180
Views
0
CrossRef citations to date
0
Altmetric
Articles

Criminal Justice: Televisual Policing in the Post-9/11 Age of Anxiety

Work Cited

  • Agamben, Giorgio. 2005. State of Exception. Chicago: The University of Chicago Press. http://www.SLQ.eblib.com.au/patron/FullRecord.aspx?p=547685.
  • Bainbridge, Jason. 2017. “Beyond the Law: What is so ‘Super’ about Superheroes and Supervillains?” International Journal for the Semiotics of Law – Revue Internationale de Sémiotique Juridique 30 (3): 367–388. doi:10.1007/s11196-017-9514-0
  • Conte, Joseph M. 2020. “The Deep Web of Conspiracies: Under the Shadow of Trump Tower in Thomas Pynchon’s Bleeding Edge.” In Trump Fiction Essays on Donald Trump in Literature, Film, and Television, edited by Stephen Hock, 97–111. London: Lexington Books.
  • Grahmlich, John. 2018. “Defending against Terrorism Has Remained a Top Policy Priority for Americans since 9/11.” Pew Research Center. https://www.pewresearch.org/fact-tank/2018/09/11/defending-against-terrorism-has-remained-a-top-policy-priority-for-americans-since-9-11/.
  • Grusin, Richard. 2004. “Premediation.” Criticism 46 (1): 17–39. doi:10.1353/crt.2004.0030
  • Hobsbawm, E. J. 1959. Primitive Rebels: Studies in Archaic Forms of Social Movement in the 19th and 20th Centuries. Manchester: Manchester University Press.
  • Hobsbawm, E. J. 1981. Bandits. New York: Pantheon Books.
  • Kaminsky, Stuart M., and Jeffrey Mahan. 1984. American Television Genres. Chicago: Wadsworth Pub Co.
  • Kooistra, Paul. 1989. Criminals as Heroes: Structure, Power & Identity. Bowling Green, Ohio: Bowling Green State University Popular Press.
  • Martin-Jones, David, and M. L. R. Smith. 2016. “The Rise of Dark Americana: Depicting the ‘War on Terror’ on-Screen.” Studies in Conflict & Terrorism 39 (1): 1–21. doi:10.1080/1057610X.2015.1084802
  • McCollum, Victoria. 2019. “Introduction.” In Make America Hate Again: Trump-Era Horror and the Politics of Fear, edited by Victoria McCollum, 1–15. London; New York: Routledge.
  • McGowan, Todd. 2009. “The Exceptional Darkness of the Dark Knight.” Jump Cut: A Review of Contemporary Media 2019: 1–19.
  • McSweeney, Terence. 2020. The Contemporary Superhero Film: Projections of Power and Identity. New York: Wallfower Press.
  • Mittell, Jason. 2015. Complex TV: The Poetics of Contemporary Television Storytelling. New York: New York University Press.
  • Obama, Barack. 2010. “Remarks by the President on Strengthening Intelligence and Aviation Security.” The White House. https://obamawhitehouse.archives.gov/the-press-office/remarks-president-strengthening-intelligence-and-aviation-security.
  • Prince, Stephen. 2009. Firestorm: American Film in the Age of Terrorism. New York: Columbia University Press.
  • Ritchie, David T. 2008. “Western Notions of Justice: Legal Outsiders in American Cinema Symposium: Legal Outsiders in American Film.” Suffolk University Law Review 42: 849–868.
  • Rives-East, Darcie. 2019. Surveillance and Terror in Post-9/11 British and American Television. Cham: Springer International Publishing.
  • Rumsfeld, Donald H. 2002. “DoD News Briefing – Secretary Rumsfeld and Gen. Myers.” Department of Defense – Press Operations. https://archive.defense.gov/Transcripts/Transcript.aspx?TranscriptID=2636.
  • Schmid, David. 2005. Natural Born Celebrities: Serial Killers in American Culture. Chicago: University of Chicago Press.
  • Smith, Victoria L. 2011. “Our Serial Killers, Our Superheroes, and Ourselves: Showtime’s Dexter.” Quarterly Review of Film and Video 28 (5): 390–400. doi:10.1080/10509200902820688
  • Steiner, Tobias. 2018. “What Would Jack Bauer Do? Negotiating Trauma, Vengeance and Justice in the Cultural Forum of Post-9/11 TV Drama, from 24 to Battlestar Galactica and Person of Interest.” European Journal of American Studies 13(4): n.p.. doi:10.4000/ejas.14045
  • Tasker, Yvonne. 2016. “Sensation/Investigation: Crime Television and the Action Aesthetic.” New Review of Film and Television Studies 14 (3): 304–323. doi:10.1080/17400309.2016.1187027
  • Treat, Shaun. 2009. “How America Learned to Stop Worrying and Cynically ENJOY! the Post-9/11 Superhero Zeitgeist.” Communication and Critical/Cultural Studies 6 (1): 103–109. doi:10.1080/14791420802663728
  • Welsh, Andrew, Thomas Fleming, and Kenneth Dowler. 2011. “Constructing Crime and Justice on Film: Meaning and Message in Cinema.” Contemporary Justice Review 14 (4): 457–476. doi:10.1080/10282580.2011.616376

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.