Works Cited
- Abbotson, Susan C. W. Critical Companion to Arthur Miller: A Literary Reference to His Life and Work (New York: Infobase Publishing, 2007).
- Ackerman, Alan. A Student Handbook to the Plays of Arthur Miller: All My Sons, Death of a Salesman, The Crucible, A View from the Bridge, Broken Glass (Edinburgh: A&C Black, 2013).
- Bigsby, C. W. E. Arthur Miller: A Critical Study (Cambridge, UK: Cambridge University Press, 2005).
- Bloom, Harold. Arthur Miller’s The Crucible; Bloom’s Guides (New York: Infobase Publishing, 2010).
- Bloom, Harold. Arthur Miller’s The Crucible; Bloom’s Modern Critical Interpretations (New York: Infobase Publishing, 2008).
- de Lauretis, Teresa. The Technology of Gender. Technologies of Gender (Palgrave Macmillan UK, 1987), pp. 1–30.
- Hatchuel, Sarah. Shakespeare, from stage to screen. Cambridge University Press, 2004.
- Hollway, Wendy. Gender Difference and the Production of Subjectivity. Changing the Subject: Psychology, Social Regulation and Subjectivity (New York: Routledge, 1998), pp. 223–261.
- Miller, Arthur. The Crucible: A Play in Four Acts. New York: Viking Press, 1953.
- Morgan, Marie. The Crucible. New England Quarterly 70:1 (1997), 125–129.
- Rando, Flavia. The Essential Representation of Woman. Art Journal 50:2 (1991), 48–52.
- Smith, Leonard. The Crucible by Arthur Miller, Macmillan, 1986.
- The Crucible. Dir. Nicholas Hytner. Daniel Day-Lewis, Winona Ryder, Joan Allen (Twentieth-Century Fox, 1996).