinema.html>
- Sundaram, Ravi. Pirate Modernity: Delhi's Media Urbanism. New York: Routledge, 2009.
- Tioseco, Alexis. “Shifting agendas: The decay of the mainstream and rise of the independents in the context of Philippine cinema.” Inter-Asia Cultural Studies 8, no. 2 298–303.
- Tioseco, Alexis. “The Letter I Would Love to Read to You in Person.” Rogue. July 2008. <http://rogue.ph/features/2013/1/10/the-letter-i-would-love-to-read-to-you-in-person>
- Tolentino, Rolando. National/Transnational: Subject Formation and Media In and On the Philippines. Quezon City, Philippines: Ateneo De Manila University Press, 2001.
- “Tolentino, Rolando Piracy Regulation and the Filipino's Historical Response to Globalization.” Social Science Diliman 5, no. 1–2 (2008–2009): 1–25.
- Torres, John. “Piracy Boom Boom.” In Glimpses of Freedom: Independent Cinema in Southeast Asia, ed. May Adadol Ingawanij and Benjamin McKay Ithaca, NY: Cornell University Press, 2011.
- Trice, Jasmine Nadua. “The Quiapo Cinémathèque Transnational DVDs and Alternative Modernities in the Heart of Manila.” International Journal of Cultural Studies 13, no. 5 (2007): 531–550.
- Tsing, Anna Lowenhaupt. Friction: An Ethnography of Global Connection. Durham: Duke University Press, 2004.
- Willemen, Paul. Looks and Frictions: Essays in Cultural Studies and Film Theory. London, UK/Bloomington, IN: British Film Institute and Indiana University Press, 1994.
- Willemen, Paul. “For a comparative film studies.” Inter-Asia Cultural Studies 6, no. 1 (2005): 98–112.
- Yoshimoto, Mitsuhiro. “The Difficulty of Being Radical: The Discipline of Film Studies and the Postcolonial World Order.” Boundary 2, no. 18 (1991): 242–57.
- Zimoonstar, Reply, “Where can you find/buy Z's movies in the Philippines,” ZhangZiyi.com.CN, April 7th, 2003, 11:06 PM. <http://www.ziyifilms.com/zboard/archive/index.php3/t-7588.html> (accessed June 24, 2010).
- ziyimaniac, Reply, “Where can you find/buy Z's movies in the Philippines,” ZhangZiyi.com.CN, March 27th, 2003, 03:01 AM. <http://www.ziyifilms.com/zboard/archive/index.php3/t-7588.html> (accessed June 24, 2010).