Works Cited
- Australian Bureau of Statistics (ABS). Cinema Attendance—Perspective on Culture, March 2011 (No. 4172.0.55.001). (Canberra: ABS, 2011). <http://www.abs.gov.au/ausstats/[email protected]/Products/4172.0.55.001∼March+2011∼Main+Features∼Cinema+Attendance?OpenDocument>
- Australian Bureau of Statistics (ABS). Attendance at Selected Cultural Venues and Events 2013–14 (No. 4114.0). (Canberra: ABS, 2015). <http://www.abs.gov.au/ausstats/[email protected]/mf/4114.0>
- Borja, Karla, Suzanne Dieringer, and Jesse Daw. The Effect of Music Streaming Services on Music Piracy Among College Students. Computers in Human Behavior 45: April (2015), 69–76.
- Burton, Lee. The Options Generation: A Discussion of Young Australians' Media Use. Australian Screen Education 22 (2000), 54–63.
- Cenite, Mark, Michelle Wanzheng Wang, Chong Peiwen, and Germaine Shimin Chan. More Than Just Free Content Motivations of Peer-to-Peer File Sharers. Journal of Communication Inquiry 33: 3 (2009), 206–221.
- Chia, Joy, and Gae Synnott. An Introduction to Public Relations and Communication Management (Oxford: Oxford University Press, 2013).
- Cronan, Timothy Paul, and Sulaiman Al-Rafee. Factors That Influence the Intention to Pirate Software and Media. Journal of Business Ethics 78:4 (2008), 527–545.
- Danaher, Brett, and Joel Waldfogel. Reel Piracy: The Effect of Online Film Piracy on International Box Office Sales. <http://papers.ssrn.com/sol3/papers.cfm?abstract_id=1986299>
- Decherney, Peter. Hollywood's Copyright Wars: From Edison to the Internet (New York: Columbia University Press, 2012).
- Donoghue, Courtney Brannon. Death of the DVD Market and the Rise of Digital Piracy: Industrial Shifts in the Spanish Film Market Since the 2000s. Quarterly Review of Film and Video, 31: 4 (2014), 350–363.
- Global Web Index, Global-Internet Usage Motivations—All Motivations—Very Important. GWI Social, Q3Y14-E. <http://www.globalwebindex.net>
- Gray, Timothy. At one with the Cult of the DVD. Variety Magazine, January 6–12, 2010, 52.
- Jacobs, Ruud S., Ard Heuvelman, Maurice Tan, and Oscar Peters. Digital movie piracy: A perspective on downloading behavior through social cognitive theory. Computers in Human Behavior 28:3 (2012), 958–967.
- Jewkes, Yvonne, and Majid Yar. Handbook of Internet Crime (Hoboken: Taylor and Francis, 2013).
- Katz, Elihu, Hassadah Haas, and Michael Gurevitch. On the Use of the Mass Media for Important Things. American Sociological Review 38:2 (1973), 164–181.
- Katz, Elihu. Hadassah Haas, and Michael Gurevitch. 20 Years of Television in Israel: Are There Long-Run Effects on Values, Social Connectedness, and Cultural Practices?. Journal of Communication 47:2 (1997), 3–20.
- Flick, Uwe. An Introduction to Qualitative Research (Berlin: Sage, 2014).
- Kinnally, William, Anamarcia Lacayo, Steven McClung, and Barry Sapolsky. Getting Up on the Download: College Students' Motivations for Acquiring Music Via the Web. New Media & Society 10:6 (2008), 893–913.
- Lilienfeld, Scott O., Steven Jay Lynn, and L. Namy. Psychology: From Inquiry to Understanding (Boston: Pearson, 2014).
- Maxfield, Sean. (2003). Media at the Movies: Analyzing the Movie-Viewing Audience, Masters thesis, University of Florida. <http://etd.fcla.edu/UF/UFE0001560/maxfield_s.pdf>
- McQuail, Denis. McQuail's Mass Communication Theory (6th ed.) (London: Sage, 2010).
- Möller, K. E. Kristian, and Pirjo Karppinen. Role of motives and attributes in consumer motion picture choice. Journal of Economic Psychology 4:3 (1983), 239–262.
- Motion Pictures Distributors Association of Australia (MPDAA). Media Release (Sydney: MPDAA, 2015). <http://www.mpdaa.org.au/customers/mpdaa/mpdaa.nsf/(pressreleasesbydate)/21-1-2015/$file/media%20release%20year%20end%202014.pdf>
- Nelmes, Jill. Introduction to Film Studies (London: Routledge, 2012).
- Pardo, Alejandro. Digital Hollywood: How Internet and Social Media are Changing the Movie Business. In Handbook of Social Media Management—Value Chain and Business Models in Changing Media Markets, edited by Mike Friedrichsen & Wolfgang Mühl-Benninghaus (Berlin: Springer, 2013).
- Plunkett, Jack. Plunkett's Entertainment & Media Industry Almanac 2013 (Houston: Plunkett Research, 2013).
- Rodowick, David. The Virtual Life of Film (Boston: Harvard University Press, 2009).
- Sandulli, Francesco D. CD Music Purchase Behavior of P2P Users. Technovation 27:6 (2007), 325–334.
- Screen Australia. What to Watch? Audience Motivation in a Multi-Screen World. (Ultimo, NSW, Australia: Screen Australia, 2013). <http://www.screenaustralia.gov.au/research/what_to_watch.aspx>
- Sheehan, Brian, Tsao James, and SungUn Yang. Motivations for Gratifications of Digital Music Piracy Among College Students. Atlantic Journal of Communication 18:5 (2010), 241–258.
- Straubhaar, Joseph, Robert LaRose, and Lucinda Davenport. Media Now: Understanding Media, Culture and Technology (7th ed.) (Boston: Cengage Learning, 2013).
- Suddath, Claire. Can BitTorrent be good for Hollywood? Bloomberg Businessweek May 6, 2013, p. 80.
- Tesser, Abraham, Karen Millar, and Cheng-Huan, Wu. On the Perceived Functions of Movies. Journal of Psychology: Interdisciplinary and Applied 122:5 (1988), 441–449.
- Thussu, Daya. International Communication: Continuity and Change (2nd ed.). (London: Bloomsbury Academic, 2006).
- Ulin, Jeff. The Business of Media Distribution: Monetizing Film, TV and Video Content in an Online World (Burlington/Oxford: CRC Press, 2013).
- Wang, Xiao, and Steven R. McClung. Toward a Detailed Understanding of illegal Digital Downloading Intentions: An Extended Theory of Planned Behavior Approach. New Media & Society 13:4 (2011), 663–677.
- Wingrove, Twila, Angela L. Korpas, and Victoria Weisz. Why Were Millions of people Not Obeying the Law? Motivational Influences on Non-Compliance With the Law in the Case of Music Piracy. Psychology, Crime & Law 17:3 (2011), 261—276.