Dialectical Thinking. Truth, Imagination and the Politics of Historical Memory: Godard, Benjamin and Warburg

Work Cited

• Aumont, Jacques. 1999. Amnésies: Fictions du Cinéma D’aprés J.-L. Godard. Paris: P.O.L.
   Google Scholar
• Arendt, Hannah. 1968. “Introduction. Walter Benjamin: 1892-1940.” In Illuminations, edited by Hannah Arendt, 1–49. New York: Schocken Books.
   Google Scholar
• Benjamin, Walter. 1969a. “Theses on the Philosophy of History.” In Illuminations, edited by Hannah Arendt, 253–264. New York: Schocken Books [1940].
   Google Scholar
• Benjamin, Walter. 1998. “Epistemo-Critical Prologue.” In The Origin of German Tragic Drama, translated by John Osborne, 27–56. London and New York: Verso [1925].
   Google Scholar
• Benjamin, Walter. 1999a. The Arcades Project. Trans. H. Eiland and K. McLaughlin. Cambridge, MA and London: Belknap Harvard Press [1927–1940].
   Google Scholar
• Benjamin, Walter. 1999b. “Excavation and Memory.” In Selected Writings: 1927–1934, edited by Michael W. Jennings, Vol. 2. Cambridge: Harvard University Press.
   Google Scholar
• Benjamin, Walter. 2002. “Theological-Political Fragment.” In Selected Writings, edited by Michael W. Jennings, Vol. 3, 305–306, translated by Edmund Jephcott, Howard Eiland, and Others. Cambridge: Harvard University Press [1938?].
   Google Scholar
• Benjamin, Walter. 2011. “The Metaphysics of Youth, 1913–1914.” In Early Writings 1910-1917. translated H. Eiland and Others, 144–160. Cambridge, MA and London: The Belknap Press of Harvard University.
   Google Scholar
• Bellour, Raymond. 1999. L’entre Images 2: Mots, Images. Paris: P.O.L.
   Google Scholar
• Bergson, Henri. 1919. Matière et Mémoire: Essai Sur la Relation du Corps a L’Esprit. Paris: Libraire Félix Alcan,
   Google Scholar
• Blanco, María del Pilar, and Esther Peeren. 2013. Introduction to the Spectralities Reader: Ghosts and Haunting in Contemporary Cultural Theory, edited by Pilar Blanco and Esther Peeren. London and New York: Bloomsbury.
   Google Scholar
• Dall’Asta, Monica. 2007. “The (Im)Possible History.” In For Ever Godard, edited M. Temple, J. S. Williams, and M. Witt, 350–363. London: Black Dog Press.
   Google Scholar
• Deleuze, Gilles. 1986. Foucault. Paris: Éditions de Minuit.
   Google Scholar
• Deleuze, Gilles. 1994. “The Image of Thought.” In Difference and Repetition, translated by Paul Patton. London and New York: The Athlone Press.
   Google Scholar
• Deleuze, Gilles. 1989. Cinema 2: The Time-Image. Minneapolis: University of Minnesota Press.
   Google Scholar
• Deleuze, Gilles, and Félix Guattari. 1994. What is Philosophy? New York: Columbia University Press.
   Google Scholar
• Derrida, Jacques. 1994. Specters of Marx: The State of the Debt, the Work of Mourning and the New International, translated by Peggy Kamuf. New York and London: Routledge,
   Google Scholar
• Didi-Huberman, Georges. 2002. L’Image Survivante: Histoire de L’Art et Temps de Fantêmes selon Aby Warburg. Paris: Les Éditions de Minuit.
   Google Scholar
• Didi-Huberman, Georges. 2007. “Knowledge: Movement (the Man Who Spoke to Butterflies).” In Aby Warburg and the Image in Motion, edited by Philippe-Alain Michaud. New York: Zone Books,
   Google Scholar
• Didi-Huberman, Georges. 2008. Images in Spite of All. Trans. Shane B. Lillis. Chicago and London: The University of Chicago Press.
   Google Scholar
• Duarte, Miguel Mesquita. 2021. “Grammatology of the Nymph: Godard and Warburg.” [in]Transition: Journal of Videographic Film and Moving Image Studies 8.1. http://mediacommons.org/intransition/grammatology-nymph-godard-and-warburg.
   Google Scholar
• Emmelhainz, Irmgard. 2019. Jean-Luc Godard's Political Filmmaking. London: Palgrave MacMillan,
   Google Scholar
• Fieschi-Vivet, Laetitia. 2000. “Investigation of a Mystery: Cinema and the Sacred in Hélas Pour Moi.” In The Cinema Alone. Essays on the Work of Jean-Luc Godard 1985-2000, edited by M. Temple and J. S. Williams, 189–206. Amsterdam: Amsterdam University Press.
   Google Scholar
• Hansen, Miriam. 1992. “Mass Culture as Hieroglyph: Adorno, Derrida, Kracauer.” New German Critique 56: 43–73. doi:https://doi.org/10.2307/488328
   Google Scholar
• Heywood, Miriam. 2009. “Holocaust and image: Debates surrounding Jean-Luc Godard's Histoire(s) du cinéma (1988–98).” Studies in French Cinema 9 (3): 273–283.
   Web of Science ®Google Scholar
• Iversen, Margaret. 1998. “Retrieving Warburg’s Tradition.” In The Art of Art History: A Critical Anthology, 215–225. New York: Oxford Press.
   Google Scholar
• Johnson, Christopher D. 2016. “Meanderings through Aby Warburg’s Atlas.” https://warburg.library.cornell.edu/about.
   Google Scholar
• Kracauer, Siegfried. 1995. “On the Writings of Walter Benjamin.” In The Mass Ornament, translated Thomas Y. Levin, 259–264. Cambridge, MA and London: Havard University Press.
   Google Scholar
• Michaud, Philippe-Alain. 2007. Aby Warburg and the Image in Motion. New York: Zone Books.
   Google Scholar
• Morgan, Daniel. 2013. Late Godard and the Possibilities of Cinema. Berkeley and Los Angeles: University of California Press.
   Google Scholar
• Pensky, Max. 1997. “Adorno’s Actuality.” In The Actuality of Adorno: Critical Essays on Adorno and the Postmodern, edited by Max Pensky, 1–22. New York: State University of New York Press.
   Google Scholar
• Querini, Gino. 2016. “On the Political Use of Images. Some Reflections on the Last Panels of Aby Warburg's Mnemosyne Atlas.” Studies in Visual Arts and Communication: An International Journal 2 (2): 1–25. http://journalonarts.org/wp-content/uploads/2016/07/SVACij_Vol2_No2-2015-Querini-Warburg_Mnemosyne_Atlas.pdf.
   Google Scholar
• Rampley, Matthew. 1999. “Archives of Memory: Walter Benjamin's Arcades Project and Aby Warburg's Mnemosyne Atlas.” In The Optic of Walter Benjamin, edited by Alex Coles, Vol. 3, 94–117. London: De-, Dis-, Ex- Black Dog Publishing.
   Google Scholar
• Rancière, Jacques. 2001. La Fable Cinématographique. Paris: Seuil,
   Google Scholar
• Rancière, Jacques. 2003. Le Destin des Images. Paris: La Fabrique,
   Google Scholar
• Rancière, Jacques. (Interview). 2003. “Où en est le God-Art?” CinémAction 109: 106–112. http://simpleappareil.free.fr/lobservatoire/index.php?2007/11/25/43-ranciere-cinemaction.
   Google Scholar
• Ricoeur, Paul. 1997. La Mémoire, L’Histoire, L’Oubli. Paris: Seuil [2000].
   Google Scholar
• Rodowick, D. N. 1997. Gilles Deleuze’s Time Machine. Durham and London: Duke University Press.
   Google Scholar
• Saxton, Libby. 2004. “Anamnesis and Bearing Witness: Godard/Lanzmann.” In For Ever Godard, edited by M. Temple, J. S. Williams, and M. Witt, 364–379. London: Black Dog.
   Google Scholar
• Sayad, Cecilia. 2013. Performing Authorship: Self-Inscription and Corporeality in the Cinema. London and New York: I.B. Tauris.
   Google Scholar
• Scemama, Céline. 2006. Histoire(s) du cinéma de Jean-Luc Godard: La force faible d'un art. Paris: L'Harmattan.
   Google Scholar
• Schöell-Glass, Charlotte. 2001. “Serious Issues: The Last Plates of Warburg’s Picture Atlas.” In Art History as Cultural History: Warburg’s Projects, edited by R. Woodfield, 183–208. London: Routledge.
   Google Scholar
• Schwarz, Gudrun, et al. 2015. Walter Benjamin's Archive. Translated by Esther Leslie. London and New York: Verso Books.
   Google Scholar
• Warburg, Aby. 1939. “A Lecture on Serpent Ritual.” Journal of the Warburg Institute 2 (4): 277–292. doi:https://doi.org/10.2307/750040
   Google Scholar
• Warburg, Aby. 2007. “Memories of a Journey through the Pueblo Region. Unpublished Notes for the Kreuzlingen Lecture on the Serpent Ritual (1923).” In Philippe-Alain Michaud, Aby Warburg and the Image in Motion, 293–335. New York: Zone Books.
   Google Scholar
• Warburg, Aby. 2009. “The Absorption of Expressive Values of the Past.” Trans. Matthew Rampley. Art in Translation 1 (2): 273–283. doi:https://doi.org/10.2752/175613109X462708
   Google Scholar
• Witt, Michael. 2013. Jean-Luc Godard: Cinema Historian. Bloomington and Indianapolis: Indiana University Press.
   Google Scholar
• Woodfield, Richard, eds. 2001. Introduction to Art History as Cultural History: Warburg’s Projects. London and New York: Routledge,
   Google Scholar