1,243
Views
3
CrossRef citations to date
0
Altmetric
Original Articles

Looking East: Christian Petzold's Barbara (2012)

Works cited

  • Abel, Marco. Christian Petzold: Heimat-Building as Utopia. The Counter-Cinema of the Berlin School (Rochester: Camden House, 2013), 69—110.
  • Abel, Marco. Imaging Germany: The (Political) Cinema of Christian Petzold. The Collapse of the Conventional: German Film and Its Politics at the Turn of the Twenty-First Century, edited by Brad Prager and Jaimey Fisher (Detroit: Wayne State University Press, 2010) 258–284.
  • Abel, Marco. Intensifying Life: The Cinema of the Berlin School. Cineaste 33.4 (Fall 2008).
  • Abel, Marco. “Old Dürer,” The Counter-Cinema of the Berlin School (Rochester, NY: Camden House, 2013), 86–90.
  • Abel, Marco. “Tender Speaking”: An Interview with Christoph Hochhäusler. Senses of Cinema 42 (January–March 2007).
  • Abel, Marco. “The Cinema of Identification Gets on My Nerves”: An Interview with Christian Petzold. Cineaste 33.3 (Summer 2008).
  • Abel, Marco. The Counter-Cinema of the Berlin School (Rochester, NY: Camden House, 2013).
  • Abel, Marco, and Gerhardt, Christina, eds. The Berlin School: The Dreileben Project. German Studies Review 36:3 (October 2013), 603–642.
  • Andrew, Dudley. Foreword. Global Art Cinema: New Theories and Histories, edited by Rosalind Galt and Karl Schoonover (Oxford: Oxford University Press, 2010) v—xi.
  • Ausreisen oder Dableiben? Regulierungsstrategien der Staatssicherheit (Berlin: Bundesbeauftragte für die Unterlagen der Stasi der ehemaligen DDR, 1998).
  • Bräunig, Werner. Rummelplatz (Berlin: Aufbau Verlag, 2007).
  • Broch, Hermann. Die Verzauberung, vol. 3 Kommentierte Werkausgabe (Frankfurt am Main: Suhrkamp, 1978), 187–202.
  • Broch, Hermann. Novellen, Kommentierte Werkausgabe, vol. 6, edited by Paul Michael Lutzeler (Frankfurt am Main: Suhrkamp, 1980), 222–247.
  • Brooks, Peter. The Melodramatic Imagination: Balzac, Henry James, Melodrama and the Mode of Excess (New Haven: Yale University Press, 1996).
  • Cooke, Paul. Representing East Germany Since Reunification: From Colonization to Nostalgia (New York: Berg, 2005).
  • Cook, Roger F., Koepnick, Lutz, Kopp, Kristin, and Prager, Brad, eds., Berlin School Glossary (New York: Intellect, 2013).
  • Cook, Roger F. Goodbye Lenin! Free-Market Nostalgia for Socialist Consumerism. Seminar 43:2 (2007), 206–219.
  • Dargis, Manohla. Pushed and Pulled, A Doctor Wants a Way Out. New York Times December 21, 2012, C1.
  • Dealing with the GDR Past in Today's Germany: The Lives of Others [special section of five articles]. German Studies Review 31:3 (2008), 557–610.
  • Die Verzauberung, vol. 3, Kommentierte Werkausgabe (Frankfurt au Main: Suhrkamp, 1978), 187–202.
  • Doane, Mary Ann. The Desire to Desire (Bloomington: Indiana University Press, 1987).
  • Fisher, Jaimey. Christian Petzold (Urbana: University of Illinois Press, 2013).
  • Fisher, Jaimey. German Historical Film as Production Trend: European Heritage Cinema and Melodrama. The Lives of Others,” Collapse of the Conventional: German Film and its Political at the Turn of the Twenty-First Century, edited by Jaimey Fisher and Brad Prager (Detroit: Wayne State University Press, 2010), 186–215.
  • Fisher, Jaimey. Globalization as Uneven Geographic Development: The “Creative” Destruction of Place and Fantasy in Christian Petzold's Ghost Trilogy. Seminar: A Journal of Germanic Studies 47:4 (September 2011), 447–464.
  • Gerhardt, Christina. “Winning a (Hi)Story out of Places”: Petzold's Germany in Etwas Besseres als den Tod (2011). German Studies Review 36.3 (October 2013), 617–625.
  • Gerhardt, Christina. Working Through the Past: Christian Petzold's The State I am In. Zeiträume: Potsdamer Almanach (Göttingen: Wallstein, 2010), 31–42.
  • Hoss, Nina. Barbara: Ein Film von Christian Petzold—Making of <http://www.barbara-der-film.de/making-of-Petzold-Hoss-Zehrfeld.php>
  • Kaes, Anton. “Germany as Memory: Edgar Reitz's Heimat,” From Hitler to Heimat: The Return of History as Film (Cambridge, MA: Harvard University Press, 1989), 161–192.
  • Kapczynski, Jennifer M. Negotiating Nostalgia: The GDR Past in Berlin Is in Germany and Good-bye Lenin. Germanic Review 82:1 (2007), 78–100.
  • King, Alisdair. The Postman Always Rings Twice: Christian Petzold's Heimat film noir Jerichow. Transit 6 (2010). <http://transit.berkeley.edu/2010/king/>
  • Kothenschulte, Daniel. <Die blaue Stunde der einsamen Heimat. Frankfurter Rundschau January 7, 2009. <http://www.fr-online.de/in_und_ausland/kultur_und_medien/feuilleton/1655852_die-blaue-stunde-der-einsamen-heimat.html>
  • Koepnick, Lutz. Heritage Cinema and the Holocaust in the 1990s. New German Critique 87 (2002), 47–82.
  • Lutzeler, Paul Michael. Die Männer sind anders: Christian Petzolds und Hermann Brochs Barbara. Der Tagesspiegel. June 3, 2012, 28.
  • Miller, Matthew. Facts of Migration, Demands on Identity: Christian Petzold's Yella and Jerichow in Comparison. German Quarterly 85:1 (Winter 2012), 55–76.
  • Nicodemus, Katja. Berlinale 2012: Ein Festival der Frauen. Die Zeit. February 17, 2012. <http://www.zeit.de/2012/08/k-berlinale>
  • Nord, Cristina. Ich wollte, dass die DDR Farben hat: Interview mit Christian Petzold. Die tageszeitung, February 11, 2012, 47.
  • Petzold, Christian. Barbara: Interview with Christian Petzold. Electric Sheep September 28, 2012. <http://www.electricsheepmagazine.co.uk/features/2012/09/28/barbara-interview-with-christian-petzold/>
  • Prager, Brad. Passing Time Since the Wende: Recent German Film on Unification. German Politics and Society 28:1 (March 2010), 95–110.
  • Petzold, Christian. Director's Note. <http://www.barbara-der-film.de/directors_note.php>
  • Rentschler, Eric. From New German Cinema to the Post-Wall Cinema of Consensus. Cinema and Nation, edited by Mette Hjort and Scott MacKenzie (London: Routledge, 2000), 260–277.
  • Rentschler, Eric. The Surveillance Camera's Quarry in Hochhäusler's Eine Minute Dunkel. German Studies Review 36:3 (October 2013), 635–642.
  • Roy, Rajendra, and Leweke, Anke, eds. The Berlin School: Films of the Berliner Schule (New York: Museum of Modern Art, 2013).
  • Seibert, Marcus, ed. Revolver Live: Neue realistische Schule? Revolver: Kino muss gefährlich sein (Frankfurt am Main: Verlag der Autoren, 2006), 342–363.
  • Scott, A. O. Neo-Neo-Realism—American Directors Make Clear-Eyed Movies for Hard Times. New York Times Magazine. March 17, 2009 <http://www.nytimes.com/2009/03/22/magazine/22neorealism-t.html>
  • Strathausen, Carsten. Surveillance. Berlin School Glossary, edited by Roger F. Cook, Lutz Koepnick, Kristin Kopp, and Brad Prager (New York: Intellect, 2013), 255–262.
  • The Legend of Rita. Dir. Volker Schlöndorff. Kino Video, 2000. DVD.
  • The Lives of Others. Dir. Florian Henckel von Donnersmarck. Sony, 2007. DVD.
  • The Return of the Real: Realism and Everyday Life in Contemporary German Language Film. Symposium at the Goethe Institute/King's College, London, UK, July 3–5, 2013.
  • Vincendeau, Ginette ed. Film/ Literature/ Heritage (London: BFI 2001).
  • von Moltke, Johannes. No Place Like Home: Locations of Heimat in German Cinema (Berkeley: University of California Press, 2005).
  • Wagenbach, Klaus. Der Verlag Klaus Wagenbach. Wie ich hereinkam und wie er zwischen 1965 und 1980 aussah. Ausgerechnet Bücher. Einunddreissig verlegerische Selbstporträts (Berlin: Ch. Links, 1998), 96–105.
  • Williams, Linda. The American Melodramatic Mode. Playing the Race Card: Melodramas of Black and White from Uncle Tom to O.J. Simpson (Princeton: Princeton University Press, 2002), 10–44.
  • Williams, Linda. Something Else Besides a Mother': Stella Dallas and the Maternal Melodrama. Cinema Journal 24.1 (Fall 1984), 2—27.
  • Zehrfeld, Ronald. Barbara: Ein Film von Christian Petzold—Making of <http://www.barbara-der-film.de/making-of-Petzold-Hoss-Zehrfeld.php>

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.